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Tuesday 18 September 2018 photo 7/7
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Download The One Full Movie In Hindi Dubbed In Mp4
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DOWNLOAD: http://urllio.com/r2irw
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There is not one universe, but there are many, which is a multiverse. Supposing you are just one person, there are many other versions of you in the other universes, there are ways to travel, but only a police agency, MVA, can travel only for police procedures. Gabriel Yulaw is a former MVA agent, who killed another version of himself in self-defense. It made the other versions of him stronger. When Yulaw found out about this, he became power-hungry killing the 122 other versions for two years. After killing Lawless and getting captured by his former partner Roedecker and a new MVA agent Funsch, Yulaw managed to escape the prison and is trying to kill his last target, Gabe Law who is a police officer. He is also at Yulaw's strength. Roedecker and Funsch now have to arrest Yulaw before he can kill Gabe. There is a possibility that the universe could die or make Yulaw invincible. After encountering Yulaw for the first time, Gabe thought that it was his split personality, but it wasn't. Will Gabe be able to confront Yulaw before or after Yulaw ruins his life?
A rogue Multiverse agent goes on a manhunt for versions of himself, getting stronger with each kill. With only one version remaining, he races against the clock to finish him and become "The One."
The basic premise of The One is actually pretty elaborate and could have been spun out in numerous different ways.
Most of them probably would have resulted in better films than this.
In short there are apparently numerous parallel universes running simultaneously, in each of these exists another version of you. Each time one of these variants dies that person's essence, vitality, strength and abilities is immediately absorbed into the remaining 'yous'.
It turns out that a man named U-Law (Jet Li) has discovered this and has set about destroying all other versions of himself 'Highlander' style until there can be only (the titular) One.
There are a grand total of 125 U-Law variations.
He has killed 123
Only Gabe Law (also Jet Li) remains.
Now apparently this mustn't be the first time someone came up with this fiendish theory of Law domination, as inter-dimensional travel is strictly policed, and a team of agents has been tailing the ever-stronger U-Law for some time, lead by the duo of Jason Statham and Delroy Lindo.
Once it is evident that only one remaining Law stands in between U-Law and his domination they decide to short cut the procedure and head straight to his dimension – to cut U-Law off at the pass – so to speak.
Gabe Law is actually different in all ways from U-Law, he is in fact not that naughty at all, but a cop, happily married to his loving wife TK. He also is struggling to come to come up with reasons as to why he feels about 61.5 X stronger lately
Gabe understandably takes the news that he is being hunted by himself from another reality with the proverbial pinch of salt, until U-Law shows up and starts blazing away.
Now with the two remaining Law variants having approximately 50% of the strength of 123 guys each, The One has every excuse for indulging in some over the top action sequences, and it has these in spades. Unfortunately it is also lumbered with some bad angst ridden neu-metal (disclosure: some of which I liked), wire work galore in the often terrible fight sequences, and some lamentably dated 90s CGI.
Delroy Lindo does his best to remain interested and Statham's performance is most notable for an awful US accent (which perhaps explains why in every subsequent film he has essentially played each character as himself), and Jet tries as hard as he can to make it easy to differentiate the two 'Laws' from each other, but it's fair to say he mostly fails because he in real life I am positive that Jet Li is simply a nice guy – he just doesn't do 'surly' well at all. It is also a huge (and repeated) failing by the US filmmakers to ignore Li's natural abilities and athleticism in favour of obvious wire-work and el-cheapo computer assisted enhancements.
Final Rating – 5.5 / 10. The One should have been so much better, there is a solid film in this premise which probably exists in a parallel universe somewhere, but alas in ours this variant is teen-friendly wannabe tough mindless pap.
By the way if you can bear it the best line in the film is actually the last, though it is hilarious in a way that likely differs from the intent of the filmmakers.
These days, it seems every reviewer or would-be reviewer wishes to pigeon-hole the films they see, just as every would-be producer when they pitch their movie idea to the executives. Such is most reviews of THE ONE, in which the film is unfairly judged and summarized, as in "THE ONE is a combo of TERMINATOR plus MATRIX meets THE ELEPHANT MAN taking on JESUS CHRIST SUPERSTAR with a little PUMPKINHEAD and a dash of TICK TICK TICK!" Shut up already. It's a disgustingly pinheaded view of films, and not a review or comment on the film at hand, merely a summary of what it LOOKS like. Now to talk about THE ONE.
THE ONE is an impact film, meaning its nature is to physically overwhelm and inawe the viewer. Jet Li puts in some good work here, despite his difficulty with language barriers; Li does what many famous kung-fu movie stars are able to do, and that's to distinguish his emotions through his body, through physical ferocity or weakness. In that, Li is excellent here, showing at all times a human being behind the power of his techniques.
Most critics who do not respect the type of movie this is will completely miss Jet Li's presence behind the superhuman battles; that's why Yulaw, is the film's protagonist: It is Li's actor persona, Jet Li as a downright hero, that makes his turn as the villainous Yulaw so fascinating; there is not much difference between Yulaw and the good Li, Gabe, in our world, except Gabe is married and it is his love of his wife that fulfills him; without her, he would be Yulaw, a violent man hungering beyond time and space. Yulaw's desire to possibly become a god once he's accumulated all the life energies of his alternate selves is a realistic endeavor for a man such as he is: a special law-enforcement officer, a sublime martial artist, a physical man who spends every free moment practicing his wushu technique. A man obsessed with what he does not have: a center, a heart, a love.
This type of man WOULD be driven to assassinate his useless "other" selves, all wasted energy in a chaotic universe; Yulaw himself, once part of a superior police force to watch over not one but multitudes of universes, becomes a vicious, uncompromising killer...who also happens to be a martial artist, a life choice requiring vast degrees of self-control and regimented training...this kind of man would obviously see wasted energy as criminal, and his drive to accumulate and refocus that energy is not cardboard villainy but merely Yulaw's self-discipline taken to a cosmic scale. Yulaw doesn't want to be "God" in the classical sense, he just wants to elevate his internal and external fighter's prowess to the highest possible level imaginable...ultimately of course to feed his ego, which is Yulaw's fatal flaw.
There's a lot going on in this terse, lightning-fast plot, but it depends on what you're looking for. Jet Li's performance is typical of him and extraordinary as a human being: the man is simply a walking encyclopedia of fight technique. The non-superhuman roles, of his wife, or the pursuing Multiverse Agents Lindo and Statham, or the many many policemen (the film's major fault, too many police waving guns, all seeming buffoonish and crushable as roaches; too much of the movie has cops moving around with their pistols in front of them while we wait for the superhuman Yulaw to smash them, all of the viewers knowing the guns are useless against Yulaw and yet so much of the movie spent Wondering When rather than hoping anybody with a gun actually has a chance) all perform basic functions to the superhuman rumble between Yulaw and Gabe, bad and good Li.
Again, these characters have limited life-spans and short histories, and the fact remains that neither Yulaw nor Gabe has time to wonder who their friends are, or mourn for the dead. One man will die, another man will become The One, and that ascendancy is imminent and demanded by universal laws of space and time: theories, like objects, stay in motion...the obsessed Yulaw cannot halt his desired ascendancy to possible godhood (or destruction of all universes, since no one knows what will happen when he becomes The One), and neither can Gabe, who also grows more powerful as the life energy of 123 murdered alternate selves is divided equally between himself and Yulaw.
Last and not least, there's the final confrontation between Yulaw and Gabe. A very cool, very solid climactic fight that uses wire work but stays grounded in reality, albeit heightened superhuman reality; the fight never becomes a cartoon, thankfully, and as in the whole of the film, whatever cliches Roger Ebert mentions are few (all right, the whole cat-jumping-at-the-camera-to-startle-the-audience is downright unforgivable, but that's hackwork on the director/writer's part) and there is nothing cliche about Li's performance, and given how badly science fiction's been translated to the screen, this film is at least not a complete embarrassment and doesn't pretend to be Arthur Clarke.
This is good work by Li. And though not everything not-Li (plot, characters, emotional resonance) is as cool as it could have been, THE ONE manages to be solid and avoids being insultingly stupid, a genre movie made by smart people who want nothing more than to blow viewer's minds with a workmanlike science fiction premise and the awesome skill of Jet Li. For the true lover of genre film, THE ONE is a grand delight.
So narratively garbled and its screenplay so underwritten that you have to strain to piece together the story.
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