The Nice Guys Full Movie Hd 1080p Download Kickass Movie

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In 1970s Los Angeles, a mismatched pair of private eyes investigate a missing girl and the mysterious death of a porn star.
Los Angeles, 1978. Jackson Healy (Russell Crowe) is a private investigator, of sorts. He is the man you call when someone needs to be given a message, violently. Holland March (Ryan Gosling) is more legit, and conventional, taking cases involving tracking down missing persons and the like. Their paths cross when porn star Misty Mountains dies in a car crash. Misty's aunt hires March after she believes that Misty is still alive. Their investigations lead them to a young woman named Amelia, and a massive conspiracy plot.
Greetings again from the darkness. Shane Black sold his first screenplay at a very early age which led him to become something of a phenom with the success of that film, Lethal Weapon (1987). Later, he disappeared from Hollywood for about 10 years before resurfacing in 2005 by directing his own terrific script with the immensely entertaining Kiss Kiss Bang Bang (my favorite movie of that year), and then hitting big-budget time with his script for Iron Man 3. This time, Mr. Black (directing and co-writing with Anthony Bagarozzi) returns to the detective-farcical-comedy-mystery-action genre and even adds an element of being a 1970's period piece.

Black's rapid-fire wise-cracks were perfect fits for Mel Gibson and Robert Downey Jr, and for this project he's working with Ryan Gosling and Russell Crowe both fine actors, though neither known for their comedic work. What's clear from the beginning of the film is that both Gosling and Crowe are fully committed to the material and their respective characters. Gosling plays a boozy Private Detective and single dad who just can't quite get things right, while Crowe plays a hired-hand bruise type – think of his Bud White in L.A. Confidential (1997), only with an extra 50 pounds and a lot of miles. These two damaged boys play off each other very well, and with Black's dialogue and visual gags, the film provides a good number of laugh out loud moments more silly than the sophomoric humor that's so pervasive at multiplexes these days.

Of course for comedy to really click, there needs to be some type of story to follow. In the opening scene a young boy (Ty Simpkins) watches as a car slams through his house, culminating with a "model/actress" named Misty Mountains meeting a not-so-pleasant ending. We then learn that Gosling's Holland has been hired to find Amelia (Margaret Qualley), who bears an uncanny resemblance to Ms. Mountains – with two significant exceptions. Simultaneously, Amelia has hired Crowe's Jackson to convince Holland to stop searching for her. Soon enough, Holland and Jackson are working together on the "case" that mixes in the Auto industry (Big 3), Porn industry, Justice Department (government conspiracies), environmental protesters, Killer Bees, LA parties, LA smog, The Waltons (John Boy), The Rockford Files, Detroit, and Richard Nixon all hot topics in this 1977 era.

As much as the story is needed, it really doesn't much matter. This is a movie of moments some of them featuring funny words, while others focus on pretty astute physical comedy. Gosling (and his stunt double) provides some pretty impressive gags as he is bounced and slammed around for most of the run time. The surprising heart of the film and moral core is Holland's daughter Holly played by Angourie Rice. Despite the title, she is really the only "nice guy" in the whole film, and her good-hearted nature keeps us rooting for Gosling and Crowe, despite their flaws.

Other support work comes from Matt Bomer as a "John Boy" hit man, Keith David, Lois Smith, Yaya DaCosta (quick, name another Yaya), Beau Knapp (as the toothy Blueface), Jack Kilmer (Val's son as a "projectionalist"), and Kim Basinger (re-teaming with her LA Confidential co-star, Crowe). Also playing a significant role are the mid-to-late 1970's vehicles, the period music and houses and décor that puts us right in the moment, and the clothes and hairstyles that are sure to inspire a chuckle or two.

Fans of Lethal Weapon and Kiss Kiss Bang Bang will surely find plenty of laughter here despite one of the worst trailers in recent memory and even if the film is lacking the one thing it advertises – nice guys.
I'll preface this by saying that I like Crowe and Gosling's other work. This however was not worthy of their efforts. Shane black is normally a good writer but this fell flat for me. I admit that I did laugh a few times but the rest of the time I found myself scratching my head at the nonsensical plot. Nothing really made sense and there was no cohesiveness to any of the scenes. They all just seemed to run together with no sign of editing or pace. The 13 year old daughter was shoehorned into nearly every scene and made the movie almost unbearable given her character's inconsistency in certain scenes. When I watch a movie I require two things; to be entertained and to care about the characters. Both of these criteria were not met. Spend your two hours doing something else folks.
There’s a tipping point at which comedy goes from black to bilious, and that’s a balancing act that The Nice Guys doesn’t always nail. The laughs from this frequently entertaining action comedy get stuck in the throat, keeping this altogether good movie from being a great one.
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September 2018