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Wednesday 19 September 2018   photo 1/1

The Naked Face Hd Mp4 Download
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DOWNLOAD: http://urllio.com/r3z4h
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Rimasto drammaticamente colpito negli affetti più cari, uno psicanalista è stranamente coinvolto in alcuni delitti: prima viene ucciso un suo paziente, poi la sua segretaria. Capisce quindi che qualcuno vuole distruggerlo, forse per vendicarsi di lui.
Chicago psychiatrist Judd Stevens is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to convince two cops of his innocence, Dr. Stevens is forced to go after the real villains himself, and he finds himself up against one of the city's most notorious Mafia kingpins.
Moore knew he was living on borrowed time so far as Bond was concerned. Way too old, too slow moving and paunchy to be carrying a Walther PPK for much longer. His Bond contract allowed him to make two other films during this period - post OCTOPUSSY and pre A VIEW TO A KILL (that was to be his last JB outing)
Wisely perhaps, he chose this role as mild-mannered but wholly professional Chicago psychiatrist Dr Judd Stevens, whose life hits a major rut after one of his patients is stabbed to death - wearing HIS coat. Having no idea what is going on for pretty much the entire movie Moore conveys Judd's plight rather well I thought. As unlike anything Moore has ever done, he must deal with finding himself simply in the wrong place for seemingly no reason.
Several things to like about this flick - IF you care to look. Art Carney's turn as burnt-out but still cluey PI Morgens is a real gem of a performance. When Moore admits he doesn't believe in guns, Carney counters, "Yeah, well I don't believe in Santa Claus, but each Christmas he still comes round." The brief scenes in his ramshackle office are really worth looking at closely.
Cop Steiger is a tad over the top as is his wont - give him any opportunity to rave - he's in actor's heaven. Ron Paradi as mob boss Cortini puts across one of the nastiest and inherently evil men you would ever wish to not meet and Anne Archer is well....Anne Archer.
Totally unexpected last 20 seconds really lifts the film I thought.
In fact the only reason to view this is for the fact that the cast, most of them, drag this tepid melodrama above water.
Roger Moore, I asked myself, what's he doing in this? It must be for the fact that he had a chance to play a role out of type for him. He does a good turn as the psychiatrist who is over his head in attempts on his life.
Elliot Gould is wonderful as the easygoing detective, until he is shown to be a mob sycophant. Then his portrayal becomes routine and hammy. This is typical for Gould, as he always plays serious and laconic characters well, and "yes-men" poorly. It isn't in his nature.
Art Carney is memorable as the private detective. Anne Archer and David Hedison do good work if pretty standard for each.
However, Rod Steiger is a shame. Where was the director when he needed toning down? He is just too overblown and intense to be believable. The fact is that Rod Steiger is a director's actor, he is able to take direction and create nuances when he is given that direction, and when he is let loose, he is not. Point in case, In the Heat of the Night, a similar character for him, alternating appropriately between outrage and understanding, well-done and well-directed role wins him an Oscar. Or how about his role of the Mexican bandit in Sergio Leone's Fistful of Dynamite


The Naked Face Hd Mp4 Download

-----------------------------------------

DOWNLOAD: http://urllio.com/r3z4h

-----------------------------------------






























Rimasto drammaticamente colpito negli affetti più cari, uno psicanalista è stranamente coinvolto in alcuni delitti: prima viene ucciso un suo paziente, poi la sua segretaria. Capisce quindi che qualcuno vuole distruggerlo, forse per vendicarsi di lui.
Chicago psychiatrist Judd Stevens is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to convince two cops of his innocence, Dr. Stevens is forced to go after the real villains himself, and he finds himself up against one of the city's most notorious Mafia kingpins.
Moore knew he was living on borrowed time so far as Bond was concerned. Way too old, too slow moving and paunchy to be carrying a Walther PPK for much longer. His Bond contract allowed him to make two other films during this period - post OCTOPUSSY and pre A VIEW TO A KILL (that was to be his last JB outing)

Wisely perhaps, he chose this role as mild-mannered but wholly professional Chicago psychiatrist Dr Judd Stevens, whose life hits a major rut after one of his patients is stabbed to death - wearing HIS coat. Having no idea what is going on for pretty much the entire movie Moore conveys Judd's plight rather well I thought. As unlike anything Moore has ever done, he must deal with finding himself simply in the wrong place for seemingly no reason.

Several things to like about this flick - IF you care to look. Art Carney's turn as burnt-out but still cluey PI Morgens is a real gem of a performance. When Moore admits he doesn't believe in guns, Carney counters, "Yeah, well I don't believe in Santa Claus, but each Christmas he still comes round." The brief scenes in his ramshackle office are really worth looking at closely.

Cop Steiger is a tad over the top as is his wont - give him any opportunity to rave - he's in actor's heaven. Ron Paradi as mob boss Cortini puts across one of the nastiest and inherently evil men you would ever wish to not meet and Anne Archer is well....Anne Archer.

Totally unexpected last 20 seconds really lifts the film I thought.
In fact the only reason to view this is for the fact that the cast, most of them, drag this tepid melodrama above water.

Roger Moore, I asked myself, what's he doing in this? It must be for the fact that he had a chance to play a role out of type for him. He does a good turn as the psychiatrist who is over his head in attempts on his life.

Elliot Gould is wonderful as the easygoing detective, until he is shown to be a mob sycophant. Then his portrayal becomes routine and hammy. This is typical for Gould, as he always plays serious and laconic characters well, and "yes-men" poorly. It isn't in his nature.

Art Carney is memorable as the private detective. Anne Archer and David Hedison do good work if pretty standard for each.

However, Rod Steiger is a shame. Where was the director when he needed toning down? He is just too overblown and intense to be believable. The fact is that Rod Steiger is a director's actor, he is able to take direction and create nuances when he is given that direction, and when he is let loose, he is not. Point in case, In the Heat of the Night, a similar character for him, alternating appropriately between outrage and understanding, well-done and well-directed role wins him an Oscar. Or how about his role of the Mexican bandit in Sergio Leone's Fistful of Dynamite? Again, directed well, he turns in a stellar performance.

In this movie, it is embarrassing to see, for he's much better than what results are here. Other than the performances, this is a routine cop-mob-murder mystery.

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