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Tuesday 18 September 2018   photo 1/7

Knight And Day Malayalam Movie Download-----------------------------------------DOWNLOAD: http://urllio.com/qxi8c -----------------------------------------A young woman gets mixed up with a disgraced spy who is trying to clear his name.June has a garage in Boston. At an airport heading home, a man bumps into her a few times and tries to keep her off the plane. He's under FBI surveillance; they wonder if he and she are working together, so they let both on a flight full of armed men wanting to arrest the stranger. He's Roy, he shoots his way out of trouble and tells her she's in danger. She's home the next day, miraculously, when agents pick her up; Roy saves her again, and a transcontinental chase ensues with Roy convincing her that he's the good guy, protecting an energy source that a rogue agent wants to sell on the black market. Can she trust Roy, and will trust matter when the bullets start flying?Flying in to attend her sister's wedding, June (Cameron Diaz) bumps into the same man twice at the airport. His name is Roy Miller (Tom Cruise) and they end up on the same flight together. The plane is almost empty but Roy and June make the most of the situation and spark up a conversation. When she goes to the bathroom however, Roy sparks into action and defends himself against a group of would-be attackers. Although June is left in shock and disbelief, Roy takes it upon himself to crash-land the plane. He briefly splits with June but realising the danger he quickly rediscovers her and takes her on an adventure, pitting them against his former CIA colleagues. Roys' adversary is Fitzgerald (Peter Sarsgaard) and they are both looking for a device known as the Zephyr, a battery which can be used as a significant power source, developed by a geek named Simon (Paul Dano).
James Mangold's film, which he directed from a screenplay by Patrick O'Neill, makes little room for logic. This is an all-out action picture that is at least aware of its own absurdity. It sacrifices a cohesive plot in favour of staging improbable stunts throughout a variety of beautiful locations. The film was shot in the USA, Spain, Jamaica and Austria and the action in each of these places is slickly handled. In keeping with the film's frivolous tone however, the stunts are performed with minimal intensity and without physical limitations. Most of these sequences exist purely to allow the film to be as crazy and over the top as possible, rather than to develop the plot, making them less exciting than they should be. Cruise is most adept at the hand to hand fight sequences, which are admittedly slightly more visceral. By the final quarter the film seems to run out of steam, hinting at who can and can't be trusted, but it thankfully recovers with an exciting motorcycle chase amidst the running of the bulls. It is disappointing in this sequence and others though that for a big budget action film the visual effects are slightly more apparent and visible than they should be.
What carries this film for quite a while is the undeniable charisma of the dual leads. Cruise and Diaz are two of the biggest names in Hollywood and they do share some nice chemistry together. They do well with a script that provides merely serviceable dialogue, rather than anything particularly funny or witty. More humour rather than just crazy action sequences would have helped to sustain the film for a lot longer. By the end, Knight And Day simply reminds us though that Cruise is capable of so much more. With his most intense performances Cruise can subvert his charm into something more sinister and intense. Two of his very best performances in the films Collateral (2004) and Magnolia (1999), which he was nominated for an Oscar for, are indicative of this. They reflect how the credibility of this powerful dramatic actor is regularly overshadowed by his personal beliefs and public relations is

Knight And Day Malayalam Movie Download-----------------------------------------DOWNLOAD: http://urllio.com/qxi8c -----------------------------------------A young woman gets mixed up with a disgraced spy who is trying to clear his name.June has a garage in Boston. At an airport heading home, a man bumps into her a few times and tries to keep her off the plane. He's under FBI surveillance; they wonder if he and she are working together, so they let both on a flight full of armed men wanting to arrest the stranger. He's Roy, he shoots his way out of trouble and tells her she's in danger. She's home the next day, miraculously, when agents pick her up; Roy saves her again, and a transcontinental chase ensues with Roy convincing her that he's the good guy, protecting an energy source that a rogue agent wants to sell on the black market. Can she trust Roy, and will trust matter when the bullets start flying?Flying in to attend her sister's wedding, June (Cameron Diaz) bumps into the same man twice at the airport. His name is Roy Miller (Tom Cruise) and they end up on the same flight together. The plane is almost empty but Roy and June make the most of the situation and spark up a conversation. When she goes to the bathroom however, Roy sparks into action and defends himself against a group of would-be attackers. Although June is left in shock and disbelief, Roy takes it upon himself to crash-land the plane. He briefly splits with June but realising the danger he quickly rediscovers her and takes her on an adventure, pitting them against his former CIA colleagues. Roys' adversary is Fitzgerald (Peter Sarsgaard) and they are both looking for a device known as the Zephyr, a battery which can be used as a significant power source, developed by a geek named Simon (Paul Dano).

James Mangold's film, which he directed from a screenplay by Patrick O'Neill, makes little room for logic. This is an all-out action picture that is at least aware of its own absurdity. It sacrifices a cohesive plot in favour of staging improbable stunts throughout a variety of beautiful locations. The film was shot in the USA, Spain, Jamaica and Austria and the action in each of these places is slickly handled. In keeping with the film's frivolous tone however, the stunts are performed with minimal intensity and without physical limitations. Most of these sequences exist purely to allow the film to be as crazy and over the top as possible, rather than to develop the plot, making them less exciting than they should be. Cruise is most adept at the hand to hand fight sequences, which are admittedly slightly more visceral. By the final quarter the film seems to run out of steam, hinting at who can and can't be trusted, but it thankfully recovers with an exciting motorcycle chase amidst the running of the bulls. It is disappointing in this sequence and others though that for a big budget action film the visual effects are slightly more apparent and visible than they should be.

What carries this film for quite a while is the undeniable charisma of the dual leads. Cruise and Diaz are two of the biggest names in Hollywood and they do share some nice chemistry together. They do well with a script that provides merely serviceable dialogue, rather than anything particularly funny or witty. More humour rather than just crazy action sequences would have helped to sustain the film for a lot longer. By the end, Knight And Day simply reminds us though that Cruise is capable of so much more. With his most intense performances Cruise can subvert his charm into something more sinister and intense. Two of his very best performances in the films Collateral (2004) and Magnolia (1999), which he was nominated for an Oscar for, are indicative of this. They reflect how the credibility of this powerful dramatic actor is regularly overshadowed by his personal beliefs and public relations issues. For all of his natural charisma Cruise is simply put through the motions here. His self-parodying is admirable and he does look cool and comfortable as an action star but this is hardly a challenging role for him. Diaz has a surprisingly nice presence here and is actually quite likable and attractive when she's isn't shrieking. What is certainly missing from the cast is a great villain. This could have been a deliberate omission so that the leads are not upstaged. It is a void that is never filled by Peter Sarsgaard, who is given little do and is unfortunately miscast. Paul Dano has an equally superfluous role as well with some appalling facial hair too.

Although one can enjoy some of the self-awareness and lack of pretension with this genre film, it is never quite as funny or thrilling as it should be. More humour would have helped to truly subvert the action genre and sustain the film through its sluggish final quarter. It relies so heavily on the natural charisma of its leads and their star power that it fails to offer anything more substantial for those who are looking for more substance and less noise. As great as some of the locations look on the big screen, this is a film that should probably be reserved as a rental.You know you're not enjoying this film when you find yourself cleaning your bathroom floor rather than continuing to watch it. All of the elements are there (the action, the special effects, the humor, the romance, etc.), but, overall, the film falls just short of being truly enjoyable. Despite the presence of all of the necessary elements, what the film does not have is "magic", that extra something that allows a person to let himself go and just have a good time. It's obvious Diaz and Cruise like working together (remember "Vanilla Sky"?), but, throughout the film, there's an underlying "vibe" (for want of a better word) in Diaz's and Cruise's work that communicates something akin to discomfort, as if they were also aware how weak the film is and had regretted their decisions to be in it.Knight and Day may well suffice for audiences desperate for the bankable paradox known as the predictable surprise, and willing to overlook a galumphing mediocrity in order to concentrate on matters of dentistry.Classic car restorer June Havens (Cameron Diaz) literally bumps into FBI covert agent Roy Miller (Tom Cruise) in the Wichita (Kansas) airport while boarding her flight back to Boston. Turns out that Roy is also on her flight, and everything they do from there turns June's life topsy-turvy as they become involved in an attempt to hide the Zephyr, a superbattery that can power a small city and never runs out of energy, and to protect its inventor, Simon Feck (Paul Dano). Unfortunately, Roy has been accused of going rogue, and both he and the Zephry are being sought by CIA director Isabel George (Viola Davis), FBI agent John Fitzgerald (Peter Sarsgaard), and Spanish arms dealer Antonio Quintana (Jordi Mollà), as well as various other "bad guys" and assassins. Knight and Day is credited to American screenwriter Patrick O'Neill, although he wrote the screenplay as a spec, and it was added to by numerous other screenwriters, including Scott Frank, Laea Kalogridis, Ted Griffin, Dana Fox, and Simon Kinberg. Originally, the movie was going to be titled Wichita, then changed to Trouble Man before being released as Knight and Day. The title is a play on "night and day", an English idiom used to describe two things that are polar opposites of each other, as are June and Roy. It makes an additional play on words by changing the spelling from "night" to "knight" in that Roy's actual birthname is Matthew Knight, he purchases a small knight figurine at the beginning of the movie that plays a larger role as the story unfolds, and he rescues June from her rather drab existence as would a "knight in shiny armor". Some astute viewers have even noted that Cameron Diaz's last name can be spelled "dias", which translates from Spanish to English as "day". Others point out that the movie focuses on the things that Roy hopes to do "some day", which Roy has learned to translate as "never". After doing so, Fitz says to himself, "Always the classics, Roy." He is referring to the Alfred Hitchcock classic mystery The Lady Vanishes (1938) (1938) in which a lady (who ultimately vanishes) writes her name in the condensation on a dining car window on a train. In the morning, after the lady vanishes, her new acquaintance in the dining car tries to find her, but everyone denies ever knowing her, even though they all spoke to her in full view of the new acquaintance the night before. Being told that she is hallucinating from a blow to the head the previous day, the new acquaintance satisfies her own sanity by breathing on the window where she sees the lady's name appear. It is also used with the same effect in Flightplan (2005) (2005) in which a woman's daughter, who later goes missing, draws a heart on the window of their airplane. Somewhat interestingly, Peter Sarsgaard, who plays Fitz in this movie, also played the lead male role in Flightplan. Despite Simon's objections, Roy tosses the Zephyr to Fitzgerald. Fitz shoots Roy in the shoulder and then boards a seaplane waiting to take him to Quintana. Feck explains to Roy that the battery is actually unstable. As they watch the plane climb, the Zephyr explodes, killing Fitz. Roy collapses from his wound, and June accompanies him on the flight-for-life. He wakes up in a Washington D.C. hospital with CIA Director Isabel George at his side. She thanks him for "cleaning house" and apologizes for trusting the wrong man. Roy asks about June, and Isabel explains that they sent her home with the understanding that she and Roy are too different to spend their lives together and that Roy is valuable to the agency only as long as he stays focused. She also tells him that he'll be transferred tomorrow to a secure facility for his safety, and then she leaves. As Roy lies on his bed, pondering his circumstances, a nurse comes into the room with his medication, which he drinks. He suddenly begins to feel whoozy and asks the nurse what she gave him. "Brotine-zero," she replies, while turning around. Roy sees that it is June before he begins to pass out. June wheels him out of the hospital on a gurney and into her waiting GTO. When he wakes up, Roy finds himself dressed in shorts, on a beach with June, and heading for Cape Horn. "What day is this?", he asks June, and she replies, "Someday." In the final scene, the Knights receive two tickets to Cape Horn that they didn't order, but Mrs Knight (Celia Weston) assumes that Mr Knight (Dale Dye) forgot that he ordered them on the Internet, just like all those other unordered Publisher Clearinghouse and lottery tickets that keep coming in. Cape Horn is at the southernmost tip of South America. It forms the northern boundary of the Drake Passage, a waterway between Chile and Antarctica, once the only way ships could get from the Atlantic side of the Americas to the Pacific side (and vice versa) until the opening of the Panama Canal in 1914. The climate is generally cool, rainy, and highly windy, not the kind of place for lolling on the beach. The movie is not very clear about this, so viewers have debated both sides of the question. Some conclude that her parting comment to Roy about taking him to "a secure location for his safety" is an alert to the audience that using those words "secure" and "safe" are sure indications that she means to have him killed, making her one of the "bad guys". At the very least, most viewers agree that the CIA has no intention of letting Roy leave the agency, since he's their best agent. Others argue that the director may actually have been a "good guy", helping June sneak Roy out of the hospital, hoping he would get the message and simply leave the country, in essence sponsoring his retirement because of what he did to protect Simon and the Zephyr as well as weeding out the corrupt agents like Fitzgerald. We do know that nothing bad happened to Simon (he was given a new lab) or Roy's parents (they were given tickets to join him in Cape Horn), so it's doubtful that the CIA had any evil intentions against Roy. "Differente" by Gotan Project. Lately, as a matter of routine, an extended cut has been produced and released for the home market and its worth it. By now, outside the US, both versions—the extended and the theatrical—have been released on BD and on DVD. An additional action sequence has been integrated, the character of June has got more background and some combat scenes have been extended by some tougher takes in the extended version. 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