August
Thursday 20 September 2018 photo 2/7
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Stark Raving Mad In Hindi 720p
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DOWNLOAD: http://urllio.com/r66qx
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A crook quietly plots his revenge against the boss who murdered his brother while working for him.
Ben McGewan has a deal with Chinatown's non-Chinese gang boss, Gregory, to steal one of four mythical god statues reputed to give immense power. This theft, in exchange for wiping out his debt and a fortune to pay his team of frustrated experts. They organize a wild after hours party in a nightclub as cover to break into the vault of the bank next door. Alas, from the start things go wrong ever worse, for everyone.
Hm, I guess people were still making Tarantino-imitation capers in 2002. Like most, this borrows some ideas & a general flippancy of attitude from early QT but is more pretend- clever than actually clever; the dialog is snippy rather than snappy and the hipness feels strained. And like most of them, the attention to superficial visual style and editorial energy keeps it watchable in a no-brainer way.
I love Seann William Scott and was psyched to see what he'd do in a starring role in a non- comedy. But basically he's just playing generic black-muscle-shirt-clad, bicep-bulging, smirking Cooler Than Thou action movie protagonist—he looks and acts here like a younger Jason Statham, which is fine as far as it goes but not a terribly interesting use of his abilities. You know something's wrong when they give him a bit nodding to "Dude, Where's My Car's?" Chinese takeout scene and it's so lame he can't even make THAT funny.
The concept is: SWS stages loud nightclub event is staged to cover his cohorts' pulling a next- door bank heist. Naturally, everything goes wrong until miraculously everything goes right.
The rave setting helps keep the images colorful, though as rave portraits go it's the usual Hollywood thing, about as realistic as "Thank God It's Friday" was about disco culture. (Actually maybe it really IS a Hollywood thing—as in, if the rave is literally taking place in a Hollywood club, people might actually look, dress and act like this.) In lieu of repartee the characters mostly just bitch at each other in routinely scatological terms; what are supposed to be a rogue's gallery of flamboyant roles aren't memorable in either writing or performance. There's no real suspense or flair for action (admittedly the "action" is very small-scale), and you've got to suspend a whole lotta disbelief throughout. But as I said, there's enough eye candy and fast enough pacing to hold your attention, if not your imagination.
Anyway, so this is a wannabe mix of Tarantino and "Go" that's technically well-crafted but in content is stuff you've seen before many times, both better and a lot worse. I don't remember this playing theaters and the directors do not appear to have made a 2nd feature, so I guess nobody else was highly impressed either.
I just snuck in to a test screening of Stark Raving Mad because my younger sister is a big Seann William Scott fan. I wasn't particularly a fan of his from the American Pie movies, but after seeing him in this I'm a fan now too.
This is an AMAZING film. Not only do we get to see a more serious side to Seann, but the dialogue and the other actors are very real and very funny. There's a new guy who plays Seann's sidekick who is hysterical. It's also extremely visual, especially for an independent film. The music was intense too - it has a killer techno house soundtrack that DOES NOT STOP - and the best part about it is it's all composed by DJ DIGWEED. (I'm a huge fan of his).
The film was SO fast paced and funny that we felt like we had whiplash by the end. It kinda reminded my of Pulp Fiction or Snatch, only funnier and not as negative or violent, which is cool.
My only criticism of it is that sometimes it was too loud. I felt like I was really in a club. I had a headache by the end. They didn't say when the movie would come to theatres, but I will definitely see it again, (with earplugs!). SWS fans will be blown away and I know that adults will go for it as well. It's a great cool crime comedy with a sense of optimism that is new to these kinds of movies.
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