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Unmasked Movie In Hindi Hd Free Download
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Roger Lewis, publisher of a vicious scandal sheet, is in the habit of tricking wealthy, gullible women into investing in his ventures. His latest conquest is a shapely ex-showgirl, Doris King, the wife of Harry Jackson, once a top-flight producer. Jackson has lost all his money, but Doris still has her jewels, and she wants to divorce her husband and marry Lewis, who has no intentions of marrying her once he gets his hands on her (money) jewels. Jackson, concerned about Doris' happiness and wanting to prevent her from ruining her life, takes the jewels. Then he becomes involved in a fight with Lewis, who takes his revenge by killing Doris and pinning suspicion on Jackson. Jackson goes into hiding and falls prey to a small-time crook, "Biggie" Wolfe, who is secretly in the pay of Lewis. Wolfe wants to sell the jewelry and keep the proceeds for himself, telling Jackson the money will serve to get him the services of a good lawyer, but Lewis wants Jackson found with the jewels on him, and he orders "Biggie" to return them. MEABWHILE, Jackson's daughter, Linda, instigates a police search for her father and Detective Lt. Jim Webster and his assistant Newcombe bring so much pressure on Jackson that he commits suicide. This lets "Biggie" off the hook reference returning the jewels and he looks up gangster Johnny Rocco, who does business at the place of an old Long Island sea-dog, "Pop" Swenson, and Rocco offers to buy the jewels IF "Biggie" will arrange a border-crossing for his brother Mort, who is set to break out of the state penitentiary. Lewis wrings this information out of "Biggie" and takes it to District Attorney George Richards, who warns the prison officials and Mort is killed in the attempted jail break. Rocco learns the source of the leak, is somewhat miffed at "Big-Mouth Biggie", takes him for a ride, comes back alone and hatches a plot to get Lewis.
The editor of a sleazy tabloid newspaper has been borrowing money from his lover, the wife of a rich theatrical producer, and promises to marry her when she gets a divorce. However, the husband refuses to grant her a divorce, and takes back all the money and jewelry he has given her. The editor sees her husband leaving her apartment and, seeing his opportunity, kills her, takes all his IOUs (and the jewelry) and frames the husband for the murder.
Roger Lewis (Raymond Burr), publisher of a vicious scandal sheet, is in the habit of tricking wealthy, gullible women into investing in his ventures. His latest conquest is a shapely ex-showgirl, Doris King (Hillary Brooke), the wife of Harry Jackson (Paul Harvey), once a top-flight producer. Jackson has lost all his money, but Doris still has her (slightly-tarnished) jewels, and she wants to divorce her husband and marry Lewis, who has no intentions of marrying her once he gets his hands on her (money) jewels.
Jackson, concerned about Doris' happiness and wanting to prevent her from ruining her life, takes the jewels. Then he becomes involved in a fight with Lewis, who takes his revenge (for not being able to get his hands on Doris' money-jewels) by killing Doris and pinning suspicion on Jackson.
Jackson goes into hiding and falls prey to a small-time crook, "Biggie" Wolfe (Norman Budd), who is secretly in the pay of Lewis. Wolfe wants to sell the jewelry and keep the proceeds for himself, telling Jackson the money will serve to get him the services of a good lawyer, but Lewis wants Jackson found with the jewels on him, and he orders "Biggie" to return them.
MEABWHILE, Jackson's daughter, Linda (Barbra Fuller), instigates a police search for her father and Detective Lt. Jim Webster (Robert Rockwell)and his assistant Newcombe (Charles Quigley)bring so much pressure on Jackson that he ups and commits suicide...which is not exactly what Linda had in mind when she asked the police to help.
This lets "Biggie" off the hook reference returning the jewels and he looks up gangster Johnny Rocco (John Eldredge), who does business at the place of an old Long Island sea-dog, "Pop" Swenson (Emory Parnell), and Rocco offers to buy the jewels IF "Biggie" will arrange a border-crossing for his brother Mort, who is set to break out of the state penitentiary. So far, "Biggie" has done a lot of work, has some more to do, has had some out-of-pocket expenses...and still hasn't seen a dime in return for handling Doris' money-jewels. But Lewis wrings (as only Raymond Burr could wring) this information out of "Biggie" and takes it to District Attorney George Richards (Russell Hicks), who warns the prison officials and Mort is killed in the attempted jail break. Rocco learns the source of the leak, is somewhat miffed at "Big-Mouth Biggie" , takes him for a ride, comes back alone and hatches a plot to get Lewis.
This plot involves using Linda as bait, and this is good as it gives the two top-billed players ( Fuller and Rockwell) a chance to get a little bit more screen time as, they haven't had a lot of screen-time in the previous 50 minutes.
I must concur with the other review of this Republic crime programmer. It's an above average b-crime film with an interesting blackmail/murder plot, but what makes it a classic is the stunning performance by Raymond Burr as the blackmailing, murdering, malicious, sleazy scandal-sheet publisher/editor. Burr had a long string of fine performances as villains in his pre-Perry Mason days, but this is one of the three or four best, perhaps because in standard Republic fashion the leads are quite bland. Paul Harvey is superb as the weak-willed theatrical producer whose wife is killed; Hillary Brooke isn't in the film that much, but she's quite memorable as the unpleasant Doris King; and Norman Budd is charming as the comedic, bungling, cigar-stealing criminal underling. The two leads, Robert Rockwell as the police detective and Barbara Fuller as Harvey's daughter, are somewhat bland, although it's hard to tell if the script or the performers were to blame. This was not uncommon at Republic, where the stuntmen and the supporting players are often more interesting than the no-name leads. Still, Republic b-programmers are always slickly put together and fast moving, and this one is no exception. Those who love Raymond Burr's early supporting work MUST see this film. Those who like Burr but are not too familiar with his pre-Perry Mason work must also see it--your respect for Burr, which may already be high, will grow much deeper. He was an amazing talent who is sorely missed. There were no small roles for him--if it was a bottom-of-the-bill b-movie that few if any critics would see, Burr still gave the film his full talents. In this film, Raymond Burr passes the ultimate test for a movie villain: you almost cheer him along, wanting to see how much evil he can get away with! Bravo, Mr. Burr!!!
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