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The Inglorious Bastards Tamil Pdf Download
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DOWNLOAD: http://urllio.com/qykbr
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In 1944, in France, the rogue American soldiers Lieutenant Robert Yeager, Private Fred Canfield, the murderer Tony, the thief Nick and the coward Berle are transported to a military prison. However, the convoy is attacked by the Germans and they survive and flee with the intention of cross the border of Switzerland. Along their journey, they fight against a German platoon and capture the German prisoner Adolf Sachs that offers to guide them to the Swiss border. When they meet a German troop, they kill them but sooner they discover that they actually were and American commando in a mission headed by Colonel Buckner to steal a German V2 warhead. Lt. Yeager, Fred, Tony and Nick offer to risk their lives to accomplish the mission.
In 1944 France, a group of escaped American military prisoners en route to Switzerland volunteers to steal a Nazi V2 rocket warhead for the Allies.
This cheap and shoddily made rip off of The Dirty Dozen has only one thing in common with Quentin Tarantino's Inglourious Basterds. Both films are set in Nazi-occupied France. Beyond that, they have as much in common as a chicken does with an antelope.
The story concerns a group of military criminals on their way to be court martialed who manage to escape after a single German fighter strafes their convoy and then magically disappears like many other things do in this movie. The Bastards consist of a cowardly kid who of course proves himself in the end, a twitchy bon vivant who starts out the film as a racist and borderline psychotic but (in what is either satire, parody or the result of some profound emotional problems among the writing crew) ends the movie as the dashing young hero who gets the girl, a kooky counter culture type that really wouldn't have existed for another couple a decades, a black guy who doesn't take any crap and a leader who's so traditionally heroic he fits in with the other misfits as well as Hannibal Lecter would in a boy scout troop.
The Bastards decide to try and sneak through France and into Switzerland but get caught up in a plan to attack a train and steal the experimental gyroscope out of V2 rocket. Along the way they manage to kill more German soldiers than Patton, frolic with some naked German ladies, keep trying the same dumb plan that never works and prove they can run faster than a locomotive, even when they're fatally injured.
This film is crap. It's certainly energetically vulgar and enthusiastically violent crap, which probably explains why socially underdeveloped young men like Quentin Tarantino fell in love with this type of movie, but it's crap all the same. The plot is like someone telling a bad joke and forgetting how it goes halfway through. The dialog is about half step above monosyllabic grunting. The cast performs like they were picked up along the side of the road holding cardboard signs that all read "Will Overact For Food". Even the plentiful action scene are laughable, resembling nothing so much as a bunch of kids going "Bang! Bang!" with their fingers and then falling down when somebody says "I got you!"
The only reason this dreck made it onto DVD is because Tarantino decided to appropriate and misspell the title for his latest work. If you liked Inglourious Basterds, you won't like this movie. If you hated Inglourious Basterds
you still won't like this movie. It's only possible value could be in helping folks understand that Tarantino makes the kids of films he makes because he grew up idolizing cinematic trash like this.
Quentin Tarantino was already interested in re-making this when it was shown (as part of the Italian B-movie retrospective presided over by the geeky QT himself) during the 2004 Venice Film Festival; what I vividly recall, however, is that I wasn't all that impressed by the film
though I guess this had more to do with its being a midnight screening (having already spent most of the day watching movies) and in Summer to boot! Still, with all the hullabaloo the remake news is causing, when I happened upon the 2-Disc German edition at my local DVD rental outlet, I opted to give the film another look sooner rather than later (and I must say that our own Michael Elliott's recent viewing of it also had a hand in this!).
Anyway, the second-time around, the film proved more rewarding: my opinion of director Castellari's work runs hot and cold (for what it's worth, he personally asked me to photograph him with a gushing fan as soon as that Venice screening was over but, being the seasoned tough-guy, he was displeased with how the digital photo came out and promptly ordered another 'take'!) but this can now be seen as one of his more satisfying efforts, if still far from a classic (of either the war genre or the "Euro-Cult" style). While it was clearly modeled on THE DIRTY DOZEN (1967), the film's plot is quite original as a quintet of soldiers being transported throughout France to be tried for various crimes find themselves at large (after the convoy suffers an aerial attack by the enemy); they try to make it to the neutral Swiss border but, along the way, encounter first a sympathetic German and then an American commando unit dressed up as Germans unaware of the ruse, they simply fight for their lives and this would-be professional outfit is effortlessly slaughtered by our desperate heroes!
Eventually, they meet a band of French partisans (led by Michel Constantin) who take them for the undercover Americans when the leader of the operation (Ian Bannen) turns up, he's furious but the officer among the group (Bo Svenson) offers to do the job themselves, assuring Bannen that his team has proved to be equally resilient! Apart from providing the necessary exposition for all five characters also including an imposing black man (Fred Williamson), a handsome but pushy type (Peter Hooten, from John Derek's horrid FANTASIES [1981]!), a shell-shocked mechanical expert, and an Italian 'hippie' (inspired, no doubt, by Donald Sutherland from KELLY'S HEROES [1970]) acting as comedy relief the first half of the film sees the protagonists getting into various scrapes with their superiors, themselves, various German soldiers (naturally) but also a group of nurses skinny-dipping and who promptly turn their guns on the sex-starved men when they realize (upon catching a glimpse of Williamson) that they're the enemy!
The last act, then, involves the deadly mission (one of the film's myriad alternate titles, by the way) itself Svenson and Bannen are to board a train disguised as German scientists (the former happens to be fluent in the language) in order to steal a prototype of the V2 bomb, while the young soldier is to replace the machinist; Hooten is in charge of blowing up a bridge, so that the train will be derailed where it will then be ambushed by the partisans (Williamson among them); the hippie is to give the go-ahead for the demolition (if anything goes wrong, the train will be allowed to step on the bridge so that it will go down with it). The first 70 minutes of the film or so are generally easy-going, sparked by the hippie's irreverent humor (often breaking into heavily-accented English for the record, I watched the film in Italian); this, however, leads somewhat jarringly into the tragic denouement as most of the gang lay down their life for a just cause (presumably, the rather unsympathetic Hooten is allowed to survive merely because he has been redeemed after falling for a French nurse serving with the partisans!).
As expected, the film is packed to the gills with exciting action even if Castellari seems overly fond of the obviously choreographed stunt-work (parading it right from the animated opening credits sequence); still, one other definite asset here is a rousing (if repetitive) score courtesy of the ubiquitous Francesco De Masi. Finally, one anticipates Tarantino's remake will be much different (full of the director's individualistic touches to begin with) and far more graphic (as news of script leakages have already intimated); having said that, the names currently being banded about as potential cast members Brad Pitt(!), Eli Roth(!!), Mike Myers(!!!) are a far cry from the "Planet Hollywood" trio which were first rumored as being a cinch (I bet the prospect of having Myers as a villainous Jew-hunting Nazi seems so cool to Tarantino that he gets frostbite just thinking about it)! If anything, the interest engendered by the 'remake-in-nothing-but-name' has served to give an otherwise little-regarded item such as the enjoyably unpretentious Castellari effort a new (and not undeserved) lease on life
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