Thursday 20 September 2018 photo 1/2
Ying Xiong Wu Lei In Hindi Movie Download
The Thai government hires a group of Chinese mercenaries to capture a powerful drug lord from the Golden Triangle. The mercenaries manage to capture the drug lord, but soon find themselves pursued by his forces, and the forces of a bitter Thai officer. The Chinese mercenaries are vastly outnumbered, and as their numbers begin to dwindle, their desperation pulls them into a corner as their enemies close in on them.
Version: Cantonese audio, English subtitles (by SBS)
While watching the first scene of 'Heroes Shed No Tears':
Me: "Wow, I wonder how much the producers spent on explosions in that 5 minutes alone?"
My Friend: "Why is he carrying two machine guns?"
Me: "Why not?"
My friend: "Do you understand this?"
Me: "I understand machine-guns and explosions."
My friend: "I don't get it, but those cadavers fly a lot..."
Got the idea yet? I think 'Heroes Shed No Tears' was Woo's first film in the explosive style has since become famous for. I've seen some of his early kung-fu and comedy movies, but this is earliest Woo film I've seen where there were more explosions than words spoken in the movie. Awesome.
Chan Chung (Eddy Ko) leads a group of Chinese mercenaries in capturing a Thai drug-lord. Capturing him easily enough, the Chinese mercenaries find themselves on the run from angry drug-runners, a corrupt Thai army unit (whose officer is missing an eye thanks to Chung), and a group of native hunters hired by the Thai soldiers. Ohohoh, there'll be plenty of blood and explosions before this one is half over.
Essentially, 'Heroes Shed No Tears' is an old kung-fu film, replacing kung-fu with explosives and machine guns. There's a hell of a lot of people shooting and blowing stuff up, much like the old kung-fu films where there was a hell of a lot of kung-fu, and not much else. Most of the time that may have been used to develop the plot is used to blow stuff up, which I guess does kind of further the plot by allowing the characters to move to the next scene, blow something up, and then move to the scene after that. Most of the characters are cannon fodder, while Chung and his son play out the movie as if it were 'Lone Wolf with Cub', replacing swords with guns. Awesome
'Heroes Shed No Tears' is so mindlessly violent that even the most hardcore might get bored after a while, but it was so explosively compelling and awesome enough to entertain me. Woo fans should really check this out - 8/10
Awesome count: The word 'awesome' was used three times in this review.
My first exposure to John Woo was THE KILLER. Needless to say, I was impressed. Very. Then A BETTER TOMORROW blew me away (so to speak). By this time, I was hooked. Next came my favorite, HARD BOILED. Woo could do no wrong. Or so I thought. HARD TARGET, while entertaining, was a big step backward as far as I was concerned: missing were the fascinating "gray-area" characters that had helped make the three aforementioned films so memorable. It was watered-down Woo. I won't even mention the films that followed. It was clear that, if I wanted to once again enjoy a John Woo movie, I would have to seek out his earlier work. I searched (if you'll pardon the Kurosawa pun) HIGH AND LOW, but the only copies I could find were washed-out bootlegs at comic book conventions, at ridiculous prices. I finally gave up the chase. The seasons changed. Years passed.
Then, by chance, I happened to switch on a cable channel just the other day and there, listed in the night's offerings, was a title I immediately recognized: HEROES SHED NO TEARS. My jaw dropped. I may have fainted. I popped a tape in the vcr and set the timer. Halfway through the movie, the vcr cut off, of its own accord. Had this been one of Woo's later films, I would've hit the ceiling. But this was done BEFORE Woo had mastered the medium. This was very crude filmmaking, of the Old School kung fu movie variety (only with guns). That's not necessarily a bad thing, mind you, but I'd been spoiled by several of his later films (and VERY disappointed by all of his U.S. films). A matter of taste, I suppose, but I'd hoped to discover that Woo had always been the dazzling stylist he became following this film (up until he started making movies in this country, that is). But such was not the case. HEROES SHED NO TEARS isn't a complete waste of time, but it's not vintage John Woo, either. Pity.
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