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Shaan Dubbed Hindi Movie Free Download Torrent
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Two brothers go after the international mafia kingpin who murdered their cop brother. They are later joined by another man who wants revenge against the gangster.
Shaan tells the story of DCP Shiv Kumar an honest, brave and upright police man. He live in the country with his wife, a daughter and two brothers Ravi and Vijay who are con men to the highest extent and would do anything to th rick people, there cunningness, one day got them into trouble with the law where there brother was forced to arrest them and feel no pity for them. However they were release a few days later since they were keeping a low profile in jail. Shiv Kumar decides to investigate against gangster and smuggler Shakal and his men where he was killed in his line of duty. After there brother's death Ravi and Vijay decides to mend there ways where they were persuade by marksman, circus master and an old enemy of Shiv, Rakesh, who decides to mend his ways and join hand with the two legendary to destroy Shakal who keeps a man-eating crocodile on an island far apart.
Ramesh Sippy is an excellent director. Obviously he loves the Occidental world's cinema. So since his start he was determined on marring his commercial homeland cinema with the western in (Sholay), or James Bond in (Shaan).
For the first half it runs as a crime comedy, with schemes and heists, then for the second as an action about a war between 3 heroes and one super-villain imported from many Bond movies; he lives on an island (Dr. No), has an office with sharks around it (The Spy Who Loves Me), disposes of a failure henchmen by exploding his chair (You Only Live Twice), and he's bald (Blofeld). Come with that some "Bondy" touches here and there : opening credits that roll while showing parts of the movie's events on a sexy girl's dancing body (From Russia With Love), the good guy fights a monster and beats it underwater (Thunderball), survives an alligator (Moonraker), and – sure – a theme song at the start and a ticking bomb at the end (nearly all of Bond movies !).
The cinematography did grand. 2 shots were historically beautiful : seeing Abdul's character dead, and the leads' running to the helicopter at the end. Amitabh Bachchan is a walking movie industry, with unbelievable charisma and wit. Johnny Walker proved that he can make comedy and dance well. And Kulbhushan Kharbanda stole the show with sober cogent acting for what could have been a caricature of a character. It has smart editing and dexterous dialog, though still the movie's highest element is its hot and elegant directing. Sippy individualized every single sequence with distinct sets and visual details, being helped by towering budget. For instance : the amusement center's try of assassination, the stable's gunfight (which revived some of Sippy's love of Westerns), the port's murder, the thugs' home's fistfight.. etc. It reached its zenith at the last song Yamma Yamma, which managed to be one of the finest songs I have ever heard and watched.
Yes, almost everything is top-notch. The ambition to overtop (Sholay), the most successful hit up to that point, is felt. But they forgot one factor : the script. While (Sholay) remade (The Seven Samurai) to Indianize a western movie, now (Shaan) remade many points of Bond to westernize an Indian blockbuster and give it another flavor. Thus it had a more than enough foreign atmosphere, looking strange sometimes, missed the human dimension, with light pain and more fun, and – unfortunately – suffered a load of cheese !
Bone Cheese : There is absolutely no difference between Kapoor's and Bachchan's characters; they're the same happy-go-lucky guy, just one taller than the other ! The leading dual fight Shakaal, a *super* bad guy, the same way Sholay's leading dual was fighting Gabbar Singh; without appropriate advanced gadgets !
Flesh Cheese : A respectable officer has 2 crooks as brothers ? How come that none of his superiors blamed him for that ?! That officer decides to jump over a cliff to the sea while knowing that he's 300 km away from any land; so he thought he could swim that distance ?! The villain has a secret way to release the bonds around his victims' hands hidden under his main table, why ?! To use it whenever he's captured in his office, like what happened at last (SO FORCED !). The villain's toxic gas didn't harm the heroes (low quality gas ?!). The villain dies right beside the secret key to destroy his island (strange coincidence). While Shatrughan Sinha's character is a circus man, he can run a helicopter cleverly ?! The villain with all of that wealth, power, craziness is just a black market dealer ?? With his sophisticatedness he seemed as someone who wants to rule not the world but the galaxy ?!! And finally, the giddiest point ever : how come that our heroes flee from the exploding island while leaving at least 50 dancers, they used in their disguised entrance, behind them, including the legendary Helen herself ?! These are innocent people for god's sake, why to sacrifice them damn carelessly like that ??!!
Lending the thick voice of R. D. Burman to Bachchan while Yamma Yamma was terrible decision; I was laughing out loud ! Bindiya Goswami wasn't fit for her role as a con woman who could dazzle men by her beauty (what beauty ?!). The charming Parveen Babi was infamously overweight, with no fresh performance.
In terms of writing, the best addition this movie came up with was dividing James Bond, the forever *one* hero, into 3 guys. The beauty of unity is a favorite for me in the face of "Only One Man Can Do This Mission". It's someway the opposite of what Sippy did in (Sholay), when he remade the 7 Samurais with purely 2 guys.
The matter of the evil man's last fate still worries Sippy. While making 2 ends for (Sholay); one where the violence wins which was canceled by the censor, then one where the law wins which was used, this round as if he wanted to revenge, declaring that killing must be faced with nothing but killing, and he did it rightly : Shakaal tries to kill the 4 leads, so they act naturally with self-defense, finish him with 3 bullets, and make Sippy eventually happy !
It's an Indian good vs. bad blockbuster that visited Bond to borrow some super bad material. Well, nice visit but not nice fantasy altogether. Feature like harmonic was kind of missed. Though, despite (Shaan)'s faults it is better than many of Bond movies (at least it has a plot !). Yet, it's not (Sholay), just a big mild entertainment that flashes in your eyes to soothe your brain.
I consider Shaan to be one of the best Indian films ever made. It looks like a very professionally made film, which is quite rare in Indian Cinema.
The fight sequences are very good. Mr Sippy (the director) wisely chose to use the same style as in his previous blockbuster, Sholay. This adds a touch of realism to the fights, as opposed to the norm in Indian films, where we get to see the hero beat-up about 20 guys on his own.
Another highlight of the film was the music. Sippy had an original music soundtrack created for this film, as opposed to stealing bits and pieces from other films. This really does help to increase your enjoyment of the movie. I don't generally like the songs in Indian films, but they were quite good in this film.
The cast is excellent, with everyone performing well in their roles. I find that a lot of films with all-star casts suffer problems as the director tries to give everyone equal screen-time to the detriment of the plot. However, in this film, the whole cast gels. Shatrughan Sinha's character is wisely introduced half-way through the story, thus avoiding trying to introduce too many lead-characters at the start od the film. Amitabh Bachchan and Shashi Kapoor play well off each other as always. As usual, the female characters don't have much to do in the film, with the possible exception of Rakhee Gulzar.
The villain is brilliantly played by Kulbushan Kharbanda. It's blatantly obvious that this character (Shakal) is modelled on Blofeld from the James Bond movies, as is much of the film itself. One gets the feeling that the Sippy was trying to create a villain that would be remembered in Indian Cinematic history in the same way as his earlier creation, Gabbar Singh. Although Shakal is not remembered as fondly as Gabbar Singh by many people, he's still one of Indian Cinema's more memborable villains.
The plot of the movie is sometimes a bit silly (for example, we get the heroes dancing with their girlfriends in a bus soon after they discover that one their family members has been murdered). However, this is a minor criticism in an otherwise brilliant film.
If you like Indian films, Shaan is essential viewing. I'd give it 10 out of 10.
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