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September 2018

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Thursday 20 September 2018   photo 6/6

Pale Blue Balloons Movie Mp4 Download ----------------------------------------- DOWNLOAD: http://urllio.com/r9i75 ----------------------------------------- Dave is a bad cop fighting a deadly heroin addiction while working a case deep inside the mafia. After killing numerous drug dealers and even undercover police officers for the mob, he is kept from his money for trivial reasons. As his drug problem gets worse, and Dave sinks deeper into a murderous lifestyle, he runs from the city to live with an old friend. But Dave can't hide for long, and he is soon lured back to town in a dangerous war to get his money back from the men that wronged him. Well not really, but this ambitious epic is easily the most accomplished Wild Dogs feature to date, with more authentic location flavour than all the preceding movies combined. After an explosive, gear-jamming opening scene there's a veritable whistle stop tour of San Jose on screen - restaurants, leafy streets, hotel rooms, car parks and even video arcades with decrepit 80s machines add ambiance and realism. I don't recall that most iconic WD location, the Fredianelli house, making an appearance at all which speaks volumes. The acting here is consistently excellent across the board, with plenty of new faces as well as old favourites. Fredianelli puts in his best performance yet as Dave, the corrupt junkie cop who is in bed with everyone. Literally and figuratively. Loved the guy who played Dave's grizzled boss, channelling Lawrence Tierney via Clint Eastwood out the side of his mouth. I haven't seen a performance that comically gravelly in a good while. Though I must admit to allowing myself a dry smile when he pulled up in that most girly of sports cars, an MX-5 (I think you iconoclastic Americans call it a Miata?). David Brashear pops up near the end in a small but potent role, as does the stalwart Michael Nosé, taking a break from his sterling work behind the camera. Being a rather plot-heavy potboiler, there's not quite as much insane action on offer here as we idiotic carnage diehards would expect or hope for, but when it arrives it's as well-executed and lethal as ever. The erasing of an entire hotel room full of preening jocks was a particular highlight, as was the hilarious sucker punch to the face of a hooded drug dealer. I'm all for that sort of thing. Dave's point blank headshot on fellow operative Murray (can't recall the actor's name here either but he's the one that looks like a hastily cleaned up homeless, sewn into a suit vacated by Paul Weller in 1985) is also spectacular in its nastiness, and follows a classy bit of switchblade interplay. This effort is an impressive piece of work, marred only by overlength and perhaps a few too many wordy scenes that drag out. And while they are no doubt integral to the plot, I could have done without quite so many lengthy cook-up and shoot-up scenes. Good, judicious use of music throughout, thankfully I'm not a Journey fan otherwise the image of two tranked junkies going at it on the couch would stain my enjoyment of a certain song forever. Amusing blooper reel DVD extra is a good insight into the madness/process, and demonstrates just how much effort went into this impressive creation. Filming around the interference of slang-spitting skateboarders and inopportune traffic is never easy. Especially enjoyed seeing Scott Fredianelli having to repeatedly fall to the concrete while whining about possible damage to his new clothes. Now that's dedication. When I first


Pale Blue Balloons Movie Mp4 Download

-----------------------------------------

DOWNLOAD: http://urllio.com/r9i75

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Dave is a bad cop fighting a deadly heroin addiction while working a case deep inside the mafia. After killing numerous drug dealers and even undercover police officers for the mob, he is kept from his money for trivial reasons. As his drug problem gets worse, and Dave sinks deeper into a murderous lifestyle, he runs from the city to live with an old friend. But Dave can't hide for long, and he is soon lured back to town in a dangerous war to get his money back from the men that wronged him.
Well not really, but this ambitious epic is easily the most accomplished Wild Dogs feature to date, with more authentic location flavour than all the preceding movies combined. After an explosive, gear-jamming opening scene there's a veritable whistle stop tour of San Jose on screen - restaurants, leafy streets, hotel rooms, car parks and even video arcades with decrepit 80s machines add ambiance and realism. I don't recall that most iconic WD location, the Fredianelli house, making an appearance at all which speaks volumes. The acting here is consistently excellent across the board, with plenty of new faces as well as old favourites. Fredianelli puts in his best performance yet as Dave, the corrupt junkie cop who is in bed with everyone. Literally and figuratively. Loved the guy who played Dave's grizzled boss, channelling Lawrence Tierney via Clint Eastwood out the side of his mouth. I haven't seen a performance that comically gravelly in a good while. Though I must admit to allowing myself a dry smile when he pulled up in that most girly of sports cars, an MX-5 (I think you iconoclastic Americans call it a Miata?). David Brashear pops up near the end in a small but potent role, as does the stalwart Michael Nosé, taking a break from his sterling work behind the camera. Being a rather plot-heavy potboiler, there's not quite as much insane action on offer here as we idiotic carnage diehards would expect or hope for, but when it arrives it's as well-executed and lethal as ever. The erasing of an entire hotel room full of preening jocks was a particular highlight, as was the hilarious sucker punch to the face of a hooded drug dealer. I'm all for that sort of thing. Dave's point blank headshot on fellow operative Murray (can't recall the actor's name here either but he's the one that looks like a hastily cleaned up homeless, sewn into a suit vacated by Paul Weller in 1985) is also spectacular in its nastiness, and follows a classy bit of switchblade interplay. This effort is an impressive piece of work, marred only by overlength and perhaps a few too many wordy scenes that drag out. And while they are no doubt integral to the plot, I could have done without quite so many lengthy cook-up and shoot-up scenes. Good, judicious use of music throughout, thankfully I'm not a Journey fan otherwise the image of two tranked junkies going at it on the couch would stain my enjoyment of a certain song forever. Amusing blooper reel DVD extra is a good insight into the madness/process, and demonstrates just how much effort went into this impressive creation. Filming around the interference of slang-spitting skateboarders and inopportune traffic is never easy. Especially enjoyed seeing Scott Fredianelli having to repeatedly fall to the concrete while whining about possible damage to his new clothes. Now that's dedication.
When I first saw the trailer for this indie film while surfing around on youtube, I honestly didn't think very much of it. It seemed like it was just another dumb action/thriller made by a bunch of bored teenagers with a video camera and a couple fake guns. However, when I actually saw it, I was completely blown away. The editing and scenery was stylish, the acting was very well done, and I found myself actually being completely absorbed and thrilled by the twisting and turning plot. Michael Fredianelli, a director/actor who I had never heard of before, was very into his role as a heroin addicted, homicidal, on-the-verge-of-loosing-it cop, and most of the supporting cast did very well too. My only two complaints are the audio (at times there was way to much background noise) and the ending (although it makes sense, I expected a smoother transition into the credits, not such a flat stop). An excellent film from a man who one day may be the next De Palma or Scorsese.

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