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Tuesday 18 September 2018 photo 2/7
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The The Age Of Shadows Full Movie In Hindi Free Download
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DOWNLOAD: http://urllio.com/qz5aw
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Korean resistance fighters smuggle explosives to destroy facilities controlled by Japanese forces in this period action thriller.
Set in the late 1920s, The Age of Shadows follows the cat-and-mouse game that unfolds between a group of resistance fighters trying to bring in explosives from Shanghai to destroy key Japanese facilities in Seoul, and Japanese agents trying to stop them. A talented Korean-born Japanese police officer, who was previously in the independence movement himself, is thrown into a dilemma between the demands of his reality and the instinct to support a greater cause.
THE AGE OF SHADOWS is a cracking period thriller that comes to us courtesy of South Korea. The setting is the 1920s and it's a period of Japanese occupation, in which resistance members are doing their best to bring down the Japanese government. I'm not sure why some describe the plot as complicated, because this is straightforward stuff indeed, albeit dense. It is even predictable at times, but that matters little when the production values are so lush and refined. The film plays out a cat and mouse game between the Japanese and the resistance, told from the point of view of a man caught in the middle.
There's very little to dislike about this expertly-directed movie from Kim Jee-woon, the man who previously made the likes of I SAW THE DEVIL and THE LAST STAND. The action scenes are fluid and the opening shot of the soldiers jumping from roof to roof is jaw-droppingly artistic and refined. The running time is a little overlong but there are some great set-pieces here in which the violence isn't skimped upon. The half-hour train interlude has rightly been marked out as the film's highlight, a masterwork in suspense that reminded me of the bar scene in INGLOURIOUS BASTERDS. The film's exemplary cast includes a cameoing Lee Byung-hun alongside TRAIN TO BUSAN's Gong Yoo and the always excellent Song Kang-ho.
Getting the chance to host the ICM film festival for the second time,I took a look at the titles set for festival viewing. Recently watching his magnificent 2003 Horror A Tale of Two Sisters,I was absolutely thrilled to see Kim Jee-woon's latest in the listings,which led to me stepping into the shadows.
The plot-
1920's Korea:
Under Occupation from the Japanese,a Resistance movement starts building underground to overthrow the invaders from Korea. Wanting to root out troublemakers, the Japanese order Korean police captain Lee Jung-chool to track down members of the Resistance. Known for doing deals to stay on the safe side of the Occupiers,Chool is hit by the death of Resistance member Kim Jan-OK,who used to be a school friend. Learning of Jan-OK's murder weighing heavy on Chool, Resistance leader Che-san begins attempting to turn Chool to their side,as the Resistance start planning a major fightback,by making bombs in the shadows.
View on the film:
Unleashing his first period piece, co-writer/(with Ji-min Lee/ Jong- dae Park and Kathy Pilon) director Kim Jee-woon & cinematographer Kim Ji-yong create an immaculate presentation,with dazzling crane shots gliding along the rich primary colours covering the corridors of the ruling Japanese,Jee-woon sends coiled shots down the drenched in fog streets,where Resistance fighters are attempting to walk down unnoticed. Retaining the eye he had in examining the psychological horror in A Tale of Two Sisters, (with the torture that the Resistance fighters suffer being bloody and blunt,as tightly-held close-ups reveal their resistance to giving secrets away) Jee-woon brilliantly expands his psychological examination into Neo-Noir, where this age of shadows is lit with beautiful panel shots and elegant low-lighting capturing the anxiety of being caught,that the Resistance is under.
Following the Resistance's plan of attack at every stage of inception, Jee-Woon and Ji-Yong uncover griping Neo- Noir set-pieces such as a 20 minute train journey,set alight by Jee- Woon's ultra-stylised tracking weaving between Resistance fighters hiding with the passengers,and the mighty fist of the police walking down each carriage in long takes of them trying to sniff out the rebels.Giving them not only the Occupiers,but fears of betrayal within their own group to fight against, the screenplay by Jee-woon/Ji- Min / Jong-dae and Kathy Pilon sharply turn the screws of Noir pressure on the gang, via every move to bring Chool closer to the group being drenched in anxiety. Making the 2 and a half run time feel like nothing, the writers bravely show little concern over Chool (played by a superb Song Kang-ho) being likable,as any help he offers to the Resistance is balanced with sudden outbursts of brutality that explode into a pitch-black ending of deep Film Noir pessimism,where Chool sets alight the age of shadows.
The Age of Shadows is a bloody and breathtaking piece of filmmaking which confirms that Kim can do pretty much anything.
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