August
Tuesday 18 September 2018 photo 6/7
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Tamil Movie Cloud Atlas Free Download
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DOWNLOAD: http://urllio.com/r2amn
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The reincarnation of a soul travels through time in an exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution. Action, mystery and romance weave dramatically through the story, a time-shifting weave of six interlinking narratives, with diverse settings from the savagery of a Pacific Island in the 1850s to a dystopian Korea of the near future. Based on the best-selling novel Cloud Atlas written by David Mitchell. Featuring an all-star cast led by Halle Berry and Tom Hanks.
The reincarnation of a soul travels through time beginning with the diary of a potential slave-owner voyaging across the Pacific in 1849, then a talented composer writing letters to his lover in the Britain's 1930s, followed by a reporter investigating a corrupt case about a US nuclear power-plant in the 1970s, succeeded by a publisher's comical entrapment in a nursing home in 2012, followed by a clone's thrilling escape and rebellion in 2144's Korea, and finally a tribesman fighting cannibals in Hawaii in a post-apocalyptic world past 2300. Each story challenges the corrupt norms of the time, changing the course of history, and shaping the future through acts of kindness, big and small.
The Wachowskis, with help from director Tom Tykwer, are back with a vengeance after their previous film Speed Racer underwhelmed at the box office. This time, they adapt from David Mitchell's award winning book Cloud Atlas, which tells of six inter-related tales spanning different eras from the 19th century to a post-apocalyptic future that brings humans back to the primitive times. It's almost three hours long, and a sprawling epic from start to finish, with a star-studded cast roped in to assist in the creation of the film's philosophy of how life interconnects through seemingly disparate events.
But perhaps the best way to enjoy this film is to treat them as separate short stories and nothing more. The original stories in the novel had the various segments lead in to one another through texts found by various characters in their individual story arcs, with a built in cliffhanger each, before delivering the respective payload in reverse chronological order they were introduced to the reader, and rounding it all off. It could work as a structure for the film as well, but that meant having to wait for some time for the later arcs to appear, and make this really look like a series of short stories being artificially stitched together.
So while the directors helmed different segments, the decision to sequence through all the six stories into one linear narrative was perhaps the right one, and through this fashion ring home the point of the inter-connectivity between the lives of characters in various story arcs more effectively, since scenes which were thematically similar at a point were edited to blend into one another rather seamlessly, rather than to get the audience to hold on to that thought for a later time application. Lines of dialogues also became memorable quotes across different story arcs, as do the character element of a comet-like birthmark that some of them would possess.
However, don't get too caught up in trying to link the stories together through gestures like the ones mentioned, or to even consider whether the characters the various actors play, are connected or have links when they appear in the different stories. Forget about how the stories serve to link up beyond what got produced on the surface, because it is stuff of required, repeated viewings. Instead, what you can choose to appreciate, is how the actors gamely took on various roles in the different stories, where in some they would anchor as the lead, and in the others they would lend support, or cameos even. Make up and special effects were top notch to disguise the actors to play different characters, and part of the fun is to do a double take when you discover just who is hiding behind heaving prosthetics, makeup, or even something as simple as a moustache. Tom Hanks and Halle Berry took on no less than six roles, while the rest chipped in with five or less multiple characters, allowing an exercise of their individual acting chops.
Technical brilliance made this film, with makeup as mentioned, costuming, art direction providing the canvas of the different eras, and special effects piled on as and when required, especially the futuristic segments, to make the worlds as separate and different from one another. Direction, despite being handled by different directors, was seamlessly integrated and consistent that you won't be able to tell them apart unless you sneak a peek at the production notes. The score also became a highlight, rendered by Reinhod Heil, Johnny Kilmek and Tom Tykwer, since it served as a centerpiece element for one of the story arcs.
It's pretty fun watching the actors in their various roles, and those who particularly stood out were Hanks as Zachry, the man who had to defer to Hugo Weaving's devilish character before suffering the pangs of karma, and Doona Bae who may seem to have walked through yet another Air Doll role as Sonmi-351. It was surprising to see Zhou Xun involved in this film too, as was Hugh Grant being the most unrecognizable of the lot. Cloud Atlas is a mammoth of a film, that will demand you rewatch it again, not only to continue in your spot-the-star moment, but to give connecting all the dots another go, after you've come to savour the stories individually at first. Recommended!
If this is what we have to look forward to in various lives, it's a complete downer. Give up now. Apparently, any one can write a take on reincarnation/karma these days.
Some items that really blew it for me: Far too much unneeded violence in this attempt to make a poorly executed point about "being here for each other".
The composer/man whore shoots himself instead of finding his happiness with his love - when there was nothing keeping him from it but his irrational/idiotic self.
The heroine spouts nonsense and that is supposed to cause people to rise up and find their true purpose/meaning/reason for being? In seeing the later generations, it didn't reach an effect.
Poor revision of Soylent Green.
A number of anachronisms throughout.
"Intellectuals" dump on Ayn Rand, but her writings are far superior to this nonsense.
There was no conclusion on whether any effort in any life is useful. That alone makes it a poor narrative.
The old sage character says that Halle's character is the best thing that happened to him, ever. That completely dismisses his former love who bore him a child. Terrible continuity.
Apparently, the goal of all these lives is to end up with a LA-style, beach front bungalow dressed up for a party none of your community/humanity you fought so hard for will be going to.
Not quite soaring into the heavens, but not exactly crash-landing either, Cloud Atlas is an impressively mounted, emotionally stilted adaptation of British author David Mitchell's bestselling novel.
Cloud Atlas is based on the 2004 multi-award winning novel by David Mitchell. It consists of six loosely interconnected stories: an 1850 diary of an ocean voyage across the Pacific; letters from a composer to his friend; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future. The author himself has indicated that the film will take the loose connections of the novel and expand them into the major theme of the film: "The reincarnation motif in the book is just a hinted-at linking device, but the script gives it centre stage to link the six worlds with characters, causes and effects." The film will also feature all the principal actors playing multiple roles of different ages, sexes and races. "A novel can't do multi-role acting: a film can," says Mitchell. "The directors are playing to the strengths of their medium, just like I try to." The novel was shortlisted for the 2004 Booker Prize, Nebula Award, Arthur C. Clarke Award, among many others. There are three pieces: (1) "Prelude: The Atlas March" by Tom Tykwer, Reinhold Heil and Johnny Klimek (from the film's soundtrack); (2) "Sonera" by Thomas Bergersen; and (3) "Outro" by M83. In chronological order:
"The Pacific Journal of Adam Ewing" - Wachowskis
"Letters from Zedelghem" - Tykwer
"Half Lives: The First Luisa Rey Mystery" - Tykwer
"The Ghastly Ordeal of Timothy Cavendish" - Tykwer
"An Orison of Sonmi-451" - Wachowskis
"Sloosha's Crossin' an' Ev'rythin' After" - Wachowskis a5c7b9f00b
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