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The Six Million Dollar Man Download Movies
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DOWNLOAD: http://urllio.com/qxa60
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Air Force Colonel Steve Austin, an astronaut who had walked on the moon, is almost killed in a plane crash. Many of his damaged parts are replaced by experimental bionic limbs, including his right arm, his left eye, and both legs. These bionics give him superpowers such as increased speed and strength and the ability to see long distances. To pay the U.S. Government back the six million dollars it cost to rebuild him, Austin goes to work for the Office of Scientific Investigation as an Agent, investigating foreign spies, mad scientists, bombers, space aliens, and Bigfoot.
When ace test pilot Colonel Steve Austin's ship crashed, he was nearly dead. Deciding that "we have the technology to rebuild this man", the government decides to rebuild Austin, augmenting him with cybernetic parts which give him superhuman strength and speed. Austin becomes a secret operative, fighting injustice where it is found.
To understand the genesis of the show, watch first Harve Bennett's "The Astronaut" (1972) ---with the music of Gil Mellé-- and "Texas, We've Got a Problem" (1974). With a good, solid, realistic in treatment (psychologically and artistically), 1973 pilot produced and directed by David Irving and starring Martin Balsam as Dr. Rudy Wells (see H. G. Wells?) and Darren McGavin as the crippled cynical and manipulator Intelligent head Oliver Spencer who is also known as newspaper "Kolchak, The Night Stalker"; the show starts very well with Gil Mellé's electronic and jazzy score a la Miles Davis' "Bitches Brew", then comes a terrible second pilot "Wine, Woman and War", produced by Michael Gleason and written by Glen A. Larson with a dreadful main title and a horrible song by Dusty Springfield in which Steve Austin is a kind of reluctant second-rate James Bond whose mission ends with an atomic explosion. The series really finds its format with the third pilot: "The Solid Gold Kidnapping" with Jack Cole's famous techno medical main title (made with footages from the two pilots, video effects and body animations). During the middle of season 1, the music department decided to add sound effects from Universal's stock music library to highlight the bionic motions (some were already used in a previous series like the 1972 E.S.P. series "The Sixth Sense"---oddly enough, you can hear a noise from a missile when Austin launches an object into the air). The series had three Dr. Rudy Wells: one played by Martin Balsam (first pilot), by Alan Oppenheimer (pilot 2 & 3 and season 1 & 2) and by Martin E. Brooks (season 3, 4 & 5). The first two seasons ---produced by Sam Strangis/Donald R. Boyle and Lionel E. Siegel/Joe L. Cramer--- were in the line of the pilots and then occurs the transitory season 3 ---in 1975, the main composer Oliver Nelson and the music supervisor Hal Mooney left---, a season 4 with some drastic changes (bad writers and producers, the lead wears a ridiculous thin moustache, Goldman has a new office's decoration and the music is composed and renewed by J. J. Johnson) and therefore an un-inspired season 5 ---without Harve Bennett--- in which the protagonist wears a pre-"Fall Guy" haircut. TSMDM is basically an espionage series with a shallow sci-fi canvas (everybody remember the zoom shot bionic left eye with the frames or the infrared vision); notice the various martial music themes to grasp the concept of this pro-gov/militaryNASA/technology drama. The first pilot shows an offhand and rebel Steve Austin who refuses his injured disabled condition (even try to commit suicide) and his involvement in the scientifical department of the C.I.A. (here, O.S.O.: Office of Strategic Operation, and, later O.S.I.: Office of Scientifical Intelligence): official Oliver Spencer (later Richard Anderson as Oscar Goldman) even receivs a cold slap. From season 2, we are introduced to another bionic man: paranoid auto racing Barney Miller (with a season 3 sequel) in "The Seven Million Dollar Man", and a woman: tennis champ Jaimie Sommers, in a two-parter (with a season 3 sequel too) in "The Bionic Woman". From that point, the show slips into cheap bionic new products (Bigfoot, boy, dog) with a comic book leaning. The best episodes are those which deal with the space program/Austin's background ("The Rescue of Athena One", "Burning Bright", "The Pioneers", "The Deadly Replay": where we learn about Austin's near fatal plane accident) and the dangers of technology in the hands of America's inner enemies ("Population Zero", "Day of the Robot", "Run, Steve, Run").
I loved this show and still do. Lee Majors was perfect as Col. Steve Austin, an Astronaut who lost his left eye, right arm and both legs in a plane crash. These were then replaced with Bionic limbs which gave him super human powers. He could lift anything. Run at speeds of over 60mph and he could see things far away. Since this was in the 70s the special effects were rather bad by todays standards, but who cares? It was still terrific fun. The plots were very simple so kids could understand them but at the same time they were good ideas. I'll never forget when Steves boss Oscar was replaced with a robot which he had to kill in the end. As I said, a very simple idea but great fun for kids to watch. They also brought out some great SMDM toys which I still have today. I'll never part with them. They have to be some of the coolest action toys ever made. This TV show was ace and I give it 10 out of 10. Long live Steve Austin!
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