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Wednesday 19 September 2018   photo 3/3

Coffy Malayalam Movie Download
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DOWNLOAD: http://urllio.com/r3y9f
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Pam Grier's first leading role is Coffy, a dedicated nurse who is fed up with the narcotics that have infiltrated the inner city. When her eleven-year-old sister is hospitalized after shooting some contaminated heroin, Coffy hits the streets with a loaded shotgun, determined to stop the drug trade once and for all.
Nurse "Coffy" Coffin leads a double life. During the day, she's a nurse at work. At night, she's an avenging angel on a personal vendetta, tracking down the drug pushers who hooked her younger sister on drugs. Along the way, she meets a honest police detective who also is leading a double life.
A nurse named Coffin (Pam Grier) takes vigilante justice against inner-city drug dealers after her sister becomes their latest victim.
Apparently, American International approached director Jack Hill to quickly make a movie about an African American woman's revenge and beat "Cleopatra Jones" to market. Hill wanted to work with Pam Grier with whom he had worked on "The Big Doll House" (1971). The film ended up earning more money than "Cleopatra Jones" and established Grier as an icon of the genre.
Now, we might ask how Hill -- a white man -- ended up doing blaxploitation cinema. I have met Hill, and nothing about him suggests he would be the man for the job. And yet, he did that genre a great service by championing Grier and bringing his regular Sid Haig (playing Omar here) along for the ride. Karen Ross has written that the film "allowed African Americans the ultimate escape to cheer on the heroine that fought corruption and crime" as well as the "white power structure". How ironic it was brought to them by a white man.
Pure action film nirvana, "Coffy" has got to be one of the slickest pieces of entertainment ever created, not to mention a fantastic "Blaxploitation" cinema experience. It's a credit to everyone involved in the film that the story could be so gratuitously nonsensical and contrived and still seem completely logical while it's happening. It's like a comic book come to life.
Pam Grier plays Coffy, a nurse who goes on a murderous rampage after her sister overdoses on drugs supplied by a "pusher" who knows that Coffy is sending her money. From the opening scene, where Coffy pulls a severely-sawed-off shotgun out of her macramé purse to blast a big- time drug dealer to hell, the frantic pace never lets up until the bitter, seething end.
After making her first "hit", Coffy's vengeance is further stoked when her do-good cop friend is taken out by the dirty dealers for not accepting a payoff. Coffy blows her top and takes some time off work to really go for the jugular, working her way through the city's drug cartel by posing as a Jamaican hooker named "Mystique". It's not hard--she gets the vital information in a hilarious scene involving a woman named Priscilla, whose "old man," Harriet, turns out to be more than Coffy bargained for.
The genius in the film is in the way that Coffy manages to manipulate her way through all of these scenarios. Even the hardest criminals are putty in her hands, and she never looks more beautiful than when she is covered in scratches, grime, and wielding a shotgun. She has a seemingly endless bag of tricks, several of which involve weapons hidden in her astonishing afro. She's comfortable around a gun, but she'll use any old thing lying around to wreak her vengeance: a broken wine bottle, a hypodermic needle full of dope, a m


Coffy Malayalam Movie Download

-----------------------------------------

DOWNLOAD: http://urllio.com/r3y9f

-----------------------------------------






























Pam Grier's first leading role is Coffy, a dedicated nurse who is fed up with the narcotics that have infiltrated the inner city. When her eleven-year-old sister is hospitalized after shooting some contaminated heroin, Coffy hits the streets with a loaded shotgun, determined to stop the drug trade once and for all.
Nurse "Coffy" Coffin leads a double life. During the day, she's a nurse at work. At night, she's an avenging angel on a personal vendetta, tracking down the drug pushers who hooked her younger sister on drugs. Along the way, she meets a honest police detective who also is leading a double life.
A nurse named Coffin (Pam Grier) takes vigilante justice against inner-city drug dealers after her sister becomes their latest victim.

Apparently, American International approached director Jack Hill to quickly make a movie about an African American woman's revenge and beat "Cleopatra Jones" to market. Hill wanted to work with Pam Grier with whom he had worked on "The Big Doll House" (1971). The film ended up earning more money than "Cleopatra Jones" and established Grier as an icon of the genre.

Now, we might ask how Hill -- a white man -- ended up doing blaxploitation cinema. I have met Hill, and nothing about him suggests he would be the man for the job. And yet, he did that genre a great service by championing Grier and bringing his regular Sid Haig (playing Omar here) along for the ride. Karen Ross has written that the film "allowed African Americans the ultimate escape to cheer on the heroine that fought corruption and crime" as well as the "white power structure". How ironic it was brought to them by a white man.
Pure action film nirvana, "Coffy" has got to be one of the slickest pieces of entertainment ever created, not to mention a fantastic "Blaxploitation" cinema experience. It's a credit to everyone involved in the film that the story could be so gratuitously nonsensical and contrived and still seem completely logical while it's happening. It's like a comic book come to life.

Pam Grier plays Coffy, a nurse who goes on a murderous rampage after her sister overdoses on drugs supplied by a "pusher" who knows that Coffy is sending her money. From the opening scene, where Coffy pulls a severely-sawed-off shotgun out of her macramé purse to blast a big- time drug dealer to hell, the frantic pace never lets up until the bitter, seething end.

After making her first "hit", Coffy's vengeance is further stoked when her do-good cop friend is taken out by the dirty dealers for not accepting a payoff. Coffy blows her top and takes some time off work to really go for the jugular, working her way through the city's drug cartel by posing as a Jamaican hooker named "Mystique". It's not hard--she gets the vital information in a hilarious scene involving a woman named Priscilla, whose "old man," Harriet, turns out to be more than Coffy bargained for.

The genius in the film is in the way that Coffy manages to manipulate her way through all of these scenarios. Even the hardest criminals are putty in her hands, and she never looks more beautiful than when she is covered in scratches, grime, and wielding a shotgun. She has a seemingly endless bag of tricks, several of which involve weapons hidden in her astonishing afro. She's comfortable around a gun, but she'll use any old thing lying around to wreak her vengeance: a broken wine bottle, a hypodermic needle full of dope, a makeshift shiv, even a convenient rock lying on the side of the road.

By the time the climax rolls around, the film has become deliriously exciting, building continuously upwards until you think it might collapse in on itself. But it doesn't. "Coffy" stands tall, even over the strains of a closing song that tells us "Revenge is a virtue." This film is perfect in every way.

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