May
Friday 24 July 2015 photo 16/16
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Drunken Santa
Oil painting on linen
Drunken Santa is a work that creates a miracle of equilibrium.
What seemed like a clash of an opposite spectrum's colors became thr
unlikely harmony in this painting.
Jaisini's artistic vision here is formed from two components of physical and
emotional states of being.
Freezing and heating serve as a symbol to a human need for warming up
from the chill of solitude by means known to people at all times.
The artist pursues his art philosophical quest for worldly knowledge that had
left its traces in many of his works.
A line of composition literally ignites the painting's surface with the
movement.
The color of this work is "phosphorescent," and it create the different planes
if the subtle color nature.
The warm color of purple supports the hot color of Santa's figure and an
exotic fish above Santa. This hot color may represent the so-called material
universe, the world of the gross senses that can be observed in a sober state.
The cold, arctic blue color represents the unknown, the world of a deep state
of drunkenness where real is unreal and otherwise.
The only hard reality is the self, which never changes in any state.
And maybe that is why Jaisini favors the painting's main hero, Santa, to
possess the vivacious color of fire.
Jaisini chooses this color of fire to manifest the self and the cold cerulean,
cobalt and ultramarine to renounce self as a mortal entity surrounded by the
eternal unknown.
While Santa drinks his feelings of frigid loneliness vanish.
And so, he gets a company of some almost hallucinatory nature.
A shark, a ghostly image, a profile of another prototypical drunk who is not
accidentally situated in a horizontal position.
An amalgam of the several female figures that consists of a woman in
stockings, a nun, a big-breasted silhouette that create a shadow between.
A heat can be sensed around the hot colored Santa who has lost his beard
and is holding a glass of red wine.
He shows his thumb that may be just a polite substitution for the middle
finger sign.
The colors of the work are balanced by a virtuoso composition of a cubist
character.
The picture's space is divided endlessly. More images start to appear.
The world of "Drunken Santa" vitalizes to almost chaotic state.
The work is a treasure. It depicts and witnesses the intangible mechanism of
reality transformation.
In the state of intoxication, what happens to the solid world of sober state?
Everything disappears. It is just like the dream world, that we call unreal,
because when we are awaken it is not there.
Just so the solid world must be unreal because it also vanishes in the drunk
or deep-sleep states. Then what is reality?
In "Drunken Santa," this problem is elaborated to the triumphant conclusion.
The simplicity of symbolism of the warm and cold colors.
The dazzling composition of figuration superimposed to abstraction.
And besides the beauty of artistic logic, Jaisini's works are marked with the
rich, magnetic colors, as in "Drunken Santa" and others, strikingly attractive
pictures in their intricate game of light and shadow, in their absolute
congruence of visual and conceptual.
gleitzeit essay circa 1994 by Yustas K Gottlieb NYC
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