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Tuesday 18 September 2018 photo 2/7
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Parker Movie In Hindi Dubbed Download
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DOWNLOAD: http://urllio.com/qxmly
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A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, they contact the mobster to take care of him. So the mobster sends a killer to take care of him. And Leslie also finds herself intrigued with him so she follows him.
You'd think with the source material and actors like Michael Chiklis and Nick Nolte in the supporting cast you would be viewing a tight revenge caper where a thief goes after the crew who betrayed him and stole his money. Unfortunately the script and performances are really generic. Jsaon Statham is the gentleman thief Parker, whose is his typical tough cool guy with a heart of gold character, chasing down some incompetent crew members who shot him after robbing a state fair's admission revenue while dressed like clowns (I wish I joking about that). Parker gets over his injuries and goes after the men that left him for dead, helped by Nick Nolte's paternal mentor/future father-in-law character and putting his girlfriend, and Nick Nolte's on screen daughter, at unnecessary risk. Jennifer Lopez seems to be thrown in almost at random as a flirtatious almost booty call for Parker but she is gently rebuffed. Jason Statham is okay, not good or bad, just watchable. Jennifer Lopez needs to quit acting, she's shown glimpses of real talent in Selena and Out of Sight, but is too boring or lazy to bring anything other than a pretty face and curvaceous figure to film. Mel Gibson played the same character in Payback and it's a much better revenge drama with an excellent cast and story. Lee Marvin was also Parker in the 1967 film Point Blank and Robert Duvall takes on the role in The Outfit from 1973, both really good crime thrillers with great actors.
As a fan of Donald Westlake's writing -- he did the Parker books under the pseudonym of Richard Stark -- I have long been bemused by the inability of film makers to adapt his work for the screen. Westlake wrote for the screen himself, and the Parker books are nothing but action and plot. Yes, there's character, but you figure it out from what Parker and his associates do.
With this, the fourth attempt to film a Parker novel, the film makers have found a practical if surprising choice for the title role. Jason Statham is not an actor of great oratorical powers, but he is a great physical actor, and he moves constantly like an angry tiger in a cage. The choice of a caper which is set largely in Palm Beach, with its artificial, pointless display of wealth and no other reason for existence is the perfect backdrop for the ferocity of Parker in his battle with Michael Chiklis' Melander; Jennifer Lopez' clueless Leslie, who gets caught up without understanding what is going on, gives the audience a good point of view.
Director Taylor Hackford is not a great director, but he is a highly competent one. Sixty years ago he would have been a major director for a studio, setting and working in the house style. Give him a story he can work with and he will hit all the notes, efficiently and effectively, and he has done so here. If the Parker of this movie is different from the Parker of the books, a bit more philosophical (although it comes down, in the end, to the tigerish "Do what I tell you and I will devour you last") we need to remember that a movie is not a book. This is not Donald Westlake's Parker, nor even the Parker I see when I read the books. However, it's still a very good one and worth your attention.
Parker...is not a great movie....But Parker is nonetheless great fun. It is part of a welcome trend, or counter-trend, in action filmmaking, an effort to strip away the apocalyptic bloat and digital fakery that have overtaken the genre and return to its pulpy, nasty, mechanical roots.
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