Tuesday 18 September 2018 photo 7/7
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Download Thunderbirds Are Go
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Remake of the hit 1960's "Supermarionation" television show. In the 21st century, Jeff Tracy, a former astronaut, amasses a colossal fortune and decides that he must use it to benefit others. His answer to this desire is to create International Rescue, a unique private emergency response service equipped with customized designed vehicles and equipment that enable the organization to react to any crisis whether it be in sea, air, land, or space. Jeff's five sons volunteer to operate as the pilots and field agents, as well as "Brains" (real name unknown) who acts as the teams' technical developer and engineer. In addition, Jeff's friend, Kyrano and his daughter Tanusha aka Kayo (based on the original series Tin-Tin character) agree to be the support staff. In addition to the field team, IR also maintains an intelligence network with Lady Penelope Creighton-Ward and her ex-con chauffeur, Parker as the chief agents in this arm. The series depicts this team as they answer various calls for help around and beyond the world while they prevent enemies like the Hood, Uncle to Kayo, from learning and exploiting their secrets. We join the story when Jeff (and probably Kyrano) is missing - presumed dead - and his family are having to continue with his legacy still hoping he might be found safe. Kayo is now head of security and Grandma (who is a poor cook) is in charge of mealtimes!
In the future, the Tracy family run a private mechanized emergency response service.
As somebody who grew up with the 1960s incarnation of 'Thunderbirds', which still holds up as a classic and iconic, was expecting a disaster and knew that it was going to be difficult coming close to its quality.
Giving it a fair chance, it doesn't reach the standard of the 1960s show but it is nowhere near the disaster that the 2004 live-action film was. It does have its major faults but doesn't disgrace the original in the way that it could have done and actually makes a real effort to try and respect it while trying to appeal to younger and modern audiences (which apparently was not an easy task for them).
There are several good things. The animation is mostly very good, smooth, very detailed and colourful and with the notable exception of a rather plastic and too young-looking Lady Penelope the characters are mostly still recognisable. There are some tense and also humorous moments ("EOS" being one of the show's better episodes with particularly good effects), Parker is often very funny, and there is evidence of 'Thunderbirds Are Go' trying to respect and pay homage to the original 'Thunderbirds' show. The launch sequences in particular are very well done, the models do look good, and also really appreciated that there was more prominence on Number 5.
Love the brotherly bond often between the brothers, and they do have likable moments, if also some bland ones. Was mixed on the voice acting. David Graham comes off best, he is very good and entertaining, and provides some of the show's funniest and most lively moments. Virgil and Scott also come off well. But as much as I really like Rosamund Pike, despite having a beautiful speaking voice her voice acting doesn't really fit Lady Penelope, although the character looks young Pike sounds a little too mature as well as even in tense situations voices her with more-of-the-same expression which gave the sense that her heart wasn't in it (the more sophisticated and aristocratic Penelope is missed). Alan has his likable moments but often he sounds bland.
Where 'Thunderbirds Are Go' mostly falls down is the length and pacing agreed. The episodes are too short, and in an effort to try and cram in as much as possible many of the stories feel rushed and hyper-active (both in comparison to the original and on its own terms). The action is also mixed, sometimes exciting and fun but too many others veer on the cartoonish. There are also changes here, especially the immediately noted and deeply felt absence of Jeff and a more diverse depiction of Brains which struck a strange chord with me and many others and the feeling has not worn off yet.
Another major problem is the music, there are attempts to use the iconic themes but mostly they are lost within the more brash and over-bearingly bombastic style adopted here and very rarely stops. The villain is not particularly menacing as a villain and seems to be there for the sake of it, and while the script has its good moments there is some awkwardness.
Overall, could have been a disgrace but wasn't, while also not being completely successful. Good try though. 6/10 Bethany Cox
I loved Thunderbirds as a child and this new series which I watch each week with my three young sons is the perfect representation of the original ideas for a new era. There are homages to the past aplenty while giving us some new surprises... The Thunderbirds craft all launching together at the end of the series was such a buzz that the boys and their friends and cousins watch it repeatedly. Having such a strong female role on the team is important too - they admire Kayo and quite rightly so. Absolutely fantastic production all round (including the music, which my youngest son sings at full volume!) - sets, cartoon CGI, most of the plotting, voice acting... All high quality and a fitting successor to one of the most phenomenal children's shows of last century.
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