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Tuesday 18 September 2018 photo 2/7
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John Wick: Chapter 2 720p Movies
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DOWNLOAD: http://urllio.com/qxwrf
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After returning to the criminal underworld to repay a debt, John Wick discovers that a large bounty has been put on his life.
Bound by an inescapable blood debt to the Italian crime lord, Santino D'Antonio, and with his precious 1969 Mustang still stolen, John Wick, the taciturn and pitiless assassin who thirsts for seclusion, is forced to visit Italy to honour his promise. But soon, the Boogeyman will find himself dragged into an impossible task in the heart of Rome's secret criminal society, as every killer in the business dreams of cornering the legendary Wick who now has an enormous price on his head. Drenched in blood and mercilessly hunted down, John Wick can surely forget a peaceful retirement--but above all--in this lethal ballet of bullets, can he make it out in one piece?
How and even more important who is supposed to stop John Wick? The character and the subsequent movie franchise. Maybe Denzel Washingtons Equalizer would be the correct answer. Maybe that is the mash up that would be amazing. On the other hand I've never heard any person throwing those two characters in one hat, so don't hold your breath.
Back to Mr. Wick (and if you have time search the fake trailer for the Dog Wick, hilarious, though full of spoilers I reckon concerning the first Wick movie) and his new problems. You know when you just want to lay back, lift your feet up and do nothing? Wick thought he'd try that out for a change. After a fast paced action riddled opening sequence that is of course. But also of course: it ain't going to happen. And you know that wouldn't be the movie you'd sign up for. Mr. Wick doing nothing other than talk with his foes. The action is choreographed really well, some stunts may seem similar, but overall the gun play is amazing.
People of the UK be aware of minor cuts that have been made to the version you are getting (30 seconds I think, but you can find out about that). But it's still full of violence and theatrical composition. It's beautiful and horrific in its own way. It's just wonderful and with Common it has one main antagonist who is up for the challenge ...
John Wick was the sleeper hit of 2014, elegantly combining kinetic fist and gun fights, fluid camera-work, and an effective, stoic performance from its lead, Keanu Reeves. There was a beauty in its simplicity: a former assassin grieving over the recent death of his wife gets done over by a small gang of scumbag Russian mobsters, who proceed to beat him to a pulp and kill his dog, and who are soon running for their lives as the slick-suited killing machine routinely takes them out one by one. Animal lovers can breathe easy as no dogs die in this sequel, although the anti-hero has found himself a new four-legged sidekick. The film's surprising success, as well as the shady underground universe it only hinted at, had action fans salivating at the thought of a follow-up.
Fans will be pleased that stuntman-turned-director Chad Stahelski is back at the helm, as is writer Derek Kolstad, who, although obeying the expected rule of sequels by making everything bigger and louder, both ensure that everything that set our pulses racing the first time around is present and suitably breathtaking. Opening with what can only be described as a ballet of fisticuffs and impressive stunt driving, we are instantly on familiar grounds. Having done everything but retrieve his 1969 Ford Mustang Mach 1 as he took his vengeance on anybody stupid enough to stand in his way, Wick lays siege to a dingy chop shop ran by Russian Abram Tarasov (Peter Storemare), the brother of Viggo from the first film. With pal Aurelio (John Leguizamo) restoring the classic vehicle, Wick can finally move on with his life. Only clearly somebody hasn't informed him that he's in a sequel. Soon enough, old colleague Santino (Riccardo Scamarcio) is at his door insisting on a favour.
Wick politely refuses, but Santino lays down a marker which symbolises an unbreakable oath. Although they kill mercilessly for a living, these contract killers have a code and a set of rules they must obey under penalty of death. Having left the game, Wick isn't having any of it, but the quick destruction of his home soon has him jetting off to Rome to carry out the job. His target: Santino's sister Gianna (Claudia Gerini), who was chosen by their father to take his place at the high seat of international crime bosses. The organisation of the underground assassins only hinted at previously really opens up in Rome. Met by the boss Julius (Franco Nero), Wick is soon getting fitted for expensive suits and choosing his arsenal with the assistance of Sommerlier (Peter Serafinowicz) for his so- called 'impossible task'. A smooth operation wouldn't make for a particularly exciting time, so Wick quickly finds himself under threat from bodyguard and colleague Cassian (Common), and Santino himself, who wants to leave no loose ends.
John Wick: Chapter 2 could have easily gotten ahead of itself. By opening up what was such a personal and emotional revenge mission last time into a continent-hopping world of hotel safe-houses and spies masquerading as the homeless, this could have become very silly very quickly. Instead, the film hypnotises you by making the action even more bombastic, and infinitely more violent (if you liked The Joker's death-by-pencil in The Dark Knight, just wait for this one). Even when events take strain credibility to the max by introducing the 'Bowery King' (Laurence Fishburne, in a nice reunion with Reeves), a man in charge of a huge network of tramp hit men, and revealing that a startling number of the general public are in fact one text away from slitting your throat, you'll be too busy admiring the balletic carnage to roll your eyes. The bad guy may be even less interesting than the already-bland big boss from the previous movie and it's lost that element of surprise, but I was ready for part 3 the second the credits started to roll.
There’s a quality to the violence here that elevates it above the literal (and reprehensible) nihilism of movies like last year’s “Hardcore Henry," and instead achieves something more akin to dance.
A marker is a blood oath sworn by two members of the organization. Essentially it is a favour that one cannot refuse when called upon to fulfill it. In this case, John Wick gave a marker to Santino. In exchange, Santino helped John Wick with his "impossible task" that allowed John to leave the Assassin world to live a normal life. Had John stayed in that life and not gotten back into the world of assassins, Santino would have respected it and left the marker unused. Throughout the film, we are shown that the assassins are a very large organization. With different factions all over the globe. However, not everyone is a top-level assassin like John Wick. Some of them are simply associates, such as Charon, Aurelio, the bartender, the tailor or Sommelier, the armorer and so on. These people are not killers, but simply descrete servants within the organization. a5c7b9f00b
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