Thursday 20 September 2018 photo 4/5
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Outrage Coda Full Movie Free Download
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Five years after surviving the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo now works in South Korea for Mr. Chang, a renowned fixer whose influence extends into Japan. A relatively minor incident causes tensions to rise between Chang Enterprises and the faraway powerful Hanabishi. The growing conflict gets out of hand and ignites a ferocious power struggle among the top echelons of the Hanabishi. When eventually Chang's life is endangered, devoted yakuza Otomo returns to Japan to settle things once and for all.
Ootomo is not a guy who should die in this franchise. Kitano said me that this is going to be his last violence movie.
Kitano actually tried to collect features of Asian action classics and mixed them into this last violence film.
However, Ootomo's brutality takes over the all sequences. As the result, the story line is vague. For example, it is hard to save Ootomo's life even after his death in the prequel.
Kitamo's concept is to blame violence with brutal violence. And this entertains his fans.
I can not agree with this kind of attitude toward violence as a peace worker.
3 out of 10.
Sanno-kai has been decimated by Hanabishi-kai. Hanada screws up. Chang demands satisfaction. Otomo wants revenge. Ichikawa goes fishing.
Nomura is despised. Nishino fakes his own death. Nakata badly miscalculates. Shigeta becomes frustrated. The dankai no seidai grow restless. Gomi takes a risk.
Who controls Jeju Island? How did Nishino's car end up in the lake? What is the secret behind Hanada's assault on the prostitutes? Why was Nomura's lieutenant murdered with an explosive ball gag?
I rate Autoreiji Coda at 26.64 on the Haglee Scale, which works out as an outrageous 8/10 on IMDB.
It’s a testament to Kitano’s effortlessly sleek, inherently watchable filmmaking (he reteams with regular DP Katsumi Yanagijima and uses the atonal descending motif of composer Keiichi Suzuki’s score to good effect) that you’re just about kept in your seat throughout all the speechifying.
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