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Tuesday 18 September 2018 photo 2/7
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Spawn Sub Download
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After being betrayed and murdered by his employer, a government trained assassin named, Al Simmons, is resurrected as a Hellspawn and is forced to become the reluctant leader of Hell's army.
A government trained assassin in life, A vengeful hellspawn in death. Brought back from the dead to join Hell's army and release his carnage on anyone that may get in his way. Heaven and Hell battle for his already torn soul, while he wanders the alleys protecting the innocent and destroying the corrupt who disrupt the lives of the innocent. In the meantime he faces the tragedy of his death and the fact that he has been sent to Hell and he must also face the reality of losing his wife to an old friend.
Last review I did of FMA: Brotherhood, I mentioned that adaptations of original source material are a touchy subject. While you want to be fair and objective in a review, you also have your opinion colored if you're familiar with the source material.
However, this one is a unique case. While the HBO series isn't a faithful adaptation of the comic books by any stretch, and while it contains the same premise and characters, it would be most fair to label this as a retelling.
And it's a rather fantastic retelling, as the animation is dark, stylish and slick, which adds to the series' dark roots.
The characters are from the comic books as well. You have Cogliostro, Bobby, Terry, Wanda, Cyan, the Violator, Malebolgia, Sam & Twitch, and the eponymous character, each are deeply realized and brought to life, with the title character being the star of the show because of Keith David's stellar voice acting.
The music is rather mood setting too, adding to the effect of certain scenes. One highlight is a scene with Cyan and Spawn. It's little things like this that make the series an excellent re- telling.
It's also not a series for children, as it's dark and surprisingly violent. Which is a given, considering the original comic books.
Overall, this gets a 9/10. This is a great retelling of the Spawn franchise, though it isn't faithful to the comic books, it manages to shine just as bright.
Flat, colorless dialogue and characters just as one dimensional. The NYPD in Spawn is criminally stupid. One character, Twitch is the only one who approaches interesting. It's nice to see a strong black female character in Wanda Blake, but she only switches between that simple formulation and a few other clichés. The main saving qualities of this series are the animation quality, overall plot and concept (not the execution thereof, however), and the nostalgia factor.
Todd McFarlane's intros are absolutely stupid. They give an idea of how much he wants to force a narrative tone ("And now, Spawn. So turn out the lights.) rather than create one. The effect is a melodrama whose painfully cliché dialogue wastes Keith David's incredible skills. The show does little to improve upon the source material or explore new dimensions of the Spawn universe and fails to create a product that fits into HBO's family of top-notch programming.
McFarlane wasted an opportunity to tell a quality story that could attract a new audience, which was probably his intent, but he missed his mark so severely, ignores the potential of subtlety so thoroughly, that the end result is merely fan service in an attractive package.
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