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Page 6. BIBLI () I'HECA IN [)[CA. WoRK No. 272. THE NATYASASTRA. : A TREATISE ON HINDU DRAMATURGY AND HISTRIONICS. Page 7. Page 8. THE NATYASASTRA. A Treatise on Hindu Dramaturgy and Histrionics. Ascribed to. В н А к Ат А - м t x : Vol. I, ( Chapters I-XXVII). Completely translated for the first time
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19 Jul 2017 Besides these, what are the real meanings of terms, such as, Digest (sa?graha)[1], Memorial Verse (karika) and Etymology (nirukta)"? At these words of the sages, Bharata continued speaking, and mentioned in reply to their question the distinction between the Sentiments and
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17 Feb 2018 Format: pdf in Devanagari | ITX in ITRANS scheme | ??????? webpage in choice of Scripts | Information and Links. | | ?????????????? ??????? ?? | Natya Shastra Chapter 1 |; | | ?????????????? ??????? ?? | Natya Shastra Chapter 2 |; | | ?????????????? ??????? ?? | Natya
?????????????? ??????? ? ? - .. Natya Shastra Chapter 6. - Download as PDF File (.pdf) or read online.
terms of Bhavas and Rasa which are also discussed in the chapter seven of the same will be taken in the chronology. (Ref: Rasa. Theory By Shree. G K Bhatt M S University of Baroda). The Natya Sastra, of BHARATA MUNI by Board of Scholars. (BOS). Chapter 6: The Distinction between Sentiment and. Emotional fervour.
He presented rasa formula in context to natya in his Natyasastra. Later on the rasa- sutra became the touchstone for all the poetics. The aim of a dramatic performance is to evoke sentiment or rasa in the mind of the sahrdaya or the ?learned audience'. In chapter 6 of Natyasastra, Bharata elaborately discusses on the
It is found in the Kavyamala edition that the 36th chapter has been divided into two chapters as 36th and 37th. The Natyasastra gives a detailed account of the sources of aesthetic pleasure. It deals with the architecture of the theatre, metres to be employed, the postures, movements and gestures of actors. It given an
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