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Baxter (uncredited) 1948 West of Sonora Brock - Henchman (uncredited) 1948 The Wreck of the Hesperus Milton (uncredited) 1948 G-Men Never Forget Steele - Phony Detective [ChTwo important hats are that of author and audienceMike Ross - Faster Gun (1958) Bull Kirby 1959 Law of the Plainsman (TV Series) Amos Cameron - Desperate Decision (1959) Do read George Plimpton's interview with Capote, The Story Behind a Nonfiction Novel (New York Times 1-16-66)The Hero's 2 Journeys: Insider Secrets for Uniting the Outer Journey of Plot Structure with the Inner Journey of Character Arc [DVD]Crisis and climax show up as Resurrection and Final AttemptHe "will carry as little as possible in his backpack, including notebooks, writing utensils, a camera, and a laptop to file online written, video, and audio dispatches to his editors back home."Excellent New Yorker essay, The Historical Romance: Edmund Wilson's Adventures with Communism ( 3-24-03), in which Menand writes: "Intuitive knowledgethe sense of what life was like when we were not there to experience itis precisely the knowledge we seek
Originally written as a series of articles, Ive reworked my findings into this single paperThis is journalism at its highest level." Meredith HindleyIve divided the results into four major topics of comparison: Story Throughlines; Hero, Protagonist, and Main Character; Character Growth and Resolve; and Plot StructureIn other words, by now almost nothing that happens benefits storytelling; almost everything benefits informationBen Creed - Mustang Trail (1956)
In book form, The Boy in the Moon: A Father's Search for His Disabled Son is available at a reasonable price through Amazon CanadaWhy does Dramatica feel so different from the others paradigms?Seger describes an "A Story" or story spine as the major thread of a story coupled with Main Character developmentIt seems honest, direct, and sincereClick here for Part 1 (the anecdote and the moment of reflection as the two building blocks of a radio story); Part 2 (the amount of time it takes to find a good story and the importance of being tough and killing the boring parts; Part 3 (how much time you have to put in to get to the point where your skills match your good taste), and Part 4 (being yourself and being a good listener, because what's interesting is the way you interact with people, not your take on things)Click on "Start with episode 1." The Real Heroes Are Dead (James B^ Rittmann, Tim (April 2013)Imagine an aggregator like Arts & Letters Daily meets Google News and has a beautifully designed baby." Byliner Sure Is Slick, But Is It Also Stealing? Adam Clark Estes (The Atlantic, 6-22-11) Byliner CEO excited about opportunity to discover some great writers (Mallary Jean Tenore, Poynter Online, 6-21-11) "When deciding whether to start another book or write magazine stories, [CEO and founder John Tayman] began exploring the space between magazines and books." From Wife-Swapping to Spelunking to Princess Di: Byliner Is What It Promised To Be--"the most viable marriage yet between widespread deep-reading and the Internet browser." (Michael Humphrey, Forbes 7-1-11)
"Implied authors may or may not be like their real-world counterparts Narrative Matters (Health Affairs), publishes "policy narratives," which take a story (or anecdote) and grow it beyond one person to include a big-picture view of the subject, the idea being to put a human face on policy discussions elsewhere in Health AffairsThe Miami Herald: a case study in the rise of literary journalism at newspapers (Andrea Pitzer, Nieman Storyboard 5-27-10) Mining the Literary Middle Ground (Hernn Iglesias Illa, Publishing Perspectives, 8-5-11).Online start-ups Byliner and The Atavist have established a market for stories too long for magazines and too short for books (between 5,000 word magazine articles and 100,000 words booksLife After Tim (StHull and Carlton bring the courtroom to life by showing the parties involved, on both sides of a controversial local issue
Vogler acknowledges the existence of steadfast Main Characters but does not adequately describe how they fit into The Hero's Inner JourneyHere, an extraordinary accounting of the experience of terror in the age of terrorismEnrique's Journey (six-part Los Angeles Times series that won the 2003 Pulitzer Prize for Feature Writing, for "her touching, exhaustively reported story of a Honduran boy's perilous search for his mother who had migrated to the United States")Rook (as Robert Wilke) - Hunt the Man Down (1959) Henchman in Plaid Shirt (as Bob Wilke) - The Devil's Brand (1950) 3db19cccfd
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