August
Tuesday 18 September 2018 photo 7/7
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Blood Drive In Hindi Download
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DOWNLOAD: http://urllio.com/r2v8b
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In a dystopian alternate 1999, a former cop is forced to take part in a death race in which cars run on human blood as fuel.
Grace is a street racer on the open road whose car runs on....people. Arthur is a cop trying to make a better world everyday. They get thrown together into a race, an event from Los Angeles to Phoenix which the loser losing their lives. Along the way they encounter psychos, freaks and innocents. Arthur wants to do right, but the rules don't allow his moral code to exist. Grace finally convinces Arthur, it's a do or die race. They must band together or forfeit their lives. Will they finish last only to die? Will Grace do anything to win? Who feeds the car next?
Took me awhile to get into it but I'm coming back.
I'm not fully educated on the offerings of SyFy channel but it satisfied with the gore and pessimistic take. I didn't fully get on board with the satirical nature of it since I'm a very literal viewer and didn't see the logic in the premise. I just thought that it was a short-sighted to have cars that ran on human blood. But that quickly changed.
I'm surprised that they gave a Created by credit to someone with so few credits (James Roland). But it seems a bit self-indulgent and pouring on the obtuse because they can and not necessarily because it's prudent. It's a joke that will probably get old. And the evil corporation (albiet justified) is a very old device in B sci-fi. The premise and tone is attractive but the writing is conventional.
I'm at episode 6 and, unfortunately, a very conventional chase through sand dunes with bad guys (girls) on motorcycles. And it's been very cyclical up 'til now as there's been very little race in a series about a car race.
The leads (Alan Ritchson, Christina Ochoa) look the parts but are barely competent as actors. I read a little and they're actually very impressive people as Ochoa is a MENSA member and Ritchson is an accomplished musician.
Acting-wise Colin Cunningham as the nemesis Julian Slink is very impressive. He was a standout in the very flawed Falling Skies that I gave up on. Right up there with Bruce Campbell. Not just a great character but a very good actor.
First of all, rather impeccable timing for the release of a TV show. This review is quite lengthy and if you haven't seen an episode yet, you might want to skip to the last two chapters of this review because what follows is mostly deeper analysis that may or may not have it's meaning lost to someone who hasn't seen the show, to avoid the use of spoilers.
I don't usually think about macro trends when it comes to television in the right here, right now, but when you see an exceptional show like this it really compels you. Usually it's easier to accurately spot such trends afterwards, Blood Drive however is all about the bigger picture, no matter what aspect of the film are we talking about, be it internal or external.
What has modern television evolved into? I feel like during the past few years there has been elements of camp incorporated in all kinds of TV shows, in different amounts and different combinations. Almost like a test to see how we would react, test which we passed. Quite a few of the shows with popular ratings have had a rather serious atmosphere (perhaps because during these competitive times a show needs to be taken seriously). There have been quite surrealistic shows too, but pretty much all of them try to tackle complex issues in our society on their own terms. Things like what exactly is the meaning of religion in the society of today, what's happening with the environment globally, corporatism around the world, even hybrid warfare and most importantly, how do we as people fit in this equation.
Now don't get me wrong, Blood Drive is very much about the same in my opinion, but it's quite the game changer. The other shows I was referring to earlier were in a sense, campy despite being so tasteful while Blood Drive is tasteful despite being so campy. The actors (even majority of the supports) manage to pull off incredibly realistic feeling performances, even though the script is incredibly over-the-top and exaggerated to the point of flirting with surrealism. Quite like the society around us with all the expectations from it's inhabitants which could be metaphorically described as an engine that runs on human blood. In a world like that, the road to decadence is paved with good intentions. Which is the very essence, the bloody race track of Blood Drive. Straight from the first episode probably right to the last one (mid-season review).
This spiral of decadence with all of it's gravity has the characters of the show reacting to it in all manner of human ways. You have the ones trying to resist, even fight it (desperately trying not to fall down that road, only to find themselves right in the middle of the highway), there are the ones embracing it (which naturally feeds it, just like with the ones resisting the decadence), ones trying to benefit from it as much as they can but ultimately feel indifferent about everything except gratification (again only feeding it), the individualist types that get pulled in due to circumstances (willing to go as far as it takes to solve said circumstances, becoming ever-so decadent in the process), victims of a dysfunctional society who adjust so as to not be victims again.
Blood Drive borrows a lot from late nineteenth century literature, transitioning it to a completely different form of art. No easy task there and the implementation is nothing short of genius. Mix & match of various campy genres, given to us in a campy manner by absolutely believable characters living out their stories in an unbelievable world.
Honestly, I have simply too much to say about this masterpiece to properly even review it without using thousands of words, which also means I could probably watch it again straight away (high compliment). I haven't even touched the subject of cinematography which is top of the line, an exceptionally integral part of the whole film which is truly a rare delicacy. Delivery is a delicate form of art in itself, and Blood Drive delivers what it's message in a breath taking manner managing to suck even the viewer right towards decadence and despite being full of characters that are portrayed in a very caricature manner, the viewer will probably find that they actually identify with one or more character type. Not because of who or what these characters are, but what are the ideas and concept they represent (there's even a pet-the-dog scene just to underline how important and meaningless it is at the same time).
Anyway the bottom line is: Whether you like to concentrate on finding a deeper meaning or are just looking for good entertainment, you are in for a hell of a ride that is a sheer pleasure to watch and full of both novel and nostalgic fun. Perhaps not for the faint-hearted, but then again neither is looking out your window or turning on the news channel. It's a jolt of electricity for our numb and often cynical minds. Gallery of postmodern art for pretty much everybody, even if that isn't their usual cup of tea.
So what are you waiting for? Let's get decadent! (to put it like JFK did to Elvis)
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