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City Editor Ned Powers assigns student reporter David Flynn to veteran newsman Hugh Woodruff, primarily to get on Woodruff's nerves. David has long admired Woodruff, but is saddened to see the cynical and unprofessional state to which Woodruff has declined. Woodruff, for his part, tries to cure David of his idealism and cause him to leave the newspaper business. David, though, sticks to his guns and saves Woodruff's reputation by filing a big scoop under Woodruff's name after Woodruff had missed it. When a special skill of David's enables him to learn the truth about a sensational murder case, David tries to bring Woodruff into the investigation, in hopes not only of solving the murder but of rescuing Woodruff's ideals and career.
Rod Cameron (Hugh Woodruff), Julie Bishop (Laura Stewart), Ben Cooper (Dave Flynn), Raymond Greenleaf (Paul Strout), Chubby Johnson (Ned Powers), Joe Besser (coroner), Nacho Galindo (Ramon), John Warburton (Harvey S. Kevin), Stuart Randall (Hoffman), Virginia Carroll (Elsie), Howard Wright (Harry Bradley), Edward Colmans (Rafael Garcia), Charles Evans, Robert Foulk (editors).
Director: WILLIAM WITNEY. Screenplay: Frederic Louis Fox, John K. Butler. Film editors: Tony Martinelli, Arthur E. Roberts. Photography: John L. Russell, jr. Music: R. Dale Butts. Art director: Carroll Clark. Set decorators: John McCarthy jr, George Milo. Special effects: Howard Lydecker, Theodore Lydecker. Costumes: Adele Palmer. Make-up: Bob Marks. Assistant director: Roy Wade. Sound recording: Melvin M. Metcalfe, jr. Associate producer: William J. O'Sullivan. Executive producer: Herbert J. Yates.
Copyright 1955 by Republic Pictures Corp. No recorded New York opening. U.S. release: 15 September 1955. Australian release through 20th Century-Fox: 26 April 1956. 6,300 feet. 70 minutes. Alternative U.S. title: DEADLINE ALLEY.
SYNOPSIS: An idealistic young journalist wins a spot on a big city newspaper.
COMMENT: Although competently directed by the normally reliable William Witney, this "B" is remarkably short on action.
The players are not much to write home about either. Julie Bishop, one of our favorite heroines, even looks rather dowdy and ill-used.
Cooper is the new hot-shot reporter, Cameron, in one of his few non-western roles is his mentor. Nothing new here, except that one gets the feeling that Republic was pushing Cooper as an alternative to Brando or Dean in the early 50s.
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