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The Massacre Full Movie Hindi Download
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An army scout, Stephen, asks a young woman to marry him, only to discover that she loves another man. Stephen rejoins the army, while the other two get married and have a child. Two years later, the young family heads west as part of a wagon train, while the scout takes part in a brutal raid on an Indian village that leaves the survivors thirsting for revenge. As the wagon train including the young family heads into dangerous country, Stephen is part of the military escort that is assigned to protect it. Not long afterward, when the wagons stop to make camp, Indians stage a carefully planned attack on the camp.
As the woman he loved lay dying, the former suitor swore to protect the child of the other man, just killed in battle. The baby grown to womanhood, the man's love for the mother was felt again, but a stranger claimed the girl's love. So the man with his trust left for the far Northwestern country and joined in the government wars against the Indians. There again he met the life which he had sworn to protect. How well he succeeded, the returning young husband could most appreciate, after one of the most deadly massacres and Indian battles of the period.
Important early film, directed by D.W. Griffith. Stephen (Wilfred Lucas) wants to marry his young ward Blanche Sweet and raise a family. She thinks it's a good idea - until she meets young Charles West. Of course, Mr. Lucas wants to kill Mr. West for coming between he and Ms. Sweet. Lucas, however, decides her happiness is more important; he gives the couple his blessing (and home); then, he re-joins the Army. Years pass. Sweet, West, and baby join a Wagon Train. When the Wagon train is attacked by Indians (Native Americans), Lucas arrives to serve as its military escort.
Watch for some great shots - like, the distant Wagon Train moving along with a bear in the foreground. The battle scenes are as exciting as you'd expect them to be in a Griffith production. In fact, the battles in "The Massacre" look more realistically fought than in thousands of subsequent westerns.
Also noteworthy is Griffith's presentation of the "Indians". Watch some of the Indians' body movements, and the way the camera lingers over some of their dead bodies - characters previously introduced sympathetically. Griffith presents Native American characters in a far more sympathetic manner than is usual for the time (and director). The film loses this characterization as the film progresses. The Indians' point-of-view is dropped. The "love triangle" of characters from the beginning end up only remotely involved in each others' lives; and, "The Massacre" misses out on some obvious dramatic possibilities for Sweet, Lucas, and West.
******* The Massacre (2/26/14) D.W. Griffith ~ Blanche Sweet, Wilfred Lucas, Charles West
One of D.W. Griffith's earlier attempts at making a feature longer than on or two reels, this has well-crafted action scenes, and while some of it is surprisingly morally ambiguous, it also effectively communicates an anti-violence message. It's similar to the better-known "Battle at Elderbush Gulch" in following the build-up to a battle between Indians and settlers, and in focusing on the individuals caught up in the ensuing violence. Although the action and human drama are probably not quite as good in this one, of the two features this one takes an especially even-handed approach to the conflict.
The story starts with a Griffith standby, a woman choosing between two suitors, who are then both part of a wagon train heading west, with the rejected suitor now a scout with the wagon train's military escort. The main story shows a brutal cavalry raid on a nearly defenseless Indian village, followed by the revenge attack on the wagon train. The latter attack is an extended sequence that fills up an entire reel or so of film. The scenario is supposed to have been based on events connected with General Custer's final defeat, but as it stands, there are no direct references to the specific historical events, so that is either a misconception or else an advertising technique.
Whatever other views Griffith had (and is often deservedly criticized for), he was always effective in communicating the horrifying effects of war and armed conflicts, especially on families. In both attack sequences, he takes pains to depict the ways that the unarmed, especially women and children, are senselessly killed and maimed. He also has some memorable shots of individuals and their actions when they are under attack.
In this particular feature, although more screen time is devoted to the attack on the wagon train, both attacks are treated in the same manner. In each case, he does not lay blame on the individuals involved in the attack, instead concentrating on the sufferings that they inflict, suggesting perhaps that if they stopped to realize what they were doing, things might be a lot different.
The clear-cut message overshadows somewhat the technical accomplishments of the movie. Griffith would soon do even better from the technical viewpoint, but even this feature already succeeds well in depicting a chaotic battle for an extended period.
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