Tuesday 18 September 2018 photo 4/7
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Shanghai Noon Full Movie Hd 1080p Download Kickass Movie
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A 19th century Western. Chon Wang is a clumsy Imperial Guard to the Emperor of China. When Princess Pei Pei is kidnapped from the Forbidden City, Wang feels personally responsible and insists on joining the guards sent to rescue the Princess, who has been whisked away to the United States. In Nevada and hot on the trail of the kidnappers, Wang is separated from the group and soon finds himself an unlikely partner with Roy O'Bannon, a small time robber with delusions of grandeur. Together, the two forge onto one misadventure after another.
A Chinese man travels to the Wild West to rescue a kidnapped princess. After teaming up with a train robber, the unlikely duo takes on a Chinese traitor and his corrupt boss.
Delivers in entertainment.Nothing with depth here but delivers with promised Chan charm and action.The comedy was fair as long as you did not expect a masterpiece here.Very good directing but the Caucasian actors did not perform up to par.Story and cinematography was good but the script and screenplay was below average.Nevertheless,this movie rates good due to Chan's greatness.....
"Shanghai Noon" is just what a good summer film should be: colorful, energetic, not too taxing on the old brain stem, and a lot of fun. It's an interesting film to set up against "Mission: Impossible 2", but I don't think either film is going to suffer for it. The Tom Cruise film is a high-tech, big-effect stunt spectacular a'la "The Matrix", whereas "Shanghai" is a good old-fashioned chopsocky actioner with a novel western twist.
The film follows a Chinese imperial guard, Chon Wang (Jackie Chan) sent to America to rescue a princess who has been kidnapped by a former guard who fled the city and is now a railroad baron who profits by the suffering of the Chinese workers who do his bidding (the film certainly does better by its sociohistorical trappings than last summer's "Wild Wild West" did). However, there are a series of mishaps along the way, and Chon ends up first married to an Indian squaw, then with a $1000 price on his head. Fortunately (?), he hooks up with Roy (Owen Wilson), a would-be master bandit who tries to show him the ropes of how to survive in the wild west. Of course, it would help if he knew how to do it himself...
"Shanghai Noon"'s plot is basically the same as 1998's "Rush Hour", which paired Chan with motormouth comic Chris Tucker, but here the elements are combined with a lot more flair and energy. Commercial director Tom Dey makes a competent feature debut; his continuity in editing is sometimes off, but he supplies some nicely authentic period flavor as well as displaying a good sense of comic timing, something not enough directors have nowadays.
The film really does have a good sense of the Old West. From the rickety telegraph lines running next to the train tracks to the dusty dirty streets of the cattle towns, the picture goes to a lot more trouble to look and feel real than most period comedies do. Special credit goes to the crew for an impressively authentic railroad camp, complete with ramshackle tents for the workers and piles of ties scattered everywhere.
Jackie Chan has broken every bone in his body in the service of his art, and though he is not quite as nimble and adept as he was in his younger days, he still kicks more butt by 8 a.m. then most action heroes do all day. Of course, it also helps that he's extremely funny and likable, and his ingenuous nature gives a fresh quality to the standard fish-out-of-water routine. Of course, I could just be saying this because I'm afraid to get pounded with a horseshoe on a rope, which Chan does to about three guys in perhaps the picture's neatest action scene.
Still, as far as I'm concerned, Owen Wilson walks away with this picture. Imagine watching a western where the hero is a cowboy who learned everything he knows by watching cowboy movies, and that captures the tone of this killer comic performance. Wilson clicks with Chan big-time, and he's got a ton of witty asides, as well as an idiosyncratically laid-back Zen surfer style that you don't usually see on the range. Just the way he walks into a room is unusual and interesting. I hope that Wilson can find a lot more good vehicles for his singular talents (or maybe he can write himself one; he did a pretty good job as co-writer of "Rushmore").
I walked out of "Shanghai Noon" in good spirits, cheered and roused by some good action and entertaining comedy. I think that's exactly what the filmmakers intended, so if they don't mind me borrowing a line from their major competition this weekend, I'd like to say...mission accomplished.
Wilson is flat-out hilarious, playing this cowboy like a surfer dude zapped back in time.
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