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Apaharan Download
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Ajay lives with his stern, honest, disciplinarian and Gandhian widowed father, Prof. (retd.) Raghuvansh Shastri. Ajay works as a salesman, but soon finds himself out of work. He applies for a position with the Police, but is turned down, even though he always makes it to the merit list. Finally he borrows 5 lakh rupees to bribe his way on the merit list, & soon his name is shown on the shortlist. Just before his selection, major differences crop up between Home Minister Dinkar Pandey and his dad, with the later threatening to expose the corruption within the State Ministry. Dinkar ensures that Ajay's name is dropped from the shortlist, and the money-lender sends his goons after him, giving him 3 days to come up with the money. A desperate Ajay decides to be part of the lucrative kidnapping scheme in Bihar, abducts a Government official and demands a ransom so that he can re-pay his loan. Unfortunately, this Government official was under the protection of underworld Don, Gaya Singh, who carries out his operation from prison. When it is discovered that Gaya is involved, the abduction goes awry, with Ajay being arrested by the police, held in a cell, where he is severely beaten and humiliated by Gaya Singh. Ajay is discharged from custody when no one identifies him. Ajay is enraged, frustrated with his life, and he decides to take kidnap another government official. This official was on the list to be kidnapped by Gaya Singh, under instructions from corrupt MLA Tabrez Alam. When Gaya finds out that Ajay is behind this kidnapping, he locates and decides to kill him, a tussle ensues which results in Gaya's death. Ajay then takes over from Gaya and is accepted with open arms by Tabrez and his men. What Ajay does not know is that Tabrez is a ruthless man, who has killed his very own nephew, the son of his brother, Usman Alam, when he became an informant for the police. When Ajay's popularity grows, he is invited by Dinkar to join forces with him, as everyone from a lowly Police Constable to the Home Minister gets a share in the ransom money. Ajay refuses, however, Tabrez is misinformed about this and thinks that Ajay is against him. Now Ajay finds himself alone, as even his father has forsaken him. The girl he hoped to marry, Megha, no longer cares for him, and the police want him dead or alive - that is if he can escape from the clutches of Usman and Tabrez first.
Story of a tumultuous and complex relationship between a father (Mohan Agashe) and son (Ajay Devgan), set against the backdrop of a thriving kidnapping industry in the Hindi heartland of Bihar.
This a very well-made picture from Mr Jha, who in the past directed Hip Hip Hurray, Damul and Gangajal among others.
Its set in Bihar where extortion and racketeering have become a way of life. The protagonist is forced into a life of crime after his father's principles come in the way of "buying into" the system. Unable to find a job, he joins the mafia kidnapping racket and becomes the henchman of political bigwigs, first the local MLA and later, the ministers who by then, have joined hands to form a ruling coalition. In the process, his love life goes astray, his father disowns him and he sinks lower into the dark abyss. The final confrontation brings closure to his estranged relationship with his dad as well as with his fate.
Re: acting, unlike what one poster said, Mohan Agashe did ample justice to the father's role. It called for deliberately understated acting and the late AMrish Puri could never have pulled off a sensitive portrayal of essentially a contented man, that although principled and devoutly Gandhian, isn't necessarily an *activist*. A professor who is ready to fight against injustice, he firmly believes the pen's mightier than the sword. Remaining cast also did a marvelous job including the one and only Nana Patekar. Ajay Devgan has starred in Jha films before and it seems like a successful partnership. Screenplay, dialogs and narrative are all top-notch. Jha belongs to that small group of Indian filmmakers who still make relevant and meaningful cinema. Without pandering to Western audiences a la Dipa Mehta or Mira Nair, selling sex like Ketan & co, or producing useless extravaganzas that no one cares about like the Bhasali dude, Mr Jha sticks to the point and drives home the bitter truth relentlessly.
There's some irony in this. What is his personal gain? And what are his creative desires? What do Indian filmmakers like Jha, Mahesh Manjrekar (Vaastav, Astitva), Madhur Bhandarkar (Chandni Bar, Page 3), Ashutosh Gowarikar (Swades, Lagaan) hope to achieve in that rotting sewer of an armpit called Bollywood? Do they make money on their films (doubtful)? They ostensibly are not in it for awards. Swades was a decent film if not flawless, that was sidelined by the Drollywood dodos in favor of the usual junk fare (read: you gotta kiss the behinds of many Hojars, Pochras, Tuddas, Haigs and other assorted yo-yos or you won't survive)
Realistically, 1 good film a year out of 100 is a good batting average for Bollywood....but "yeh dil mange more"!!
At a basic level, "Apaharan" traces the evolution of Ajay Shastri (Devgan), an innocent lad being pushed around by the system to becoming the system himself. There are two influences working on him, viz, his father's Gandhian idealism and acceptance of corruption as a way of life all around him. He tries to escape the insult and exploitation that his father's idealistic stand begets him--- only to get insulted and exploited by the likes of Tabrez Alam (Patekar) who use him for their own purpose. Yet, Devgan's don is a reluctant hero. He takes to crime because as an honest and hard-working citizen, society treated him as a "freak"!
"Apaharan" then talks a State held at ransom by the greed and corruption of a system meant to protect it. It talks of the kidnapping of a child's innocence by a greedy system where merit has no role. It talks of society's resignation to the state of affairs and how we all give in... for there are no options.
What I liked about "Apaharan" is that it does not have any good guys and bad guys, nor does it offer any magic solutions. It tells it like it is. It shows every member of society as responsible for the decay-- right from the ministers to religious leaders to traders to teachers to the youth "experimenting" with crime at a corner tea-shop! At the same time, it is not a cynical story. It has optimism and power of positive action.
To believe that this movie has anything to do with Bihar would be entering a fool's paradise. Yes, it is set in Bihar-- although shot in Satara (Maharashtra), if one goes by the credit acknowledgment. Yes, it speaks of a situation that Bihar is going through. Yes, it uses a Bihari idiom and dialect to move the story.
The characters, their motivations and their reactions are not limited to Bihar, though. If that were the case, it would not find such a wide appeal.
Like all good cinema, "Apaharan (2005)" tells a story. That's it. And kudos to Prakash Jha for telling us an "art house" story with "masala potboiler" action. But for the trademark Prakash Jha finesse, this movie reminds one of typical Bollywood fare like "Vaastav", "Nayakan" and "Company". Good action and powerful performances!
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