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Danger: Diabolik In Hindi Download
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DOWNLOAD: http://urllio.com/r1i1d
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In a generic European country of the late 60's, Diabolik is an anti-hero whose life consists on preparing schemes to steal government money and make a fool of the entire police department. Helped by his gorgeous girlfriend Eva, Diabolik begins by stealing a few dollars, but his duel of wit and audacity with police inspector Ginko will take them both to some extreme consequences. Based on the Italian comic books by sisters Angela and Luciana Giussani.
In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, superficial girlfriend...who uses her awesome powers of wig-wearing to help Diabolik kill innocent people and steal billions from the government. Nonetheless, Diabolik is the "hero" of the film because he must face off against bumbling cops and revenge-seeking mafiosos.
Candy-colored French-Italian co-production, cops-and-robbers stuff perfectly satisfying for some--though with a tiring amount of set-ups framing its very thin story. Master thief Diabolik steals 10 million dollars from an armored car, making himself enemy number one of gang leader Valmont, who puts himself in-cahoots with the police to bring Diabolik to justice. Terrific art direction and set designs, plus a jazzy-cool music score by Ennio Morricone, nearly make the film worth catching for non-genre fans; otherwise, director Mario Bava's tricks with the camera are in service of so little, and star John Phillip Law can't even find a three-dimensional character to create within the material. Bava also served as producer and had a hand in the screenplay, based on the Italian comic "Diabolik", which bears more than a passing resemblance to the French crime series "Fantômas". ** from ****
Goddamn, I love this movie! No reservations. No "so bad it's good" nonsense. I'd take this over any of today's glut of superhero movies. I admit I don't know anything about the Diabolik comic, and maybe if I did, I would feel differently. yet I can't see how this would disappoint anyone. It's stylish, exuberant, and enticing. It has beauty, penache and a strange, wild joy in its every action. The characters are broad caricatures but somehow delightful in their way. You root for Diabolik, even though he's a selfish lout, and still find time and sympathy in your mind to feel sorry for poor Inspector Gingko, who works so hard to track and stop this menace to society, yet is flummoxed at every turn. Jesus, it's just greatness.
I love how Diabolik and his love, Eva, are always "in a moment". The film is the ultimate expression of decadent splendour, and nothing but. Everything about it is intentional. And I just love the story of Bava under-budgeting the film. I'm sorry, but that's how you do it, and this is the kind of film-making that's interesting to me. You can put millions and millions into a film and produce yet another dull blockbuster for the masses, or you can do something for less than a third of the budget offered that's stylistically grand and uniquely individual. I know what works for me. This is lovingly recreated from the mood and atmosphere of a garish comic, with Bava's attention to visual detail, colour, and painterly imagery. It's an episodic masterpiece, where Diabolik thwarts the law and authorities at every turn, and where they slowly catch up to our debonair thief, only to have still ended up several steps behind him in the end. Oh yes, the ending is glorious, make no mistake, and I scoff at a comment below that finds it somehow "inept". The movie ends with a wink! A literal wink at The Man, The Social Order, and the audience. Huge smiles all round. It's punk as hell and it's all very funny, from the bitchy lady's reactions to her jewel disappearing to the shame-faced minister appearing on TV to humbly ask the citizens to please pay the taxes they think they owe after the records have all been blown up, to Diabolik infiltrating the meeting held to discuss his destructive activities and filling the room with laughing gas, so all the idiot politicians just make fools of themselves.
The music rocks in a fine swinging, reverberating, truly 1960s pop fashion. I love the singing and the twangy, almost surf-like guitar. There's also some noisy electronics and synth noodling that are a bit ahead of their time. I'd definitely enjoy hanging out at one of Diabolik's swanky clubs and smoking some of his herbs. You should too.
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