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In Paratexts: Thresholds of Interpretation, Jane E. Lewin offers an intelligent and energetic translation of Gerard Genette's Seuils (Paris: Seuil, 1987)—a study of "the liminal devices that mediate the relations between the text and reader" (xi). Lewin's translation—her fourth of a book-length work of Genette's—is impressive
Foreword. pp xi-xxii. By Richard Macksey · https://doi.org/10.1017/CBO9780511549373.001. Access. PDF; Export citation. List of books by Gerard Genette. pp xxiii-xxiv. Access. PDF; Export citation. Translator's note. pp xxv-xxvi · https://doi.org/10.1017/CBO9780511549373.002. Access. PDF; Export citation. 1 - Introduction.
GENETTE, GERARD. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press. (Literature, Culture, Theory 20), 1997. xxv + 427 pp. ?45/85995 (hardback); ?15-95/822-95. (paperback). ISBN 0-521-41350-8/42406-2. Genette's diptych study to Palimpsest(e)s has for too long been out of the reach of
29 Oct 2012 Wiki for Collaborative Studies of Arts, Media and Humanities.
110. Gerard Genette's book, Paratexts: Thresholds of Interpretation, is an attempt to formally categorize the various elements of the "paratext." The book is divided into fifteen chapters, consisting of an introduction, thirteen chapters on the various elements of the "paratext" and lastly a conclusion. In this chapter I shall discuss
Novels behind glass: commodity culture and Victorian narrative. AND REW H. MILLER. Kenneth Burke: rhetoric, subjectivity, postmodernism. ROBERT WESS. Rhetoric and culture in Lacan. GILBERT D. CHAIT IN. Gerard Genette. Paratexts. Thresholds of interpretation. *****************************4.4.4.4.4.4.4.4.4.4.4.4.
Introduction to the Paratext*. Gerard Genette. T HE LITERARY WORK consists, exhaustively or essentially, of a text, that is to say (a very minimal definition) in a more or less lengthy sequence of verbal utterances more or less con- taining meaning. But this text rarely appears in its naked state, without the reinforcement and
The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to New Literary. History. www.jstor.org. Introduction to the Paratext. Author(s): Gerard Genette and Marie Maclean. Source: New Literary History, Vol. 22, No. 2, Probings: Art, Criticism, Genre (Spring, 1991), pp.
Gerard Genette. Paratext is the means by which a text (as an ideal formation) makes a book of itself (as a material and present object) and proposes itself as such to the reader. (page 261). No text can exist without a paratext, except for its author—until the text is made material. The means of paratextualization differ
Paratexts are those liminal devices and conventions, both within and outside the book Gerard Genette. Paratexts. Thresholds of interpretation. V V V V V V V V V V %* V V VV V V V *J* V *I* V V V V V V V V V V V V V V %•%*%*V %* V. Translated by. JANE E. . collection, O teorii prozy (Moscow, 1929; 2nd edition). For an
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