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Army Of One Movie In Hindi Dubbed Download
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DOWNLOAD: http://urllio.com/qxcmw
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A framed prison escapee unknowingly kidnaps a female cop en-route to a rendezvous with the corrupt cop who put him behind bars.
Dolph Lundgren plays Wellman Anthony Santee a former race car champion-turned-trucker who escapes from jail to catch the corrupt cops who set him up. A huge variety of huge action set-pieces and high-speed chases through the desert follow as he takes a female cop hostage and meets many old friends who help him on his adventure.
Wellman Santee is involved with his partner Eddie in a shoot out, resulting in the deaths of his friend and a highway cop.
Santee is framed for the cop's murder and jailed in a maximum security prison. A few months later, Santee breaks out after narrowly escaping an attempt on his life.
He reaches a local diner where he steals a car and abducts the owner, Rita, completely unaware that she is a deputy sheriff.
A massive manhunt ensues, spearheaded by Lt. Severance a tough, obsessive cop.
Santee leads the detective and his men on a dramatic high speed chase, from the desert wilderness to the streets of downtown Los Angeles....
19 years ago, this would have been an eight out of ten movie for me.Lundgren was at the top of his game, there is a hot woman in it who Lundgren really does uncomfortably stare at in certain scenes, and of course there were lots of explosions and fast cars.
Watching it now, I realise that it's nowhere near as good as I thought, and thats because it really does not have any sense of humour, like some of the best action films have.
It consists of lots of shots of cars driving away from explosions, George Segal with a comedy moustache and swearing, and a really embarrassing love scene involving Lundgren rubbing some sort of juice around th woman in the blistering heat.
The film has it's moments, but I don't think of it as fondly as Dark Angel, or Showdown in Little Tokyo, at least those movies had funny moments.
Adventure / thriller movies are always big on action. At some point through the running time, decisions have to be made whether to accept fate or try and change the oncoming outcome. This kind of balance needs to be checked because if not monitored, either the viewer will end up being stuck in an explosive marathon in nothing but action after action without any story, or too much exposition and no action at all. No matter what the extreme, either or will bore its viewer. Unfortunately, that is the case for this action flick and surprisingly, it suffers from both extremes believe it or not. After being framed for murder of a police officer, Santee (Dolph Lundgren) is sent to a penitentiary only to almost be killed by the man who framed him. After escaping, Santee takes one off-duty cop named Rita Marek (Kristian Alfonso) hostage while having Lt. Franklin L. Severence (George Segal) on his tale close behind.
Directed by usual stunt coordinator veteran Vic Armstrong (his directorial debut) and written by Steven Pressfield (Above the Law (1988)), this action thriller is very low on the entertainment and high tension meter. There's only a few good areas to point out. Its strongest element are its cinematography captured by Daniel L. Turrett. Although this is Turrett's ONLY cinematography credit to date, it is decent. The rest of Turrett's work is credited as camera operator and although that is a totally different task, Turrett did what he could. The entirety of this movie is set in the desert and Turrett shot as much footage as he could get to include wide landscape and long running mountain ranges. It sure is nice to look at. The second best aspect to this movie are most of its cast and how they act. Sadly, the cast that is respectable are not on screen as much as the actual main cast.
For Lundgren himself, there is no complaint. He has all the best lines and works well with that alone for this particular film. Aside from him though, George Segal as the Lt. Severence is wholesomely uninteresting because of his sniveling voice. Even the young Kristian Alfonso is remarkably banal in her performance. Yet, audiences will have supporting cast performances from the underrated Geoffrey Lewis as the local Sheriff helping Lt. Severence. Backing up Lewis is a younger Nick Chinlund as a Deputy. He's easy to pick out. Then there's the cameos (not really, but because they show up for all of about 5 minutes. Ken Foree (known from George A. Romero's Dawn of the Living Dead (1978) and Texas Chain Saw Massacre III: Leatherface (1990)) plays Eddie, Santee's partner. Along with Foree is another young Khandi Alexander playing Eddie's wife. Too bad they didn't have longer roles. Finally, the last part that works here is the action (partially). What is meant by partially is that the shootouts are well staged and set up. Those are fun.
But now we hit the bad territory. The bad side to the action are the car chases and fist fight scenes. For sequences you'd think would move quickly and get your attention, does not happen here. This is the movie's biggest problem; pacing. When the sequences occur, it gets old really fast. So quickly, in fact it feels like its drawn out just for padding purposes. Then there's the scenes that involve exposition, which don't even get told correctly. This is said because Lundgren's character says nothing about what's going on the whole time. The only way viewers will understand what's going on is by listening to Alfonso's character - why? Because she asks all the questions that don't get answered and she figures them out on her own. The thing is, the information to understanding this plot is held back for such a prolonged amount of time, there comes a point in the movie where the viewer just may not care anymore and wish for the film to end because they won't understand why things are being done without any reason.
Pressfield's writing is very mediocre here. Another thing that is eye- roll inducing is how cliché the execution is. You have the protagonist (a muscular dude) out fighting the way he wants to and doesn't care if he dies and runs across this hot young chick. There's no guessing to what'll happen between them because it has been seen time and time again in these kinds of action/adventure thrillers. Of course they're going to hookup, why wouldn't they? There's also a subplot that sort of explains Santee's relationship with an old man played by Bert Remsen but it has no effect on the plot so why it was included was beyond understanding. Lastly, bringing the list of bad components to a close is composer Joel Goldsmith's musical score, son of legendary composer Jerry Goldmsith. Here, Joel Goldsmith's score hardly warrants any recognition even with a couple of repeating themes for certain scenes. Much of the score uses the cheap 1 or 2 instruments that would be required for a Richard Band production and its more disengaging than anything else. Thankfully it hasn't been released to the public.
The title correctly portrays what it says and that's Dolph Lundgren mowing down bad guys without getting a scratch. But this doesn't happen that often. Besides good looking cinematography and a few actor cameos that tease the audience more than anything else, this cat and mouse chase is boring half the time with bad pacing, clichéd writing, and poor sounding music.
Thus far, the action movie starring Dolph Lundgren has only been released on VHS in the UK. Unfortunately, this version had to be cut down in order to receive the BBFC 18 rating. Most of the missing scenes take place during the shootout in the warehouse. However, a few elements of the plot have also been cut out. Approx. 3 minutes are missing in the British Version. Worldwide, there are several different versions of this action movie. In the USA exist two different versions. The Unrated Version was released by Artisan on both VHS and DVD, as well as by Live Home Entertainment on Laserdisc. The R-Rating as well as the runtime of 102 minutes on the cover are wrong. The second version was released on Blu-Ray and DVD by Shout! Factory and received an R-Rating. It is either called European Version or Director's Cut. Among the bigger differences between the two versions are an additional camera scene in the Unrated Version, an alternative final fight which is more action-packed in the Unrated Version, and an alternative ending.
The release situation in Europe is not too good. In Germany as well as the UK, the movie's Director's Cut was only released in a censored version on VHS; several violent sequences were cut out. The German audience, however, can buy an uncensored DVD which unfortunately has an awful image quality and is a mixture of both US Versions. The French VHS and DVD are based on the Unrated Version, however, three plot related scenes were shortened. The Dutch Version is equal to the Unrated Version, while the Danish Version is equal to the Director's Cut. a5c7b9f00b
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