August
Thursday 20 September 2018 photo 4/5
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The La Banda Del Gobbo Full Movie Download In Hindi
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DOWNLOAD: http://urllio.com/r9b3s
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Vincenzo 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before looking up his friend Monezza who the police later interrogate for his involvement with vincenzo. Meanwhile, Vincenzo is getting revenge on his gang by killing them off one at the time in his various brutal ways.
Formula pairing of director Umberto Lenzi with prolific star Tomas Milian is watchable enough entertainment but lacks the spark of excitement that made other Lenzi Italian crime films so memorable. Firstly don't come expecting any of the hard-knuckle violence which is found in spades in the likes of VIOLENT ROME and ASSAULT WITH A DEADLY WEAPON because there's none of that here; no innocent people get gunned down and nobody is even tortured! At an opportune moment in which it appears that a crowd of rich snobs are going to get wasted with a machine-gun, our arch-villain instead begins a long-winded political rant instead of using violence to make his point. There are few scenes of action here and only one really good car chase right at the end of the movie.
Instead the plot is bizarre and episodic, seemingly unable to decide what to do with the central concept of star Tomas Milian playing both roles of an identical twin partnership. Things start off in typical revenge formula as Humpo (the hunchback Milian plays in an politically incorrect '70s Italy) is double-crossed by his criminal accomplices and left for dead, being forced to crawl in exhausting slow motion through a dirty sewer to safety. Just as it appears that Lenzi is going to stage his own MARATHON MAN moment as Milian goes wild with a drill in a dentists, the action abruptly cuts off and we're left with only the aftermath! The plot gets more and more bizarre as it goes along, as Humpo's brother, Pigsty (who is basically the same as the character Milian played in FREE HAND FOR A TOUGH COP) is captured by the police and eats cigarettes, throwing him into a fever. The police proceed to throw him into a mental asylum! Much screen time is taken up with Pigsty's escape from said asylum and then there are various scenes involving transvestites, Albanians, and the traditional shoot-out finale in an abandoned building. The ambiguous ending is hardly satisfying. Although the plot isn't much cop, Lenzi's direction is solid and fluid meaning you'll never have to look at your watch. The typically snazzy music also helps out a lot, easing more painful moments in the production.
The usually reliable Tomas Milian is sadly below par in this movie. His standard Pigsty character is fine enough, a crook with a heart of gold and quite a sympathetic character, but Humpo - who gets most of the limelight - is certainly not. An irritating and unappealing creature who has a chip on his shoulder as well as a hump on his back, Humpo is the ultimate unbelievable anti-hero character and sadly overplayed to excess by an unrestrained Milian, who almost makes things laughable. Thankfully the supporting cast are solid enough in their various parts, such as Pino Colizzi's tough cop (who follows in the hard man footsteps of Franco Nero and Maurizio Merli), Isa Danieli (a beautiful actress) as Humpo's long-suffering girlfriend and Sal Borgese as a shifty criminal. The trappings make this one fun but at heart it lacks both the drama and excitement that the genre classics are best known for.
Tomas Milian stars in this poliziottesco and he plays a dual role as scumbag twin brothers!; given that I too have a twin brother, I could totally relate to their love/hate relationship!
The lead character is a creepy-looking hunchbacked gangster (sort of a cross between Richard III and John Barrymore's Hyde in the 1920 version of DR. JEKYLL AND MR. HYDE!) - who, actually, had already featured in Lenzi's ROME ARMED TO THE TEETH (1976); his brother is the dim-witted and more overtly comical "Monnezza", decked out in bum's clothing and sporting a particularly ridiculous Afro-wig (for him, this was the third and last appearance)! This is the first film I've watched for either of them and all I can say is that I was a lot more intrigued by the antics of The Hunchback...
The action scenes (often involving The Hunchback alone as "Monnezza" is useless in such situations - though he gets the last laugh!) deliver the goods but, even if the latter's low brand of comedy never really takes centre-stage, the film is still unbalanced by these scenes (though one in particular is quite inspired - when he's brought in for questioning at a police station and, in his feverish state of mind, mistakes a bearded hippie who's been arrested for Christ and thinks that he has died and gone to Heaven)! With respect to The Hunchback, the disco scene where he's ridiculed by the establishment's habitual bourgeois customers - to their eventual regret - introduces an unexpected poignancy into the fray (especially with the impassioned speech he delivers to them at gunpoint!), which suggests that the film-makers' intention was perhaps more serious than the end result would indicate...
As a matter of fact, star and director allegedly fell out during the making of this film (their sixth 'collaboration' in 4 years!) and, indeed, rather than sticking to a script Milian virtually improvised all his dialogue as he went along!! Besides, The Hunchback's nemesis here - Commissioner Sarti - is mostly ineffective (making a poor substitute for Maurizio Merli or even Luc Merenda) while the finale shamelessly rips off THE WAGES OF FEAR (1953)...but, at least, it does feature a typically bouncy score by Franco Micalizzi!
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