Tuesday 18 September 2018 photo 5/7
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Black Rain Movie In Tamil Dubbed Download
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When a member of the Japanese Yakuza is arrested in New York, detectives Nick Conklin and Charlie Vincent are assigned to escort him to Japan. Conklin in particular is none too pleased that they are not prosecuting the prisoner themselves. They no sooner arrive in Japan however than they are duped and turn their prisoner over to gangsters posing as police. The detectives stay on in Japan hoping to work with their Japanese counterparts but have some difficulty dealing with local protocol and customs. Over time, Conklin develops a working relationship with Detective Masahiro and together they manage to ensure justice is served.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, however, he manages to escape. As they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game the Japanese way.
Okay, so I will firstly start off with the fact that, Michael Douglas was superb in this film. Best role he has ever portrayed, and he deserves a gold star for his efforts in this movie alone. Now, with that being said...
This was a really bad movie. I don't know what Ridley Scott was thinking, taking this film on, because it just really didn't work. It was almost like they followed two characters around Japan for two hours, and we got to see all the boring crap they did. I really didn't feel intense, scared, nervous or fearful for any of the characters.
But, Andy Garcia was kind of hot...and he was really funny in it. And humor wise, I shouldn't discount Douglas, either. He actually made me laugh a few times, which he never does.
I really found the movie slow, lacking emotion, and tedious at times. Not very good...
Black Rain is directed by Ridley Scott and written by Craig Bolotin and Warren Lewis. It stars Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw, Yusaku Matsuda and Tomisaburo Wakayama. Music is by Hans Zimmer and cinematography by Jan de Bont.
After New York cops Nick Conklin (Douglas) and Charlie Vincent (Garcia) arrest a sword wielding psychopath named Sato Koji (Matsuda), they are tasked with escorting him back to Osaka in Japan. From here they are plunged into a war that is brewing in the Japanese underworld.
You see there's a war going on here and they don't take no prisoners.
Welcome to Blade Runner's younger brother, Black Rain, a Ridley Scott film I feel has never received the credit it deserves. Viewing from the outside it looked like one of those 1980s cop movies, one where the main cop is washed up and perched on the edge of oblivion, his partner his sanity and voice of reason. However, Scott (brought in late to direct when Paul Verhoeven bailed) wasn't interested in the normalities of the cop drama, he saw the potential for cross continent culture clash and the chance to bring his visual skills to the fore.
Yep, it's the big neon glitter of Osaka and the grime and dime of New York that is the big draw here, but characterisations are still rich for the drama, with Scott taking plenty of time to set up the lead protagonist. We know Conklin's troubles, we know how tight his friendship is with Charlie, and by the time things go grim and dour in Osaka we understand just why Conklin plunges head first into a do or die situation.
Visually Scott infuses the picture with cramped locales, steamy streets, industrial wastelands and blood red suns, while his lead character is an unshaven trench coat wearer who still manages to look devilishly cool. It's perhaps the drawing of Osaka that is the most impressive, for it's an alien creation to us as much as it obviously is to Conklin, the ignorance gap between America and Japan still wide apart in 1989.
Complaints? At just over two hours in running time the film does have periods of flatness, where some better editing wouldn't have gone amiss; though Scott's original cut was considerably longer, begging the question on if more could have been done to enhance the seething culture clash between cops Conklin and Matsumoto (Takakura)?
Another problem is that Capshaw's character is under written, a crime when it's the sole female part of note in a two hour movie. Did more of the character hit the cutting room floor? Likely, because now it's a token eye candy offering, which is a shame since what little we do get hints at a savvy performance from Capshaw.
Ridley Scott lifts Black Rain from merely being a fish out of water thriller to something more layered. True to say there is more style than substance (what style though), but there is still very much interesting juxtapositioning of countries and human interactions of credible worth as well. 8/10
It's risky making an action picture that breaks its violent stride to emphasize the difficulties of living up to preconceived ideas of masculinity. But it's that risk that makes Black Rain distinctive. By refusing to beat its Eastern and Western protagonists into comic-book pulp, the movie pays them, and the audience, a rare compliment.
It's part of the bushido code of conduct that the ancient samurai and the yakuza gangsters adhere to. During the days of the Japanese warlords and the samurai, a dishonorable act carried the punishment of severing one's own finger or part of. The idea was that a samurai that was missing part of a finger or multiple fingers wouldn't be able to wield his katana (samurai sword) as effectively. The Japanese word for the act is yubitsume. On August 6th and 9th, 1945, during World War II, the United States dropped atomic bombs on two Japanese cities. The first, on August 6th, was the western city of Hiroshima, which had been a major Japanese shipping port and industrial production site. The second bomb was dropped on another western city, Nagasaki, three days later when Emperor Hirohito refused to surrender. Following the devastation of those bombings, Hirohito ordered his country's surrender, ending the United States' war with Japan.
Sugai's involvement in this chain of events is that he lived in one of those cities -- which city is not revealed -- as a boy and was there when the bomb was dropped. As he states "I was 10 when the B-29 came. We were underground for three days. When we came up, the city was gone. Then the heat brought rain; black rain." What Sugai is suggesting is that the pollution from the atomic fallout had somehow turned the rain black. Sugai goes on to say that following the war American values were forced on to his people by the United States, who had agreed to aid in the rebuilding of Japanese society due to the destruction caused not only by the atomic bombings but also from the many other non-atomic bombings of other Japanese cities during the war in the Pacific. The United States became Japan's occupying force following the war and Japanese citizens like Sugai felt that their cultural and societal identity was slowly being stolen from them as a result of such policies. Sugai's ultimate plan is to flood the American economy with counterfeit money and reap the benefits of such a crime. a5c7b9f00b
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