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![The art of film editing pdf
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A Danish Journal of Film Studies 3. p.o.v.. Number 6, December 1998. The Art of Film Editing. Mark Le Fanu. On editing. Vinca Wiedemann. Film editing – a hidden art? Søren Kolstrup. The notion of editing. Sidsel Mundal. Notes of an editing teacher. Edvin Kau. Separation or combination of fragments? Fine Cuts: The Ar](http://cdn08.dayviews.com/501/_u4/_u2/_u3/_u5/_u5/_u7/u4235579/97146_1522687461/The_art_of_film_editing_pdf_the_art_of_film_editing_pdf_Download_Link_http_nupeqa_lopkij_ru_21.jpg)
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The art of film editing pdf
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=========> the art of film editing pdf [>>>>>> Download Link <<<<<<] (http://nupeqa.lopkij.ru/21?keyword=the-art-of-film-editing-pdf&charset=utf-8)
-----------------------------------------------------------------------------------------------------------------------
=========> the art of film editing pdf [>>>>>> Download Here <<<<<<] (http://ljsuxh.bytro.ru/21?keyword=the-art-of-film-editing-pdf&charset=utf-8)
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Copy the link and open in a new browser window
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A Danish Journal of Film Studies 3. p.o.v.. Number 6, December 1998. The Art of Film Editing. Mark Le Fanu. On editing. Vinca Wiedemann. Film editing – a hidden art? Søren Kolstrup. The notion of editing. Sidsel Mundal. Notes of an editing teacher. Edvin Kau. Separation or combination of fragments? Fine Cuts: The Art of European. Film Editing. Roger Crittenden. AMSTERDAM • BOSTON • HEIDELBERG • LONDON •. NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO •. SINGAPORE • SYDNEY • TOKYO. Focal Press is an imprint of Elsevier. Topics film, editing, films, editor, erm, cut, sound, cutting, cinema, director, cutting room, film school, roberto perpignani, mick audsley, jonathan morris, yann dedet, sabine mamou, mike ellis, roger crittenden, agnes guillemot. Collection cinemabooks; folkscanomy; additional_collections. Language English. Notes. some content may be lost due to the binding of the book. Bookplateleaf 0004. Camera Canon EOS 5D Mark II. Identifier techniquefilmedit00reis. Identifier-ark ark:/13960/t12n69f8x. Ocr ABBYY FineReader 8.0. Page-progression lr. Pages 298. Ppi 500. Scandate 20120717225201. Scanner. Tour. One of his stops was my cutting room, where I was asked to say a few words by way of defining my craft. I was young and enthusiastic. Some twenty minutes later, as I paused for breath, the Baron smiled. 'It would appear,' he said, 'that film editing is the art of filmmaking." I agreed, trying to ignore the twinkle in his eyes. My interest in writing this book began when I was finishing the practi- cal course work for my M.A. in Editing at the Australian Film Television and Radio School (AFTRS). I was approached by the head of the editing department, Bill Russo, ASE, about the possibility of researching editing history and theory for the purposes of. Awards: “The Conversation", 1974 British Academy (BAFTA) Film Awards for Best Film Editing and BestSound; “Apocalypse Now", 1979 Academy Award fo... existing visual materials alone to formulate their assumptions about the historical legacy of the medium. One cannot sepa- rate the image on the screen from its political, cultural, and economic contexts. After all, it was economic self-interest that propelled ABC to air the Army-McCarthy hearings in the. 1950s—they had no. an intercut design using Multimedia technology to film editing providing multiple and variety plots in one film.. most basic level, film editing is the art, technique, and practice of assembling shots into a coherent... Source: http://brainstorming.co.uk/documents/brainstormingrules.pdf. [25] R. Goodwin," The films you need to. The space of editing: playing with difference in art, film and writing. Grant Stevens. Bachelor of Fine Arts (Honours) (QUT). Submitted in fulfilment of the requirements of the degree of. Doctor of Philosophy. 2007. Visual Arts. Creative Industries Faculty. Queensland University of Technology. Additional labs as noted. CLASS WEBSITE: http://intranet.tft.ucla.edu/students/filmtv/classes/122D_2/. COURSE DESCRIPTION: FTV 122D offers an overview of “the invisible art": Film and Digital Editing. An editor's job is to decide, 24 times a second, where the audience needs to be. Do we stay in a shot or. http://intranet.tft.ucla.edu/students/filmtv/classes/122D_2/. COURSE DESCRIPTION: FTV 122D offers an overview of “the invisible art": Film and Video Editing. An editor's job is to decide, 24 times a second, where the audience needs to be. Do we stay in a shot or transition to another, and if so, what shot and. Basics of Video. Editing Technology. BFM7121 Basic Editing. Fall 2016. Tarmo Rajaleid tarmo.rajaleid@tlu.ee. the Digital Age. 4th ed. Plume 2013. Fig. 1-42. Traditional film editing. (top) Sound recorded in the field... https://www.apple.com/final-cut-pro/docs/Apple_ProRes_White_Paper.pdf. ▣. Avid DNxHR ja DNxHD. film editing to begin and to continue, then, there has to be existing filmic materials and a film-yet-to-come. The existing edit is there to be worked upon, to be. Becker treated the editorial moment as an internal dialogue with absent others from the art.... Amsterdam(August), http://www2.fmg.uva.nl/emca/RC33Broth.pdf. Download PDF 0.95MB. View abstract keyboard_arrow_down. chapter 2 | 12 pages. Mastering the Art of Film Editing. Download PDF 0.72MB. View abstract keyboard_arrow_down. chapter 3 | 16 pages. The Film Doctor Is In. Download PDF 0.69MB. View abstract keyboard_arrow_down. chapter 4 | 22 pages. Download PDF 0.31MB. View abstract keyboard_arrow_down. chapter 10 | 34 pages. Documentary. Download PDF 0.44MB. View abstract keyboard_arrow_down. Page of 2. Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual. The online version of The Healthy Edit by John Rosenberg on ScienceDirect.com, the world's leading platform for high quality peer-reviewed full-text books. Among the strategies for making sense of a given film or filmmakers, one I've found useful I've swiped from E. H. Gombrich. In Art and Illusion, he wrote of schema and revision as one way of thinking about an artist's ties to tradition. A schema is a pattern that has proven reliable for art-making in the past. DB here: The Donovan Affair was Columbia's first all-talking picture, and Frank Capra's as well. We discussed it a little in an entry devoted to a Cinema Ritrovato retrospective of Capra's films. The film lacked, and still lacks, a soundtrack, which may be lost. The Donovan Affair is an unusually fluid early talkie. JILL BILCOCK: THE ART OF FILM EDITING. END CREDITS. Director and Producer. AXEL GRIGOR. Cinematographer and Producer. FARAMARZ K-RAHBER. Executive Producer. SUE MASLIN. Editors. SCOTT WALTON. AXEL GRIGOR. Production Manager. TARA WARDROP. Additional Camera. Writer. Archive Research. Full-text (PDF) | Through a precise 3D animated reconstruction of a key scene in the movie "Back to the Future" directed by Robert Zemekis, we are able to make a detailed comparison of two very different versions of editing. The first version closely follows film editor Arthur Schmidt original seq... film editing, present a summary of state-of-the-art models and techniques, and identify both promising avenues and hot topics for future research. 2. CINEMATOGRAPHY AND EDITING. One fundamental part of cinematography, as outlined in. Maschielli's 5C's of cinematography [14] is to provide shots. An editor's work is to shape many hours of “raw" (or unwielding footage) film into a few hours of “finished" movie. It gives form to the movie. The final picture depends on how it is edited.The film editor is responsible for putting the pieces together into a coherent whole, and must guide our thoughts, associations, and. with limited possibilities to achieve a true strong emotion in the final film. As emotion seems to be the key to art and editing these findings suggest that the story changes from what it was, to what it eventually is, mostly due to the search of the strong- est emotional work, not the strongest story points, twists or resolutions. X EDITING. Inevitable interpretation; When the scissors lie;. Pictures have no tenses; Time in the film; Time as theme and experience; Continuity of form and.. aesthetic of film art. The significant thing that Bela Balazs makes clear is the impor tance of theory and the lack of appreciation of this in relation to. 'the only new. 10/15/2006 10:50 PM. The lost art of film editing - The Boston Globe. Page 1 of 2 http://www.boston.com/news/globe/ideas/articles/2006/08/13/the_lost_art_of_film_editing?mode=PF. THIS STORY HAS BEEN FORMATTED FOR EASY PRINTING. The lost art of film editing. By Jessica Winter | August 13,. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film. Quarterly... Today, most films are cut more rapidly than at any other time in U.S. studio filmmaking. Indeed, editing rates may soon hit a wall; it's hard to imagine a feature-... sizable fraction of exportable "art cinema.". Basic Film Editing. Unit 3. Non-Linear Editing. Unit 4. Sound for Post Production. Unit 5. Post Production FX/Graphics. Unit 6. Administration and Work Practice. 10. Specific Learning. Outcomes. Unit 1. Basic Video.. response to a specific assignment eg art work, engineering work etc. Examination. A means of assessing a. FILM ART AND. FILMMAKING. Film is a young medium, at least compared to most other media. Painting, literature, dance, and theater have existed for thousands of years, but film came into existence only a little more than a century... Hitchcock's decisions about staging, camera framing, sound, and editing have intensely. As an art of audio-visual storytelling, film is a medium of communication rich with. selves through film? What part does a director's vision play? How do filmmakers contribute to culture and influence societal attitudes? How can other disci- plines, such as. mixing, editing, camera and lighting, and directing. The language of.
1 Film as Art: Creativity, Technology, and Business 2. PART TWO Film Form. 2 The Significance of Fihn Form 54. 3 Narrative as a Formal System 74. PAR T T H R E E Film Style. 4 The Shot: M ise en Scene 772. 5 The Shot: Cinelnatography 762. 6 The Relation of Shot to Shot: Editing 278. 7 Sound in the. 99 min - Uploaded by Andrew SparhamWhat a great documentary! It presented very well the many techniques and details concerning. General Education Narrative: Communication 240: Introduction to Film. This is an introduction to and overview of many aspects of film and the film industry. We look at matters of its history, production and editing techniques, actors, directors, producers, film reviews and studies, film as art, what makes for a good film, etc. Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn't see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what's going on. and editing systems, we believe the same kind of high-level descriptions need. (when shots are cut and assembled by the film editor) or to describe existing. PRIOR ART. Our language is loosely based on existing practices in movie- making [31, 30] and previous research in the history of film style [3, 28]. the first shot, only seen from a different point of view—for the film editor, before joining the two sequences, to. In film, this phenomenon manifests itself in what is called point-of-view editing, and it occurs for... Carroll, “The Power," and Bordwell and Thompson, Film Art, outlined the importance of framing. improvised films. Keywords live cinema, video controller, visual music, DJ, VJ, film editing, tactile interface, two-hand interaction, improvisation, performance, narrative.. video pop art. On the most narrative end, some artists are starting to make film productions specifically for live shows, often performing simultaneously with. will be provided to you via email / Moodle in PDF format – free! They will include the selections from the following: Screenplay – Syd Field. Film Art – David Bordwell and Kristin Thompson (9th Edition). The Conversations (Walter Murch and the Art of Editing Film) by Michael Ondaatje. Film Directing Shot by Shot – Steven. course, film production involves editing, and editing typically results in a final product that is quite different from what an eyewitness to the filmed events would or could see. These days it is hard to find anyone who would seriously defend the claim that film in never art. More typical is the opposite view that all or most film is. FILM. AS. ART. Rudolf Arnheim. UNIVERSITY OF CALIFORNIA PRESS. Berkeley, Los Angeles, London. 1 Film and Reality. 8. 2 The Making of a Film. 34. 3 The Content of the Film. 134. 4 The Complete Film. 154. 1933. The Thoughts That Made the Picture. Move. 161.. This means that in editing and translating the. than in any other art, but once Eisenstein chose cinema as the supremely.. Modem Art Film Library) of "A Dialectic Approach to. Film Form," and the... as a known element. Thus new, immediate conventions are created. An amplification of this approach is given in the author's comments on Lavater, on page 127 .-EDITOR. Book Library updated May 2016. Categories: Art Direction. Acting. Business. Cinematography. Editing. Filmmaking. Film Studies. Handbooks and Guides. Hollywood / Film Industry. Horror. Manuals. Miscellaneous. Novels and Scripts. Reviews. The Invisible Art of Film Editing. By Serena Fox. How do you take hundreds of hours of expensive, star-studded Hollywood footage and boil it down, cut by cut, choice by choice, into a coherent, impactful, two-hour narrative? Until recently, this was an esoteric problem that few of us could relate to. But in an. Eisenstein's film Battleship Potemkin (1925) was a revolutionary propaganda film that he used to test his theories of using film editing to produce the greatest emotional response from the audience. The international critical renown that Eisenstein garnered from this film enabled the Russian filmmaker to direct October as part. construction of film images, systems of film editing, film sound, and the varied modes of organizing these core elements (narrative. films that have been and are being made, the different approaches to film (e.g., film as art, film as industry, film... http://www.uwo.ca/univsec/handbook/appeals/scholoff.pdf. Students must. foundation, it then guides students to “read" the meaning of films as texts situated in their social, political,. 4 Appreciate the art of filmmaking and discover.. classical film editing techniques like movement matching. The film does not attempt to use transition techniques like graphic matching. Visual Design: There is. Scandinavian Art Film. Two aspects of Scandinavian art film 1960s-1980s. “Narrative" art film. – Subjective themes. – Cinematic. – Mise en scène. – Studio continuities. “Political" art film. – Social themes. – Meta-cinematic. – Editing. – Hostility toward figurative studio system. Establish models for “serious film". 1960s-2000s. The Conversations: Walter Murch and the Art of Editing Film [Michael Ondaatje] on Amazon.com. *FREE* shipping on qualifying offers. The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and. define the roles of, and describe the artistic contributions of film writers, directors, cinematographers, editors, actors, and set designers;. • identify key developments in the evolution of film as an art form;. • demonstrate a knowledge of the role of film genre within the context of American film history;. • use the basic technical. Different from traditional cinematography, watching a VR movie offers viewers control over the camera. This poses many questions as to what. traditional movie editing carries over to VR, such as: Does the perception of continuity hold across edit.... On Film Editing. An Introduction to thè Art of Film Con- struction. (1984).
film editors argue that this sense of rhythm and pace is born out of a generalized sense of. Film and Intuition: An Exploration of Rhythm, Pace and the Moving Image by. Patrick C. Shen, B.A.. A Thesis. Approved by the Department of Communication Studies... its infancy, film editing could have been considered a static art. focus in almost every shot is an example of the unconventional visuality of the art film aesthetic). Both L'Avventura and Blow-Up present metaphysical conundrums that challenge the conventional separation of truth and deception, or orthodox narrative continuity and a jarring discontinuity. Spielberg's output in the late 1970s. Exacting Demands Should Be Made in Filming and Art Design 40. The Best Use Should Be Made of Music and Sound......... 47. The Secret of Directing lies in Editing..................................... 55. The Assistant Director Is a Creative Worker.......................... 62. “ Like the leading article of the Party paper, the cinema should have. Based on the novel “Dejarse llover" by. Director of Photography. Line Producer. Production Designer. Editor. Original Music by. Sound by. Costume Designer... for a Brazilian film award for “Lope" and for a Goya for Art Direction for “Mortadelo and Filemon: The Big Adventure." CÉSAR MACARRÓN,. ART DIRECTOR. art films and avant-garde films (apart from abstract ones) may appear less significance than this common feature: that they.. Previously, editing and special effects were strictly separate activities. An editor worked on ordering sequences of images together; any intervention within an image was handled by special effects. CDMP 114 — Post-Production Sound · CDMP 119 — Digital Film Production I · CDMP 120 — Film History · CDMP 121 — Film Theory · CDMP 122 — Production Design for Film and Theatre · CDMP 123 — Art Direction for Film and Special Events · CDMP 125 — Fiction Screenwriting · CDMP 126 — Non-Fiction. Gerhard Schumm. Notes on Digital Film Editing. Some friends say they can tell if a film was edited on the traditional editing console or digitally with computers. I don't know. However, I have my doubts. Even though films may not change, the process of editing is changing with the introduction of digital technology. I am sure:. This is something that Dramatica Theory explains really well: http://dramatica.com/resources/assets/dramatica-comic-book-2004.pdf. Feature film editor Sven Pape takes a unique, entertaining look at Pablo Picasso's approach to art, and offers specific examples from a variety of movies, as well as Picasso's own advice. All photographs are by the author, as are the line art diagrams and many of the illustrations. I must offer. This book is for all people who wish to learn the basics about editing film and video. I hope you have fun and.. When the editor cut the film and how the various shots were joined together were seen to have an impact. film style, the importance of sound, how to write an e ective film script, the basic elements... this newfound flexibility in film editing came another revelation that simplified the production process—that scenes in a. breakthrough in the evolution of the art of cinematography: the second cameramen became operators, freeing. light is obscured by the closing of a shutter as the film moves from one frame to the next. This creates an alternation between light (shutter open – frame projected) and darkness. (shutter closed) 24 times per second. Persistence of vision “fills in" the dark interval, but only partially, because a shutter rate of 24 frames per. The Conversations: Walter Murch and the Art of Editing Film. (review). Patricia Schultheis. The Missouri Review, Volume 26, Number 3, 2003, pp. 183-185 (Review). Published by University of Missouri. DOI: For additional information about this article. Access provided by your local institution (21 Feb 2018 04:09 GMT). Sounds weird? Perhaps not if you are film or video editor. “In television, editing is the process of figuring out—from the 17 hours you shot—what you are going to put on the.. The work of a film editor sometimes resembles the work of a print editor, but it also has great differences.. graphs, and art; references; transitions. video, this thesis introduces the idea of generative editing for music videos, building on previous developments. video, media studies on generative and interactive art, and an analysis of music video. These concepts... forms according to causality and sequence progression with respect to narrative logic in a film or video. Tom Gunning is a Professor in the Art Department and the. become the major form of mass entertainment and possibly the most important art form.. film cutting or editing. An uninterrupted shot preserves a single duration of time, what we call a single. “take." But that footage can be altered through cutting, usually trimming. PDF. Animation. Animation (sequences). [if significant in programme]. Camera. Aerial Photography. Camera Operator. Camera(s). Camera Supervisor. Clapper Loader. [Film & Video]. Assistant Film Editor (only in major productions). Film Editor / Editing. On-line Editor / Editing. Off-line Editor / Editing. Picture Editor / Editing. View Bordwell & Thompson - Film Art-An Introduction - Editing.pdf from COMM 150 at Penn State. The Relation of Shot to Shot: Editing ince the 1920s, when film theorists be.ean to realize what editing. of the “Art of Film Editing." – Fred Heinrich & Stephania Lipner, Founders, Inner-City Filmmakers. Thank you for inviting me and my ICF alumni family to the ACE. Eddie Awards. I really enjoyed everything about the event! I had a great time meeting with editors and filmmakers and the food was good, too. Valerie Orpen. Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere tec. editor, since the work of syncing sound effects to picture was similar and, perhaps more. performance art. In turn, the social and functional tasks of the Foley artist have expanded in ways that reflect their status as sound effects creators and.. diverse; many now have backgrounds in dance, sound editing, film directing. A consideration of the many disciplines involved in film production gives the motion picture a much larger and. Crosscutting: Editing that alternates shots of two or more lines of action occurring in different places.. visual composition of the film—the art director provides the individual pieces within this framework, which. E-Reserve: Crittenden – Film & Video Editing. Douglass/Harnden – The Art of Technique. Kuleshov – Kuleshov on Film. 9/14 – 9/16 LAB 1 (Mandatory). Dialogue Cutting, Titles. E-Reserve = PDF files available through library docutek website. HO = Handout (distributed in class or on Blackboard). E-Reserve Instructions. The Documentary Film Book helps explain the robustness of documentary as an art form over nearly a century since the birth of filmmaking. It is an ambitious project:. political and cultural critique of Soviet life under Leninism, and also includes footage of the cameraman and film-editor at work. – becomes in this volume a. The course provides a general introduction to the methodology of film analysis and to the. language, as editing and montage, narration, genre and style.. cinema. Furthermore, the course will discuss certain art-film tendencies coming to life in. Europe, such as the different avant-garde movements of European cinema in. Regardless of the origins of the trend, “narrative" films no longer have a lock on storytelling, and viewers now know that nonfiction can deliver drama. Still, as relative latecomers to the art of storytelling, documentary filmmakers can learn a great deal from screenwriters about the intricate design of three-act. and editing, animation) in Communication Department. One course in film studies. Courses in animation and motion graphics in Visual Arts. Department. [UM-Flint began exploring possibility of a Film & Video. Studies Minor in 2007.] University of Southern Indiana. One video art class in Art Department, one screenwriting. Berkeley: University of California Press, c2000 2000 · Balsom, Erika, Exhibiting Cinema in Contemporary Art (Amsterdam: Amsterdam University Press, 2013) · Tim. Memory and Cultural Practices (Amsterdam University Press, 2009) · Bloch, R. Howard, and Frances Ferguson, editors Misogyny, Misandry, and Misanthropy. managing intellectual property (IP) rights throughout the main stages of film production. The creative process and. photography); post-production (i.e. editing, adding audio-sound, visual effects); distribution; and exhibition... The cinema, perhaps more so than any other art form, is a collaborative phenomenon. Whilst we. touched. I don't mean a patron who finances a film. Someone who buys a “print" of a film. People can be found who will purchase experimental films as they would a print or a painting. They have to know that these films can be considered as valid works of art as well as paintings and sculptures and musics and dances etc. At the same time the short film never ceased to be a cornerstone of the cinema art; none of the film directors avoided making short. Editing, narration style, image framing – everything was modified for the... %27%20Meditations%20on%20First%20Philosophy.pdf>. 10 Richard L Gregory,. process as one of creating, and the editing process as one of re-creating the film. Again, with the widespread use of video technology and nonlinear editors in Ghana in particular, one wonders if those engaged in the film industry work with the art, technique and principles of editing in their productions. A preliminary study of. Abstract. Film authorship has been a topic of debate in film theory since the Cahiers du Cinema critics first.. French critics for the Cahiers were concerned with not only elevating film itself as an art but also naming. responsible for working with the talent, cinematographer, and editor to tell a story that he sees in his head. the use of photography, mise-en-scéne, editing, sound, or any number of other formalistic elements. David. Bordwell and Kristin Thompson's Film Art, Louis Giannetti's Understanding Movies, Timothy Corrigan's A Short. Guide to Writing about Film, and other popular film studies textbooks are a testament to this specialized. dive into the world of dance film making. The workshop is designed to foster. little to big means. This week should lead you to the result of an art work which you can “take away": ready to.. Further on he will discuss some of the key topics, such as lightning, sound, editing and what you have to take care of while filming or. promotes itself as a viable alternative for film production in other parts of.. and editing. • participate in the process of writing and shooting a short movie. Module 2: Production. Team Skills. GCO 2: Students will be expected to develop basic. allow students to experience the art of developing a concept and. University of Texas Press and Society for Cinema & Media Studies are collaborating with JSTOR to digitize, preserve and extend.. Kuleshov was driven to study "an art form in terms of its 'immanent' properties, its particular systems. this claim with a reference to "well-known" examples of film editing that demonstrated this. of interactive storytelling may provide the proper foundation for this new art form.. The development of interactive storytelling systems with the quality of feature films. of the film. In this paper we present a method for automatic video editing in video-based inter- active storytelling applications. In contrast with the previous. Academic writing about film requires that you see beyond your enjoyment of the film experience and consider the “invisible things," such as camera angles, composition and editing, lighting, sound and mise-en-scene (sets, costumes, makeup). These are the “film elements" that are distinctive to this art form. When we are. film styles, history, and production techniques as well as the social values reflected in film art. Upon completion, students should be able. E. Editing. F. Sound design. G. Acting. H. Film theory and criticism: Realist and formalist, Psychoanalytic, Ideological, Feminist, New historicist, Auteurist. I. Research methods and tools. Faber and Faber's editor of film books, Walter Donohue, and several. canon, but also in the history of Aesthetics, the history of Art, and, by extension, the. tory than art. I have, perhaps, 10 years of films left in me, and. I'm perfectly content to ride the broken-down horse called movies into the cinematic sunset. But if I were.
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