August
Wednesday 19 September 2018 photo 3/3
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The Stone Killer Song Free Download
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A top New York detective is sent to Los Angeles where he must solve a case involving an old Sicilian Mafia family feud.
Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam War veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when the previous generation of Sicilian mafiosi were all killed on a single day. Torrey gets various clues that something big is about to happen, but will he discover what is planned before the big day?
You don't get a more typical police film than THE STONE KILLER, but nonetheless I found myself really enjoying this early Charles Bronson outing – and it may well be one of his most solid efforts. It's equally as enjoyable as the later Winner/Bronson collaboration DEATH WISH, and infinitely more entertaining than the ultra-slow CHATO'S LAND. The key to this film's success is the script, set soundly in the early, racist '70s and providing plenty of meat and pithy one-liners amid the usual mayhem.
The plot, about Bronson's cop becoming involved in a feud between two mafia families, is nothing new. The execution is fairly routine, but every aspect of the film screams hard-ass, and I was never disappointed. Bronson, who might well be the titular character for all the expressions he cracks, is excellent, and watching him partake in shoot-outs, car chases, or just beating the hell out of a suspect in custody is a lot of fun.
He's got a range of enemies here, from slimy street hustlers (Paul Koslo has a memorable turn) to vengeful, ageing mob bosses (Martin Balsam, although the two never actually meet). There's a snappy car chase about halfway too, lots of scenes of our hero taking out enemies from on high with a single shot, bodies that fall several stories before hiding the tarmac (no cutting away here, oh no) and an exciting set-piece climax in which a kill squad set about erasing a crime family from the pages of history. Winner's direction is a lot more focused than usual in his career, and the streets are alive with bullets, bad suits, and bloodshed. A tough as nails movie.
Some people make "dated" sound like a bad word. I like a movie to look and sound like its when and where. This was so perfect. Just like it should be. The car chase: is it really necessary? Yes! This is very generic and very 70s and very perfect.
I have seen most of the most important movies of this kind from the late 60s up until the mid 70s, white and black, and I can't really see how this is any worse than any others. Perhaps it's a late addition to the genre, and maybe it isn't all that funny, but it's just like it should be. Did you notice when the paper basket is on fire and no one says anything?
I'm not sure how realistic the movie is, but I don't think it's a mistake to add the mafia dimension. However, the date, April 10th, is fictitious, isn't it? "The Castellammarese War ended on April 14 of 1931 after the murder of Giuseppe "Joe The Boss" Masseria," one web page says.
A clean and perfect 10.
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