Tuesday 18 September 2018 photo 4/7
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The Atlantis: The Lost Empire Hindi Dubbed Free Download
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1914: Milo Thatch, grandson of the great Thaddeus Thatch works in the boiler room of a museum. He knows that Atlantis was real, and he can get there if he has the mysterious Shephards journal, which can guide him to Atlantis. But he needs someone to fund a voyage. His employer thinks he's dotty, and refuses to fund any crazy idea. He returns home to his apartment and finds a woman there. She takes him to Preston B. Whitmore, an old friend of his Grandfathers. He gives him the shepherds journal, a submarine and a 5 star crew. They travel through the Atlantic ocean, face a large lobster called the Leviathan, and finally get to Atlantis. But does the Atlantis crew have a lust for discovery, or something else?
Set in 1914, young linguist orphan named Milo Thatch buries himself in books trying to unlock the secret to the destruction of Atlantis. Althouth his theories are ridiculed by his colleagues he is persistent in his dreams of one day discovering the lost isle. His dreams are realized when he is given a spot in an expedition, financed by a friend of his grandfather, to go in search of Atlantis following Milo's guide: The Shepard's Journal. But the Guardians of Atlantis await the explorers putting them in danger at every turn. And the deadly truth about Atlantis's demise puts Milo, the royal family, and all of Atlantis in mortal jeopardy.
"Atlantis: The Lost Empire," released during the summer in 2001, will most likely be looked upon by future generations of audiences as a peculiar, if not totally over-looked gem. I first saw this delightful, Jules Verne-inspired little animated film from the co-directing team of Gary Trousdale and Kirk Wise (with producer Don Hahn) - who were behind Disney's animated renaissance favorite "Beauty and the Beast" (1991) - when it came to DVD in early 2002.
Having watched the film today for the first time in ages, I was again awe-struck by the lush beauty of its visuals (which seemed to have mimicked the style of Japanese Anime' and American "Hellboy" comic book artist Mike Mignola), its highly evocative musical score (by James Newton Howard), and its beautiful aquatic imagery; I have a thing for water, the ocean and aquatic imagery/visuals, so "Atlantis: The Lost Empire" was right up my alley. I was also disappointed at the time to find out that this movie was not a success (at least not as big as Disney had originally hoped), but regardless of its box office performance, this is a movie to be cherished.
There is some historical significance with this picture 11 years down the road. "Atlantis: The Lost Empire" has the benefit of being one of the last animated Disney films (one of the last animated films period) to be almost entirely hand-drawn - that is people actually sitting down at a desk and drawing things down on paper, by hand! Yes, there is some heavy use of CGI mixed with the hand-drawn images, but for the most part it's easy to tell where human hands left off, and a computer stepped in to do the rest.
The other added benefit is that the CGI is hardly noticeable here (at least to the untrained eyes of certain audience members); but I will admit that 11 years later down the road and with so many significant advances in CGI animation (in addition to having seen, and loved, "Avatar" in 2009), it would be interesting to see how this movie and its underwater imagery would have looked had it been done completely in CGI, so I'm not going to lambaste CGI animated films completely.
And yet there is a human story, with real flesh & blood animated characters; such characters, their stories, and their motivations usually get lost in a production such as this, even an animated one. As you might expect, the story concerns the search for the lost continent of Atlantis of ancient folklore/legends (particularly those as described by Plato and the famed clairvoyant Edgar Cayce), which was befallen by a great cataclysmic event that caused it to disappear beneath the surface of the ocean centuries ago. Opening in 1914, Milo Thatch (voiced by Michael J. Fox, one of my all-time favorite and inspirational actors) is a young linguist/cartographer trying to get funding for an expedition to find the Lost Continent.
Shunned by his colleagues but spurned on by the cherished memories of his late adventurer-grandfather, the enthusiastic young explorer finds unexpected financial backing from the mysterious rich benefactor Preston J. Whitmore (John Mahoney) who puts him on an expedition to find Atlantis. The operation is led by Commander Rourke (James Garner) and his second-in-command Helga Sinclair (Claudia Christian), and others include ex-Army physician Dr. Joshua Sweet (Phil Morris), French geologist Gaetan "The Mole" Moliere (Corey Burton), Italian demolitions expert Vinny Santorini (Don Novello), feisty teenage Latina mechanic Audrey Ramirez (Jacqueline Obradors), chain-smoking radio operator Mrs. Packard (Florence Stanley), and chef "Cookie" (the late Jim Varney).
They eventually find the underwater kingdom, only to discover that there is an entire civilization of people thriving there, led by King Nedakh (Leonard Nimoy) and his beautiful daughter Kida (Cree Summers). The Atlantean people are highly advanced technologically, and have their own thriving native language (developed for the film by linguist Mark Okrand) and thoroughly self-contained mythology.
Thinking about the film, I remember that much of the story and imagery in "Atlantis: The Lost Empire" still remains remarkably fresh in my mind; I find that to be one of the strongest hallmarks of any animated feature. That Disney was able to make me care so much about the characters and story says as much about its overall entertainment value. Additionally, the all-star cast of first-rate voice actors make the proceedings even more enjoyable; I'm also glad that there were no songs here, either, and that it was a straight-forward science fiction/adventure movie, and a rather thrilling and intelligent one, at that.
I find "Atlantis: The Lost Empire" to be a beautifully animated Disney feature, oft-over-looked but hopefully never forgotten by the masses of animation fans out there. It was one of the last animated films to have been almost completely hand-drawn, during a time when animated movies were making a huge transition to being almost completely computer-generated.
Just get ready to dive in to one of the greatest animated adventures of all time!
10/10
Disney hasn't made a movie like this since "Black Cauldron" 16 years ago, and I'm glad they finally decided to do it again. Sure there are a lot of plot holes. But the voice cast, especially Michael J. Fox, is right on the money, as it always is in Disney films. James Newton Howard, whose score for "Dinosaur" was one of the best things about that film, turns in another winner here, although I wish the mixers had turned it up a notch--it's a bit hard to hear in some places. Visually, this movie is a knockout. This is only the fourth traditionally animated film Disney has shot in the widescreen format. (The other three are Lady and the Tramp, Sleeping Beauty, and Black Cauldron. A Bug's Life was also shot widescreen, but that was CGI.) The expanded 2.35:1 aspect ratio greatly enhances the visual effects and Mike Mignola's character designs.
So basically, it's not groundbreaking cinema, but it's a nice way to spend an afternoon and a nice time at the movies.
A thrilling tale smartly told, with an abundance of wit and invention. It's a classic.
They are called coelacanths, a primitive order of fish once thought to be extinct. The first live specimen was caught off the coast of South Africa in 1938, 24 years after the events depicted in the movie. However, it is entirely feasible that Whitmore, a collector of rare artifacts, could have gotten a hold of a few specimens before anyone else. According to the DVD audio commentary, he was blinded when the Heart of Atlantis is activated and sinks the city. If you notice, his eyes are normal when he tells young Kida to look away in the opening sequence. One of P.T. Barnum's famous quotes is, "There's a sucker born every minute." Rourke is referring this quote regarding how the crew have chosen to supposedly withdraw from a lucrative deal and seem to be siding with Milo. The Leviathan was speculated to be a mythical sea-monster to frighten the superstitious which Milo quoted from the book of Job from the Bible .
In actuality, it was a very powerful Atlantian warship. Before Atlantis was sunk, many Leviathans were once part of the Atlantian navy. The producer of the film stated that only one of the many Leviathan's survived the "Great-flood" and the last remaining one, which was seen in the film, was tasked with guarding the secret entrance to Atlantis. a5c7b9f00b
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