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Hindi Seeking Justice Free Download
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After his wife is assaulted, a husband enlists the services of a vigilante group to help him settle the score. Then he discovers they want a 'favor' from him in return.
In New Orleans, English teacher of the high school Rampart High, Will Gerard, and his wife, musician Laura Gerard, are in love with each other. One night, Laura leaves a rehearsal and is assaulted, while Will is playing chess with his friend Jimmy. Will is visiting her in hospital when, out of the blue, a stranger named Simon tells him that he belongs to an organization of vigilantes and offers to eliminate the assailant. In return, the organisation would want a favor from Will in the future. Will agrees, and the criminal is murdered. Six months later, Simon collects his debt with Will. He demands that Will kill Alan Marsh, a pedophile. Will accidentally kills Alan and soon he learns that the victim was an awarded journalist that was investigating the organization. Now he seeks evidences to prove his innocence but the network of the organization is powerful and is seeking Will out to eliminate him.
Certain film makers are constantly thrashed by some film critics. There is nothing personal, I'm sure, yet over time, certain actors and even directors, become the target of verbal assault by some critics. As a reviewer, I must say that I am growing very weary of Nicholas Cage and his pathetic choice of films to appear in. Not only is he going from bad to worse as an actor, his characters are becoming very annoying. Ever since "National Treasure", his characters are always on some wild goose chase or another and often with a bag of juvenile magic tricks. Why do I still watch his movies, you ask? Because not too long ago, Cage used to be one of Hollywood's top actors. Then again, so was Dennis Hopper and Cuba Gooding Jr. With Hopper, everything went downhill after his villainous role in "Speed". Nobody knows what has become of him and frankly, I couldn't care any less. Whereas, Gooding won an Oscar in "Jerry Maguire" and then saw an early career peak opposite Robert De Niro in "Men of Honor". As far as I'm concerned, both Hopper and Gooding are now B movie stars; a downgrade of their own doing. With Cage, and for some reason, I am still holding on to a last strand of hope that he will turn around and get back into his unique skill of method acting, while also choosing better movies instead of the tripe he chooses to work with currently.
In "Seeking Justice", Cage plays a spineless school teacher as Will Gerard. Will is at the hospital lobby the night his wife Laura (January Jones) is sexually assaulted, when he is offered the services of a vigilante group run by Simon (Guy Pearce). This secret society of punishers proposes to "take care" of perpetrators outside the law, in return for a "small" favor of sorts. Initially reluctant, Gerard finally gives in and the rapist is "taken care of". Six months later, the Gerards have moved on with their lives when Will is asked to return the favor. Sure enough, Will backs out and faces a life threatening situation where no one can be trusted, not even close friends and colleagues.
Where do I begin? The most obvious is the ridiculous story. Revenge flicks only work if the story ignites some sort of rage in the viewer. If it fails to do so, then the plot is lost, so to speak. And this is exactly what happens in this movie. Adding insult to injury is the most unbelievably pathetic performance from almost everyone in this movie. Right at the top is Cage, whose character doesn't appear to be the least bit bothered that his wife is the latest victim of a known sexual offender. His only emotion stems from a constipated look throughout the film. Then there is Jones' Laura, who gets dumber by the minute and actually trusts strangers within months of being brutalized in her own vehicle. On top of that, Cage and Jones are never convincing as a married couple with no evident affection for each other, before or after the incident. You would think that an incident like this would be a massive turning point in any relationship. But no sir, apparently, screenwriters Todd Hickey and Robert Tannen had other things in mind― like an unnecessary whodunit twist that results in mindless action. On the other hand, Pearce does a decent job as the increasingly intimidating antagonist. Good expressions and screen presence from Pearce, but sadly, his character is poorly penned.
Having worked with the likes of Anthony Hopkins, Al Pacino and various other A-list stars, Roger Donaldson is an acclaimed director, so what the heck was he thinking with this movie? If the story is non-engaging, the acting one dimensional, and the plot with more holes than Swiss cheese, Donaldson has failed to put together what could have been a decent thriller.
Looks like its strike one for Donaldson, but not even Francis Ford Coppola can save Cage now.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Will Gerard (Nicolas Cage) is an inner city high school teacher with a touch of the do gooder about him, whose idealistic views are shattered one night when his wife Laura (January Jones) is viciously raped and left in a catatonic state. When he is approached by a man (Guy Pearce) who offers to settle the score for him in exchange for a favour, he gives the go ahead...not realising just what this 'favour' will involve.
Roger Donaldson is a bit of a take or leave director for me, with a few notable hits under his belt like The Bank Job and Thirteen Days, but mostly stuff of the disposable, instantly forgettable variety. But I can never say I've seen a film of his that was just plain bad before, which is the case with Justice. While exactly the sort of thing I've come to expect from Nicolas Cage, this may be the start of a downward slope for the Aussie director.
There is the potential here for a solid, compelling revenge thriller, but the premise and the set up just fail to hold together and it all comes off in such a ridiculous bundle that it's impossible to take it seriously. There are echoes of Magnum Force and The Star Chamber about it, so maybe it's not as original as it seems to think it is and far more predictable than it seems to think it isn't. In the lead role, Cage is as intense and zany as ever, but still turns in one of his more wooden performances, which you can't really blame him for given the material, whilst in the supporting role Pearce also appears to have lost none of the spark that made him a star, but is at odds with the story as Cage. The likes of Jones, Harold Perrineau and and Xander Berkeley are equally flat.
Cage did appear to have overcome his downward streak, but falls back down faster and flatter than a pancake with this horrible, misguided effort and seems to have taken everyone else with him. *
Eventually, though, Seeking Justice devolves into the usual business of chases and elaborate double-crosses that leave behind all vestiges of realism for the sake of popcorn thrills.
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