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Tuesday 18 September 2018 photo 3/7
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Triple 9 Full Movie In Hindi Free Download
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DOWNLOAD: http://urllio.com/qzfqx
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In Atlanta, a crew of corrupt cops and career criminals consisting of Marcus Belmont (Anthony Mackie), Franco Rodriguez (Clifton Collins), and Gabe and Russell Welch (Aaron Paul and Norman Reedus) are blackmailed by the Russian Mob to rob a highly fortified bank in broad daylight. The leader of the crew is Terrell Thompkins (Chiwetel Ejiofor), an ex-special forces operator turned private sector. Unsatisfied with the job, Irina Vaslov (Kate Winslet), the head of the mob, kidnaps Terrell's family and forces him to rob a Special Forces safe house that contains secret government files. The crew must figure out a way to manufacture a 999, police code for officer down, to use as a g during their heist. When Marcus gets a new rookie partner, Chris Allen (Casey Affleck), the crew decides that he is the perfect target. But Chris survives the attack, and suspects the dirty cops. Meanwhile the police chief begins to track down the Russian Mob, and starts finding evidence of corruption among the cops. The pressure starts mounting and the crew begins to turn on each other and reveal dark secrets, leading up to a treacherous, action packed finale.
A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town.
All star ensemble cast of dirty cops, ex military, a burned out detective, and strait shooter come together to create a miserable failure of a heist movie.
Fans of Woody Harrilson and Kate Winslet will likely get something from watching this movie. Both roles are well tailored and cast: A substance abusing but competent sergeant detective who delivers dialog with stunning ease, and a black widow, icy criminal who sees everything around her as pawns she can bend to her will. Fans of Reedus, Affleck, and Ejiofor will be left wanting. Affleck is especially terrible. Perhaps he was trying for an effortless feel, but his performance lacks inspiration in a way that could be analyzed as a clinic on bad screen acting - a bad approach.
And is he the main actor? Whose movie is this? What is the point? What is this movie trying to be? None of these questions are answered. It is not a stylized heist movie in the form of Ronin. It is not a deep look at the life of criminal, cop, or both like Heat. Perhaps as a cynical look at money and meaninglessness? Maybe, but the point is - this movie has a very uncertain nature, and delivers no satisfaction by way of entertainment, symbolism, or story.
Can a movie without a clear lead actor work? Sure, many consider The Thin Red Line a great movie, with me among them. Funny that Woody is in both these movies that build a story by following multiple characters. But that is where the comparison should end. The Thin Red Line excels thematically, artistically, and ponders a number of interesting questions. Triple 9 is canine feces. Offering any compliments would be a stretch. Perhaps fitting too that the one good'ish guy turns in a terrible performance. All of Affleck's scenes fall flat, and at times its like a guy in solid costuming, hair, and makeup speaks his lines in front of a camera. This doesn't say anything good about the director either. A director who has done really good work in the past. In the end, it doesn't matter whose movie this is, or who we are supposed to care about. Triple 9 is a terrible movie that waists all collected talent.
Not recommended. Perhaps a movie worth watching for sake of critique, a performance or two, and the sublime presence of Gal Gadot - otherwise take a pass.
4 out of 10
Review: On paper, this movie ticked all the boxes, with its great cast and decent storyline but the director failed to produce something special and original. None of the cast pushed there characters to the limit, and there wasn't many scenes that stuck out in my mind when the movie had finished. It's an average heist movie, about dirty cops and the Russian mafia, who use the cops to do there dirty work but there was some depth to the characters and there was different elements to keep the movie interesting. It does take some time for the police to work out what is going on, which I found unrealistic, and the final showdown at the end was pretty disappointing. The heist scenes were no way near the great scenes in Heat, and I personally would have used Casey Affleck and Woody Harrelson as the baddies and Aaron Paul and Chiwetel Ejiofor as the goodies. With that aside, there is a sense of intensity throughout the film, which I found quite enjoyable but the storyline could have done with some more work, mainly because it was a bit too straight forward. It seems like the audiences wasn't too impressed with the movie either, judging by the box office takings, which proves that a lot of people was expecting much more from this film, just like me. Average!
Round-Up: This movie was directed by, Australian born, John Hillcoat, who also brought you the great Proposition with Guy Pearce and Ray Winstone, The Road and a couple of music videos for Massive Attack, Bob Dylan and Nick Cave. Although he hasn't made that many movies, a lots of stars want to work with him, mainly because of his impressive reputation and unique work methods but I was quite let down by this movie. It seems like he has taken all of his favourite movies, and tried to make a complex thriller, with the help of some A Class actors but he should have concentrated on making the movie unique by bringing something fresh and new to the masses, like he did with the Proposition. I'm still looking forward to his future projects but he still has a way to go before his name becomes established worldwide.
Budget: $20million Worldwide Gross: $23.4million
I recommend this movie to people who are into their action/crime/drama/thrillers, starring Chiwetel Ejiofor, Casey Affleck, Anthony Mackie, Woody Harrelson, Aaron Paul, Kate Winslet, Gal Gadot, Norman Reedus, Teresa Palmer, Clifton Collins Jr. and Michael Kenneth Williams. 5/10
Well suited to Hillcoat’s gifts for low-boil suspense and brutal eruptions of violence in close, male-dominated quarters, the film has grit and atmosphere to burn but also a certain narrative sketchiness, as though unable to reconcile its sharp sociological portraiture with the pleasures of a more robustly plotted crime yarn.
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