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Snowpiercer In Hindi Download
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DOWNLOAD: http://urllio.com/qx3wz
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Set in 2031, the entire world is frozen except for those aboard the Snowpiercer. For 17 years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis, a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway.
Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
Everyone knows the story of this film, Snowpiercer and how there was a battle on which cut to be released. Luckily, we got ourselves the right cut, because this is a magnificent sci-fi film that is energetic, emerges with potent themes, has an eclectic cast, has some horse-powered action scenes, and in all a very entertaining film. The first half of the film describes the class struggles amongst the train society, and the second half of the film consists of some major action pieces as we slowly advance up the class system. The ending is a mind-blower, so hold on to your hats when you take this chilly ride.
Bong Joon-ho's film takes place in 2031 after a failed experiment resulted in the extinction of life, except for those who boarded the train, Snowpiercer. On this train, a class system arises where we have the poor, the middle-class, and the rich. Curtis Everett is looked upon by many of his lower-class peers to lead a revolution against the wealthy, front-of-the-train people.
The film has a marvelous cast, especially for a South Korean film. Chris Evans does a wonderful job as Curtis. Think of his character as a hard, R-rated version of Captain America. I really, really enjoyed Tilda Swinton's performance. She is known for taking such diverse roles, but her role as one of the villains is just too good to come true. We also get strong supporting turns from the likes of John Hurt, Jamie Bell, and Ed Harris.
Overall, Snowpiercer is one of the greatest science fiction films to have come out this century. Many sci-fi films of late has been dealing with space (not a bad thing), so it's nice to have one set amongst the confines of Earth. There are some important themes to keep an eye on, mainly involving class struggles and capitalism. I love intellectual sci-fi films and it shows that intelligence and action can fit well together when done right. And this film was done right by the highest standards.
My Grade: A+
Life as interminable survival, as an actual train of civilization hurling through a hostile nature (that we broke), with haves and have- nots in the front and back, with the back exploited and degraded for the benefit of those invisible few controllers at the front, and the revolution that bursts forward and shatters boundaries, revealing the extent of the civilized illusion.
There will be plenty of small things to pick up on like an eternal engine that (secretly) needs children to run, but it's a blunt cosmology, as constricting as what it attacks. It was so in Brazil and Matrix and Metropolis all the way back, every time inequality or the mechanization of life is posited as actual enslavement. The more nuanced stance here is the revolution as merely another cog in the machine.
Ironically, I thought the film was more worthwhile not for what it has to say about any state of things but for how it engineers the journey of discovery.
The Korean filmmaker made this after a film where he really pushed himself in the conception of cinematic spaces, there tied to the narrative drive to reconstruct memory. He is less interesting here with the Weinsteins involved, but he has great fun within those small limits.
He sets up a 'sacred engine' and mysterious Architect residing at the front, a sort of religious vision to urge us forward; whatever else happens in between, there's always this promise of revelation ahead, a usual device that never seems to fail. Once we get there it's no more fulfilling of course than when we finally met the Architect in the Matrix, it's always the anticipation that creates the powerful tether.
This sense of anticipation reappears so very effectively in the interim mechanics. It's in the vision that we have of what lies beyond each door to the next train compartment, the dynamic interplay of what we anticipate and what's revealed in that split second that suddenly pushes back the whole horizon of the trainworld: there has been actually a garden and club there all this time, with all this calls forward. This is by far the most captivating aspect here for me, as rich as the lesson-learning is small.
Trains are some of the most cinematic devices opening so much room for dynamic capture, here motion isn't the strong card, Tony Scott or even Spielberg and Del Toro could have leveraged more breathtaking physics. No all the fun here is in the strangeness of the discovery; the Seven in the snow, the plane, the Yekaterina bridge, more details that also broaden the walls.
With Marvel as your yardstick this is unusual and fun, with real difference as the measure it falls short though.
The action sequences in the film are spectacular, and there's one in particular that I think is an all-timer, both in the way it's imagined and in the way it's accomplished on film, but this isn't a film about empty sensation. It's a richly realized science-fiction world, and the cast is just tremendous.
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