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elements the same. Within this framework, many of the elements of West African drum ensemble music are equivalent to Western musical elements and can without too much quali- fication be referred to in Western musical terms —such as pitch, tone quality, rhythmic pulses, patterns, pattern interrelation, and so on.
Venezuela, and the West Indies, for example, it is pos- sible to observe drumming styles directly related to those of West Africa. In some of these places drum rhythms not only are African in style, but they are virtually the same rhythms that were brought from Dahomey, To go land ,. Nigeria and the Congo during the days of
Since that moment, I've been integrating rhythm into all kinds of learning and training environments. Along with continuing a focused study of West African and Brazilian percussion, I've developed and conducted hundreds of interactive rhythm trainings for teachers, facilitators, children and youth. I've also been privileged to
un Ra, the legendary African American philosopher, pianist, and leader ofhis Solar. Arkestra, spoke of the human condition and life's struggles in terms of an omniverse and our genesis from another dimension. He once told me. 'Reality is not just what we see, there is another existence, we are beings from beyond.
THE DRUM IN A SELECTION OF FRANCOPHONE NOVELS FROM WEST . rhythm and music. Moreover, it is necessary to address the question of why rhythm, often considered as a component of music, is regarded as a category in its own West African languages such as Wolof, Bambara, or Malinke, it becomes readily.
Bambafoli. Also Dutchmen can create rhythms according to the West African rhythm conventions. Bambafoli was made by Paul Janse and the meaning is "Rhythm of the Crocodile". Call. Y iOo4.4 o4o$.4 o4.4 o$o4.4 x4x$x4.4 .4 .$ i. K <oc44c4$oc44c4$oc44c4$oc44c4$>. N <omc44oc4oc$4oc44c$oc44c4oc$4c4c4$>.
12 Mar 2014 explores the indigenous music of West African cultures and. “cross-?over" music in America. These concert program notes and the enclosed CD of concert excerpts are created to assist music specialists and classroom teachers in preparing their students for the concert experience. Please feel free to copy
West-African Percussion Pages for rhythm information & notation They all shared with me their knowledge about traditional West-African Percussion. In these pages I share it again with you.." Paul Nas. Rhythms Ka - Ki, Kadan Kadan, Garankedon, Foro Binge, Dunungbe, Recent pdf added: december 2014: Lafe/Kurubi,
7. About the Rhythms. The Rhythms in Anyone Can Play Djembe fall into two categories; “Traditional. West African" and “Original World Beat." Traditional Rhythms. Learning the traditional rhythms on the Djembe is both important and of great value to the student. By doing so, one gains an understanding of the language.
West-African Percussion rhythms from Guinea and surrounding countries (www.paulnas.eu/wap/index.html). 126 Rhythmen. Abondan Abondan (Abonda) is a rhythm from the Baoule-people from the Ivory Coast. It is probably a very old rhythm that was played when the King went out to ride (on the horse). The story goes
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