August
Tuesday 18 September 2018 photo 1/7
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Minority Report Sub Download
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DOWNLOAD: http://urllio.com/qxo63
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In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.
It is the near future, a future where murders have become so common, that a system had to be established. This system is called "Precrime", where 3 psychics can predict murders before they happen. Allowing police to stop the murders. This system is in production in Washington D.C. Where police officer John Anderton (who lost his son to a murder 6 years previous) has stopped numerous murders in his career. One day, he found out that he is the next person to commit a murder. Now, he is running away from a system he helped become successful, and trying to find out why he was set up to commit murder.
Others have already provided articulate, nuanced comments for this film. Of course, the opinions run the gamut from Love or Hate, to Damning with Faint Praise.
But in speed-scanning all posted comments, I feel I've noticed a trend; a dichotomy in the tone of reactions to the movie that may help those who have not seen it decide if it's worth their time and money. (But after the the two numbered items below, I'm just rambling.)
1. Those who have stated or implied that they have READ any work by Philip K. Dick tend to have enjoyed the movie. (This does not mean that they--or I--would have preferred Spielberg as director, or Cruise as lead protagonist.)
2. Commentators who don't mention that they've read any book by Dick tend to dislike the movie, or feel it's mediocre (beyond being reduced by Spielberg/Cruise.)
I don't mean for this to be iron-clad, and the pleasure/disgust in viewing MR has been well-stated both ways. It's also true that I've read a handful of Dick's novels, and find that his characters' themes of alienation, despair and worry about paying the rent play out well, as projected into futuristic settings (or revisions of history, as in The Man in the High Castle, and Radio-Free Albemuth.)
Phil Dick used a life-long battle with obesity as an excuse to become an amphetamine addict (check the Author's Note at the end of his 1977 novel, A Scanner Darkly.) His fans lost him in 1982--the speed-abuse had severely damaged his pancreas. He was about 60.
The year prior to his death, he gave an interview in which he stated that he believed his first novel was superb (Solar Lottery, 1955. There are two other titles for it. One was only used in a British edition of the work.) He flatly stated that his next 25 novels--and other short writings during the period--were "junk....worthless." It's funny that the story from which Minority Report was derived was written during this time span.
Presumably, the next "quality" novel Dick felt he had written was The Man in the High Castle, published in 1962.
Would you like to live in a world in which formal, procedural justice is of no value anymore? Where so-called Precogs tell the police department when and where a crime might/will happen so that troops can be send out to arrest the criminal-in-spe before he or she has committed the crime? This is an ugly world as justice depends upon dubious visions, not on the opinion of a judge, a trial jury based on legally founded proofes. The old fundament of criminal law - IN DUBIO PRO REO - is dismantled here.
What is left is a world where anybody can become the victim of these "visions", without being able to find out if he'll ever come in the situation to do what he's alredy punished for.
PHIL K. DICK's stories are splendid sci-fi-tales that show us where our existing civilizations with their well-balanced systems might be woundable, picks on one of these possible wound and reveals the nightmarish outcoming of certain "wrong developments".
The movie has not only a great main theme which is the loss of human dignity and fair trial in a world of tomorrow, it also features great "supporting pillars" as the value of family. It comes up with some very stylish set pieces, great action sequences as well as an unforgettable finale which makes your neck-hairs bristle. Deeply satisfying on all levels!
Few directors are capable of marrying ideas and entertainment—one is often sacrificed for the other—but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.
"Symphony No.7 (in the past also No.8) in B Minor, D.759 (Unfinished)" (1822) Written by Franz a5c7b9f00b
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