August
Tuesday 18 September 2018 photo 7/7
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Un Minuto Per Pregare, Un Istante Per Morire Full Movie Hd 1080p
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DOWNLOAD: http://urllio.com/r2us2
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When outlaw Clay McCord learns the Governor of New Mexico has offered an amnesty to all who apply for it at the town of Tuscosa, he is intrigued but suspicious. He circles the vicinity, weighing the offer and encountering other outlaws, all the while troubled by occasional "spells" resembling the epileptic fits which plagued his father. Eventually McCord reaches Tuscosa where he clashes with the local marshal, Roy Colby. The Governor then arrives and tries to calm the situation, knowing that if McCord asks for amnesty, other outlaws will follow. Events lead to a shoot-out with McCord, Colby, and the Governor on one side while a band of outlaws comprise the other.
Why is it that Italian westerns get "R" ratings when they do the same thing that American westerns do? Does it really matter if you kill 10 or 12, or if you kill 50 or 60. Is it because the bad guy wins instead of John Wayne or Randolph Scott? Just wondering.
The bad guy in this film, Alex Cord, did a lot more TV than movies, but he did a good job in this film as an outlaw who thought he had epilepsy. When ids the last time you heard that in a western? Another thing you probably won't hear in American westerns is references to the Catholic Church with words like excommunication and ordained.
Yes, lot of people get killed, and the bad guy rides off into the sunset, but it was still worth the time.
Also featured five-time Oscar nominee Authur Kennedy, Oscar nominee Robert Ryan, a hot Nicoletta Machiavelli, and lots of Italians.
I found this to be an underrated, quietly compelling Spaghetti Western (also known as DEAD OR ALIVE). Despite modest credentials (apart from multi-purpose co-writer/producer Albert Band, the only notable crew member is composer Carlo Rustichelli), the film clearly benefits from the presence of its three American stars (newcomer Alex Cord is an ambiguous anti-hero, while veterans Arthur Kennedy and Robert Ryan lend a mythic quality to the proceedings) as well as the unusual plot (involving a crippled protagonist, an amnesty ruse covering a strategic clean-up of the town, and which has the law finally siding with the gunfighter against a horde of Mexican bandits).
There are several tough action scenes on hand the film is capped by a terrific climax in which the star trio is besieged inside a blazing cabin plus a couple of outrageous moments which are something of a Spaghetti Western trademark: from the middle of the street, Cord sees a hidden gunman at a window reflected in a whiskey bottle; a man who helps Cord escape is repeatedly immersed in a pool of oil by the villains. Nicoletta Machiavelli also makes a nice impression as a village girl with whom Cord lodges; the supporting cast, then, is peppered with familiar (if largely anonymous) faces all of them essentially genre fixtures.
I wasn't aware of the fact that the English-dubbed version of the film on MGM/UA's R1 DVD was cut: I was fooled by the wrong running-time being listed on the back-cover; the film was only 99 minutes long and not 118 apparently, Cord's character is killed in the longer Italian version!
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