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Ant-Man Full Movie Hd 1080p Download
Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
After serving a few years in prison, former burglar Scott Lang is released. Now wanting to be straight, Scott sets out to find himself a job. But he is totally unaware that his record is preventing him from working and seeing his young daughter Cassie. When he steals a powerful suit, he quickly returns it only to find himself arrested again. But a mysterious man named Hank Pym has other ideas for him. Pym explains that it has the power to shrink in size and increase in strength due to a special formula called the Pym Particle. He was once it's owner and called himself Ant-Man. Unfortunately during his SHIELD days, Pym discovers that others wanted to replicate his design. Now Pym wants to use Scott to being the new Ant-Man because his former apprentice Darren Cross is working to replicate the formula for his own evil purposes. So Scott and Pym, along with Pym's daughter Hope must plan a heist that will stop Cross and save the world from certain chaos.
Ant-Man initiates the promised "Phase 3" of Marvel Cinematic Universe. Its obvious purpose is the introduction of new heroes (Ant-Man, Doctor Strange, Black Panther, Captain Marvel and the Inhumans race), while reducing costs... specially the salaries of the actors who forged the first and second phase. I perfectly agree with that strategy; the rich Marvel Comics universe is being recreated with big care and a constant respect to the spirit of the printed material, even though that doesn't avoid the introduction of modifications which are more suitable for the audiovisual medium. However, Ant-Man isn't a slave of continuity, and has enough ingenuity and originality in order to earn an own identity. Curiously, that identity ended up being much more humorous than the rest of the Marvel films. The humor works pretty well most of the times, but it occasionally dilutes the suspense a bit. Anyway, I liked the way in which the scale of the "miniaturized action" was exploited to generate laughs without reducing the emotional weight of the scenes, and without trivializing the main character's dramatic arc. Nevertheless, I would have liked to see a bit more of "science" in the screenplay in order to solve some inconsistencies in the miniaturization process (like Warren Ellis did in the comic Fantastic Four when he explained why Ant-Man could breathe even when he was as small as the air molecules themselves; I don't remember the explanation, but it was an excellent techno-babble, because it was simultaneously credible and ridiculous). Paul Rudd makes a very good work as Ant-Man, perfectly balancing humor and warmth. Unfortunately, Corey Stoll brings a weak performance as the villain; he feels too bland and he can never transmit a sense of threaten. On the other side of the coin, Michael Douglas brings an excellent work, and his performance is one of the biggest pros of the film; I would definitely be interested in watching a prequel about the '80s adventures of Hank Pym and Janet van Dyne. Evangeline Lilly isn't given too much to do; I guess her character's real value might be better displayed in the sequel (and I hope they find a better wig for her). And I really enjoyed seeing the great Michael Peña as part of the Marvel Universe, which was truly needing a Latin character. Having said all that... I might be starting to understand why Dan Harmon called the Marvel movies "insipid". Don't misunderstand me... I liked Ant-Man pretty much, and I definitely consider it worthy of a recommendation. However, the same style, tone and appearance of the other films already feels a bit repetitive. Sure, the cohesion is indispensable to unify the Universe... but what is missing is a variety of personality and vision (don't mix that up with the android Vision). With a pair of exceptions (Kenneth Branagh and Joe Johnston), Marvel is hiring directors who mostly work on TV, and even though they are competent, they are easily controllable, so that they don't get out of the fold; Edgar Wright's dismissal of Ant-Man is a clear indication of this tendency. Marvel might recognize that situation, and that's why it experimented with the "noir" style in the wonderful series Daredevil; it fits into the world of The Avengers, but it keeps a different nature, proving that they aren't incompatible concepts. Anyway... I hope they dare to make more experiments like that on the big screen, so that it doesn't seem like we are watching the same film over and over again. Needless to say, that's something difficult; however, Marvel has been successfully doing that in comics for decades, something which allows, for example, the recent impressionistic recreation of Hawkeye compatible with the traditional comic The Avengers; something like that is what we need in the Cinematographic Universe: more from the same, but different. And of course, always with Stan Lee.
Firstly, there's a sh*tload of Ants. I love a good Ant but this pushed boundaries.
Nowadays there's a lot of competition between Marvel and DC films and you can often spot the desperation in some of Marvel's films, because they know really they are inferior. Able to produce mesmerizing scenes, quirky one liners and big name actors: yes. Able to produce the same level of quality as DC: unfortunately not.
And this is coming from me right, I love Marvel. If they made more movies like Ant Man they would hold a steadier place in a lot of fans mind.
It was a wise move getting Paul Rudd in, he brought a level of comedy that is necessary for a movie like this. D'you know what I mean? It's a movie where a man fights crime as an Ant. Christian Bale would not cut it.
A personal favourite were the scenes where we were shown household objects from the POV of an Ant. The scene where he first turns into Ant Man really got me excited, as did the Train scene. There was another bit that made me go 'woow' but I can't remember what it was. No bother.
This isn't relevant to the movie at all, but I lost a fiver on my way out. I went in a DVD store on Market Street and saw Boyhood for £7 which is decent. Looked in my pocket and only had £9. Theoretically I could have bought it but I'm using an out of date bus pass and the driver might have noticed and made me pay full price, which is definitely more than £2 so it wasn't worth the risk. Pity, I wanted to watch that.
Overall Ant Man was decent. Pretty much what you'd expect from a Marvel film really. Yeah, go see it.
Jokey rather than funny, and a bit forced when it’s trying to be sincere, Ant-Man has plenty of enthusiasm but not a lot of inspiration.
Ant-Man is based on the Marvel comic book of the same name created by Stan Lee, Jack Kirby and Larry Lieber.Yes, all Marvel Studios films made from 2008 onward are part of a single universe, one of the many parallel story arcs set in the Marvel Cinematic Universe (MCU). The original Ant-Man, Henry Pym, was a long-time member of the Avengers, under the names Giant-Man, Goliath, and Yellowjacket. Scott Lang was the second person to don the mantel of Ant-Man and was also a member of the Avengers. This film actually marks the final entry in Marvel's Phase Two and sets up(2016)—the third MCU Captain America movie—which starts Phase Three. Both Hank Pym and Scott Lang will be in the film. Edgar Wright stated that an early draft of the script included Pym being the Ant-Man of the 1960s and Lang being the Ant-Man of the 2010s. Scott Lang is the second person to don the Ant-Man helmet after Dr. Hank Pym. Lang, a burglar, completed his abandoned electrical engineering degree while in prison and was quickly hired by Stark Industries. Left with no choice, he returned to his old trade to save the life of his sick daughter, Cassie. He stole the Ant-Man helmet and used it to free the only scientist that could cure Cassie's illness. Lang returned the helmet to Pym, who agreed to train him as the new Ant-Man. Lang was created by David Michelinie (creator of Venom and writer of the "Demon in a Bottle" storyline in the Iron Man comics) and artist John Byrne. He first appeared in the comic books The Avengers #181 (March 1979) and Marvel Premiere #47 (April 1979). In the film, he is a skilled thief and was released from prison during the first act. Dr. Pym was looking for a protégé to take up the Ant-Man mantle, and tricked Scott Lang into stealing the suit after studying him for a few months. Pym then offers Lang a job involving a heist and agrees to train him to become the new Ant-Man. Yes, there is both a mid-credits scene and a post-credits scene. The mid-credits scene features certain main characters returning and teasing the future roles they'll play, and the stinger after the credits is a huge scene that includes even more key characters and sets up Captain America: Civil War. You can read more details here and here.Stan Lee can be seen towards the end of the movie as a bartender when Luis is telling a story about how Falcon is looking for the Ant-Man. After sounding the alarm to evacuate the building, the protocol would most likely involve transferring the Yellowjacket out of the building as well. How the protagonists plan to prevent security from staying in the building to continue searching for the missing Yellowjacket before the bombs go off is left unexplored due to Darren altering the situation. This may have to do with the fact that weight (how "heavy" or "light" something is) and mass are not the same thing. As IMDb user Its_A_Frog explained back in August 2016:
Weight is the interaction of mass with gravity, and we don't know how gravity works in a mechanical way. Particles don't even have solidity, they are energy.
For all we know, changing the volume covered by an atom might affect its weight while retaining the same mass, just like how expanding a sail will alter its interaction with wind, or how a metal boat will float on water but a chunk of metal of the same mass will sink to the bottom.
So, the movie being the science fiction story that it is (and one part of a fantasy universe), the mechanism in play basically alters the weights (or gravitational effects of) sized-changed objects without destroying them or otherwise enhancing or degrading their respective structural integrities as a matter of their densities being altered. It's worth noting, however, that there are some inconsistencies concerning the impacts that shrunken Ant-Man can make upon various objects as though his weight was completely unaffected by shrinking, and at least one of these corresponds with a continuity error.
The comic books contain more or alternative ideas about how the nature of mechanism—and the movie's rendition of Hank Pym might be holding back the details for whatever reason—as IMDb user haxemon explained:
But in the comics, the Pym particle actually shifts matter from one dimension into another as part of the shrinking/growing process. So if Hank/Scott wants to punch hard as ant-size he keeps most of the matter and just shrinks. If he wants to walk along an ant bridge he shifts the matter while he shrinks.
Hank is intentionally vague if not outright full of crap when he describes how it works even to Hope and Scott. So you can't take the "shrinks the space between molecules" bit as a complete or even accurate explanation of the "science".
But it's clearly one of the more "astonishing" ideas for a super power in the comics in terms of making plausible science. So I think they were clever to basically present it as Hank is the only one who really knows how it works and he's not interested in sharing.
Which also sort of presents the idea that Ant-Man suit provides a level of control to the wearer over the gravitational effects of his or her body, not had by objects otherwise altered in size like the various vehicles disguised as toys that appear throughout the movie. This leads to another point, that few or no objects were enlarged from their original sizes, but re-enlarged after having been shrunken. Perhaps, unlike with the scaling smaller process, objects that are scaled larger from default do not exhibit greater weight from default, or do but in a way that is less than proportionally greater. However, the next movie, Captain America: Civil War, does not seem to reflect such an idea, as a certain object is scaled-up by about a factor of ten and seems proportionally heavier. How this can be is thus far a mystery, apart from acknowledging that enlarging necessarily involves collection of "energy" unlike miniaturizing. a5c7b9f00b
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