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1980s, when it became clear to its authors that certain artistic practices with which Georges Bataille's name had never been asso- ciated - the sculpture of Alberto Giacometti from the late 1920s and early 1930s on the one hand and the repertory of surrealist pho- tography on the other - could only be characterized
Tate glossary definition for formlessness: A concept, first introduced by French writer-philosopher Georges Bataille, who argued that art should be brought 'down in the world' from its elevated status to its base materialism.
Georges Bataille: "Informe." Documents 7 (December 1929), p. 382. Bataille's definition posits the formlessness of the world as implying its intrinsic worthlessness as well as the unredeemable futility of our thinking about it. He uses the notion of "form" in an abstract, philosophical sense which is at best obliquely related to
English as 'the formless') formulated by Georges. Bataille in 1929, the curators defined their own project as a critical resistance and challenge to this. 'official' version oi the history of modern art and western metaphysics in general, especially its formal taxonomy.1. Resorting to Bataille's notion of the informe, which "n'est pas
30 Jun 2011 A dictionary begins when it no longer gives the meaning of words, but their tasks. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. This paper investigates the notion of informe, or ‘formless’, as described in
Formless: A User's Guide, [excerpt]. A User's Guide to Entropy*. ROSALIND KRAUSS. X MARKS THE SPOT. Sometime in 1965 Bruce . book on criminal deaths, reviewed briefly by Bataille,5 put it–the trace of an utterly contingent “this." If, however, McCollum's impulse is to treat these “trace fossil" footprints as though.
Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the "formless" been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a
Using Georges Bataille's concept of 'formless', the authors reveal how these models function as constructed realities: hollowed out, sculpted and assembled; enabling the simultaneity of form and its sublimation. 083. 084 Retrieved from https://www.oasejournal.nl/en/Issues/91/FormFormless. Download PDF (1.12 MB).
A 'third' term was introduced to deflate this dualism. This term was Bataille's con- cept of the informe (the formless), which he explored in the 1920s and which remained influential throughout his work.3 In the discus- sions between art theorists that led up to Formless: A User's Guide, it became apparent that the formless bore
Georges Bataille. Edited and with an Introduction by Allan Stoekl. Translated by Allan Stoekl, with Carl R. Lovitt and Donald M. Leslie, Jr. Theory and History of Formless. 31. The "Old Mole" and the Prefix Sur in the Words. Surhomme [Superman] and Surrealist. 32. Base Materialism and Gnosticism. 45. The Deviations of
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