July
Tuesday 18 September 2018 photo 6/7
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Kung Fu Yoga Movie Download
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DOWNLOAD: http://urllio.com/r2qjd
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Two professors team up to locate a lost treasure and embark on an adventure that takes them from a Tibetan ice cave to Dubai to a mountain temple in India.
Chinese archeology professor Jack (Jackie Chan) teams up with beautiful Indian professor Ashmita and assistant Kyra to locate lost Magadha treasure. In a Tibetan ice cave, they find the remains of the royal army that had vanished together with the treasure, only to be ambushed by Randall (Sonu Sood), the descendent of a rebel army leader. When they free themselves, their next stop is Dubai where a diamond from the ice cave is to be auctioned. After a series of double-crosses and revelations about their past, Jack and his team travel to a mountain temple in India, using the diamond as a key to unlock the real treasure.
This is China's answer to Indian Jones films and spoofs the production in several scenes except it lacks freaking aliens. The film opens with CG action where the "Monkey King" leaves off. In 647 AD China assists the rightful government of India against a hostile General with elephants. After a battle that gave me LOTR flashbacks, the Chinese are rewarded with treasure and gets lost in a snow storm on the way back.
We then turn to modern times where Jackie Chan, China's greatest archaeologist and an infinity plus one black belt has created a device to reconstruct the original color of ancient items by reading the residue of chemicals/minerals left behind. He is approached by head turner Ashmita (Disha Patani) of India who has a map and needs Jack to help locate the lost treasure of Magadha. Jack enlists the help of tomb raider and treasure hunter Jones Lee(Aarif Rahman) who is also his nephew. There appears to be a romance somewhere and some jealousy but as in so many Chinese films, they don't know how to develop it beyond glances. A bad guy (Sonu Sood) shows up descendant of the original bad guy to provide us with an antagonist who can also do Bollywood line steps. The film is divided into two halves, each with its own treasure but same characters. While the humor is mostly slapstick with the aging Chan, I loved the bridge crossing Indie spoof scene. Jaguars are out, Ferraris are in the Dubai Fast and Furious scenes.
Guide: I heard ones use of s***. Girls in bikini. Some ogling.
US$ 65 million is supposedly a whopping budget (for Indo-China standards) to conjure up an epic historical fantasy flick. An able director at the helm (Stanley Tong - remember the witty-actioner 'Rumble in the Bronx'?), Jackie Chan in the lead, Sonu Sood playing the antagonist, a few great-looking Indian/Chinese sophomore actors playing supporting characters, and locations set in China, India and UAE..all of it must have sounded amazing as a conception. However, the final product is a stale one.
Amateurish (mo-cap) CGI work kicks things off in disenchanting fashion (we see much better graphics work in video games these days). The history is unraveled as swift as Chan's fist-moves - simply not giving the viewers a chance to comprehend what exactly they just saw. Fast forward to present day treasure-hunt led by Chan (whose character's name is Jackie, ugh!) and a few others (assistants, professors and the like - young actors Disha Patani, Amyra Dastur, Aarif Rahman and Miya Muqi) that takes them on a roller-coaster journey to Kunlun, Dubai and Rajasthan, with Sood's (badly-written) character Randall hot on their trail.
Set-pieces involving CGI animals (about 4 in number) such as wolves, lions, hyenas and snakes are so unimaginatively executed that the film feels more on the lines of a lacklustre Disney adventure strictly made for kids. Dubai has been chosen as a location just to add an 'expensive car-chase' sequence with Chan finding an unexpected (CGI) guest in his car's backseat. The ladies (Patani and Dastur) are goddesses by their looks but seem to 'news-read' their respective lines without improvising one bit. However, they are marginally able to redeem themselves (performing some slick moves) during the set-pieces.
The ending is a huge letdown, a humdrum set-piece that culminates in a Bollywood-style dance number (choreographed by Farah Khan), even before the story has formally concluded. Plus you don't get to see the usual Chan bloopers during the end credits. For a film titled 'Kung Fu Yoga', there's very little essence of yoga portrayed in the film. The film did draw flak on its depiction of modern day India but it isn't just that factor alone which bogs it down. The movie isn't exactly difficult to sit through, but it barely manages to engage/thrill.
Verdict: Not much to adore here!
An amiable, average-at-best caper-like quest remains just that, even with recognisable talent, and even more so when its combination of elements is clearly stretched.
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