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Thursday 20 September 2018 photo 1/5
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S*P*Y*S Online Free
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DOWNLOAD: http://urllio.com/r5tk6
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Two spies end up being chased by the CIA, The KGB and a group of anarchists after a botched mission invoked an unwritten "corpse for a corpse" pact.
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of their earlier M*A*S*H performances in this lightweight spy spoof, directed by Irvin Kershner. Gould and Sutherland play two CIA agents-Griff and Bruland-who are marked for death by their own agency after botching the defection of a Russian ballet dancer (Michael Petrovich). As they repeatedly mess up their assignments and wriggle out of tight corners, they not only find themselves pursued by the CIA, but also by the KGB, the Chinese Communists, and a terrorist group that wants to destroy the CIA.
this movie is way underrated. i didn't have high expectations from the previous reviews I had read, my rental was based on the sheer fact I wanted to enjoy these two on screen again. however, I was pleasantly surprised and am still thinking about the dialog long after I watched. hilarious banter!!! and the music---if only i could find the song that plays during the credits(after Elliot and Donald are done singing). its awesome!!! My favorite scene is when the chase the dog and confront anyone who the dog runs up to. These guys don't play dumb, and neither does the conversation between them. Plus, there's not-so-bright french anarchists in the movie. now tell me this doesn't sound fantastic!!!!
This very 1970's spy comedy was clearly marketed 90% on the strength of the star pairing of Donald Sutherland and Elliott Gould, two of the coolest, hippest, "with-it" male leads of the decade (of the type who would only be used in supporting roles in our more conventional times). Unfortunately, they forgot to add a script to the mixture. The "plot" of "S*P*Y*S" is rambling and confusing at best. But that's not the worst thing about this film - the worst thing is how dismally unfunny it is. I mean, it is supposed to be a comedy, but you'd be hard-pressed to name more than 2 funny scenes within its 100 minutes. Only Remy Julienne's expertise with car stunts shines through. * out of 4.
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