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Tuesday 18 September 2018 photo 8/8
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Smokin' Aces Movie Hindi Free Download
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DOWNLOAD: http://urllio.com/r2rec
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When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Over the years, the FBI has largely been able to dismantle La Cosa Nostra, better known as the Mafia. One of the only remaining high profile Mafia bosses is Primo Sparazza. The FBI is working on getting a peripheral insider, Las Vegas headliner Buddy "Aces" Israel - so nicknamed because he largely performs card tricks in his magic act - to provide evidence against Sparazza in turn for witness protection. In conducting surveillance on Sparazza, FBI agents Richard Messner and Donald Carruthers overhear that Sparazza has taken a $1 million contract out on Aces, the person given the assignment an unknown Swede whose task also includes providing a piece of Aces' heart. Sparazza, who is in ill health, probably wants Aces dead as one last act of vengeance for what he may be doing. With $1 million on the line, the FBI know that other assassins, known and unknown to them, will also be trying to get to Aces first. However, Aces, who jumped bail, is on the lam hiding out in the penthouse suite of a Tahoe hotel, and is thus also being pursued by some bail bondsmen. With Aces having his weakness - women - it is not difficult for all of these players to track him down. The question becomes who will get to Aces first, and if that person's end goal is to kill him or take him alive. Some revelations may change the color of the proceedings.
Joe Carnahan's Narc was such an impressive achievement because it breathed new life into a genre that was pretty much dead on its feet. The cops in the film (played by Ray Liotta and Jason Patric) were complex and flawed, and even though they were like characters we've seen in movies before, they exceeded their stereotypes and were fully realized, human characters. In Carnahan's new film, Smokin' Aces, cops play an important part in the story as well, but unfortunately they have about as much depth as extras lifted from a TV crime drama.
This is a kind of movie I just hate: the kind where characters just drone on and explain and explain and explain. They speak lazily and monotonously, as if they want to seem cool and collected, when really just seem to be sleep-walking through a contrived movie. Think of a Quentin Tarantino script devoid of any lively dialogue or pop culture references, and you get the basic idea of what Smokin' Aces is. For a movie that literally spends more than half its time on build up, there is really minimal payoff. We're given extensive background information on nearly every single character but in the end they're nothing more than cardboard cut-outs. The out-of-their-league Bail Bondsmen/ex-cops, the black gangster girls, the sadistic rednecks, the master of disguise, and so on. That's about as far as we can distinguish them. It's a celebration of violence and carnage, but never once tries to have any kind of fun at all. There are very specific characters who are meant to be the comic relief, but the movie itself wants to be taken seriously, which makes it all the more laughable.
This is such a dull, lifeless movie. Alicia Keys' and Taraji P. Henson's acting is about on par with a high school play. Ben Affleck constantly looks about ready to call it a day and ask for his cheque. Ryan Reynolds puts a ridiculous amount of effort into a role that is poorly written. The only role I even liked was Jeremy Piven's character. Maybe because his character is in varying stages of inebriation, he felt the need to actually display some emotion. Piven makes the movie better than what it deserves to be and is the only character in the movie I found to be at all convincing.
Then there's the ending. Oh boy. There's a good way to distinguish good twists and bad twists. If there is some sense that a movie is leading toward this conclusion, like say, it has any importance at all, and perhaps the movie is always unraveling towards it or even dropping clues for it, then the twist is justified. Narc had a twist kind of like that. Smokin' Aces has a moronic, needlessly complicated twist that only exists because Carnahan probably couldn't think of an interesting conflict for the climax. It's not so much a twist or any kind of important revelation as it is merely a curtain call.
Smokin' Aces is a complete mess. There is about 30 minutes worth of good action, and the rest, I guess, is filler. It's an idiotic, pointless movie that has no depth at all, which would always be forgivable if it weren't for the lack of a sense of fun, either. There are too few redeeming factors and there are far too many better movies out there.
My rating: 4/10
What a mess. I really wanted to like this movie, but I couldn't.
The trailers made this movie look awesome. Unfortunately, the movie itself seemed to have been stitched together from trailers of better movies. This is what happens when people make a movie by "committee". I can almost hear the questions - "Should it have a detailed plot like 'The Usual Suspects' or converging plots like 'Snatch'? Stylistic violence like 'Kill Bill' or gory violence like 'Saw'? Be filmed like a movie or a music video?" Apparently, the committee decided not to choose. Instead, they threw all of these elements into the movie - and more. The result is a confusing mess.
There are separate "plots" for each group here is the tally: 2 hit men groups, 2 hit men "lone wolves", 1 group of bounty hunters, the FBI, Aces, Aces bodyguard crew, and Hotel Security . These apparently were supposed to be the "convergent plots" part of the movie, but none of the characters acts as a unifying guide. As a result, the movie feels rudderless you just bounce from character to character aimlessly. They also tack on a "complex" plot that concerns the Mafioso who ordered the hit. It was supposed to be a gotcha, but you see it coming a mile away. It doesn't even feature speaking characters in real time (only shown in flashback), so your interest is non-existent anyway.
There are plot holes big enough to drive a tractor through. For example {Spoiler Warning), early in the movie, 3 hapless bounty hunters are gunned down by the neo-nazi hit men. The "gun fight" is maybe 1 second long literally. A car pulls up, a short burst of gunfire, and all three are on the ground without so much as a twitch. Considering none of the three were hit in the head, it's pretty strange they fell over like they had been given the "Vulcan neck pinch". Anyway, these bodies are then dragged to a lake and thrown in. The plot hole? One of the "bodies" springs back to life halfway through the movie! Turns out his only wound was to have the fingers of his left hand blown off (shown in gruesome detail). How this incapacitated him enough that the hit men dragged him to a lake without realizing he was alive (and relatively unharmed) is never explained. This is a simple example, don't get me started on the "transplant" plot. (End Spoilers)
Also, for a modern action movie, the guns are poorly understood props. Most of the actors handle them badly, and the weapons are alternately fiercely overpowered or nerfed. Add to this, stilted dialog, poor scene pacing, bad acting in most cases) and you have a recipe for disaster. On the upside, the movie is pretty most of the time. Bright scenes, lush settings and many elaborate set pieces. To bad it didn't have a brain to go with the beauty.
Smokin' Aces is Tarantino lite - a vague and unsuccessful attempt to bring together a bunch of offbeat, unrelated characters in a situation where a bloody resolution is inescapable.
... Richard Messner and Donald Carruthers listen in on Serna and Padiche's phone call? "Surveillance (I-Spy and the FBI)" by Clint Mansell.
... Jack Dupree, Pistol Pete Deeks, and Hollis Elmore are introduced as Dupree talks about Israel? "Smokin' Aces - It's Buddy's World" by Clint Mansell.
... Locke debriefs Messner and Carruthers about Israel? "FBI" by Clint Mansell.
... Georgia Sykes and Sharice Watters are introduced? "SpottieOttieDopaliscious" by Outkast.
... Pasquale Acosta is introduced? "Yo'te Queiro (Oh Ma Corazon)" by Clint Mansell.
... The Tremor brothers are introduced? "Ace of Spades" by Motorhead.
... Lazlo Soot is introduced? "Down on the Street" by The Stooges.
... Israel wakes up in his penthouse? "Segura O Sambura" by Nilton Castro.
... Israel throws cards at hookers? "I Love You" by The Bees.
... Ivy & Beanie get rid of hookers? "Trespassing" by Skull Snaps.
... Tremor brothers drive-by and shoot up Dupree's crew? "Like Light To The Flies" by Trivium.
... Darwin Tremor plays with Dupree's corpse? "Morte Di Un Soldato" by Ennio Morricone.
... Soot murders Hugo in the basement? "Save Yourself" by The Make-Up.
... Acosta murders Bill? "Yo'te Queiro (Oh Ma Corazon)" by Clint Mansell.
... Watters watches Sykes change? "Touch Me Again" by Bernard Pretty Purdie.
... the montage (showing Sykes waiting by the elevator, Hollis making his way to Warren's house, Acosta fixing up his face in the hotel lobby, Tremors going up in the elevator, Soot going up in the elevator, e.t.c...) begins? "Smokin' Aces - It's Buddy's World" by Clint Mansell.
... Soot enters penthouse / Israel freaks out in bathroom? "Big White Cloud" by John Cale.
... Carruthers vs. Acosta? "FBI" by Clint Mansell.
... Warren opens the door to the wounded Hollis? "I Gotcha' Back" by GZA/Genius.
... Watters & Sykes vs. FBI agents? "Welcome To Tahoe!" by Clint Mansell.
... Tremor brothers vs. security team? "First Warning" by The Prodigy.
... Watters' breakdown & death? "Shell Shock" by Clint Mansell.
... Messner walks through crowd outside of hotel and then goes to the hospital? "Aftermath (Body Count)" by Clint Mansell.
... Messner pulls the plug on Israel and Sparazza? "Dead Reckoning" by Clint Mansell.
... during the end credits? "Play Your Cards Right" by Common ft. Bilal, "First Warning" by The Prodigy, "Smokin' Aces - It's Buddy's World" by Clint Mansell. a5c7b9f00b
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