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The One Movie Download In Hd
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DOWNLOAD: http://urllio.com/qzrlq
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A rogue Multiverse agent goes on a manhunt for versions of himself, getting stronger with each kill. With only one version remaining, he races against the clock to finish him and become "The One."
This movie postulates what if there is more than one universe. And that all of these universes are held together by one single stream of energy and that energy is equally distributed to every living in each universe and if one of these beings die, that energy is reallocated equally to each other surviving member. And with each allocation, a person becomes stronger. Now one universe has mastered the ability of crossing into another universe, and a man named Shulaw who believes that if he can kill all of his counterparts, he will become invincible, but there are those who believe that it might have detrimental effects, so try and stop him. Unfortunately, he just has one more person to kill, Gabe Law, but the officers follow Shulaw but Shulaw has committed some crimes and Gabe is accused and is wanted. But Gabe discovers that he has changed and only wants to kill Shulaw not realizing what could happen.
Do not waste your money or your time to see this movie. Until I saw this movie, I respected James Wong and Jet Li, but now I have lost ALL respect for them. The special effects were cheap and over-used. The acting was pathetic throughout the cast. Jet Li tried to speak English, and he failed miserably. The plot, which is revealed in the first 3 minutes, is simple, predictable, and painful to sit through. Do NOT see this movie.
(Spoilers below, but the flick's too stupid for it to matter.)
Computer technology has greatly aided the filmmaking industry. Twenty years ago, it would have been impossible to create the stunning visual effects seen in "Harry Potter and the Sorcerer's Stone", let alone an entirely digital movie such as "Monsters, Inc." However the prevalence of any new technology is invariably followed by those who would rely on gimmick alone rather than quality. Such is the case with martial arts master Jet Li's latest offering, The One.
The One takes place in the future where inter-dimensional travel has become possible. Each dimension runs parallel to our own and is home to the same people, but under different circumstances, living completely different lives. Voyaging to another universe is for authorized dimensional police only. Li plays a former member of this police force going by the name Lawless. We learn, through clumsily constructed exposition, that he has defected after discovering that every time one of his alternate reality selves dies, the `life energy' from the dead self is distributed among the remaining selves. So Li is on a mission to travel to all of the universes and kill himself in each, becoming increasingly more powerful until he becomes `the one' at which point he imagines he'll be unstoppable.
As one might guess, Li also plays our hero, Gabe. Gabe is a cop in a universe that isn't aware that other dimensions exist. He lives a happily oblivious life complete with friends on the force and a beautiful wife, T.K. Lawless travels to this universe followed by two other dimensional law enforcers, Funsch and Roedecker. The two try to stop Lawless from killing Gabe, his last remaining twin, and achieving ultimate power. Oh, and did we forget to mention that it may also cause all the universes to explode? Maybe. No one in the film seems sure.
Immediately, the premise of this film catches the audience's attention. What if there are other worlds out there? Am I as unique as I believe myself to be? What would I be like if one small element of my life were altered? These are all very intriguing questions and writer/director James Wong took care to ensure that none of them were addressed in this film. Indeed, it appears that all opportunities to include thought-provoking content were patently avoided. The fact that this is an action movie, and a martial arts flick on top of that, suggests that one shouldn't expect in-depth social commentary or even a complex plot, but The One continually disappoints it's viewers by raising interesting concepts and then failing to focus on them.
For example, it would have been clever to show Lawless assassinating several different versions of himself, each with a different appearance and lifestyle. This could have easily been done in montage or in a sequence of short combat scenes that would have prepared the audience for the main action of the film. Instead we see only one other version of Li aside from his two main characters and a few humorous images displayed on a computer screen that make it appear as though the director simply gave Li a box of wigs and jackets to play with. Furthermore, the characters are quite weak. We are given brief introductions to each of the main players, but these serve only to remind us of some stereotype or character from another film that we can use as a mental placeholder in lieu of actual character development. After all, this is an action movie; we've got to get to the fighting as quickly as possible. As if that weren't enough of a deterrent, characters are unceremoniously and unnecessarily killed just as we have some semblance of an attachment to them. Both Li's wife, portrayed by the usually brilliant Carla Gugino, and Roedecker, played by the equally talented Delroy Lindo, are executed for no other reason than to motivate Li's good guy character and fuel hatred for his bad guy character, as if the audience could tell the difference.
Predictably, the movie culminates in a huge action scene where Li fights himself. It should have been impressive, but was instead boring and much too long. The computer wizardry that allowed Jet Li to kick his own ass was actually so flawless that I forgot to be impressed by it. After Gabe finally defeats Lawless, the film tries to trick us unsuccessfully with the old `which one is which' routine, but I doubt any audience member was fooled. Justice prevails as the evildoer is punished by being transported to a prison universe that looks like the set of a cheap music video. Our hero is rewarded by being sent to yet another alternate reality where he isn't a fugitive for his doppelganger's crimes and his wife is still alive. Gabe doesn't seem to mind that his real wife is dead and he's been presented with a cheap substitute. And how does he or the police know what his wife's history is in this world? He might fall in love with her all over again, only to discover that her favorite actor has changed from Cary Grant to Adam Sandler. Gabe can pretend his soul mate isn't dead, but he better not come crying to the dimension squad when her stand-in turns out to be a lesbian pyromaniac, decoupage lover, or a carnival freak who has undergone complex surgery to make herself a human lizard. ...Actually, that would be pretty cool. Why wasn't the movie about that?
Overall, The One has few redeeming qualities. The action has been done better in The Matrix and Jackie Chan's canon, the plot is riddled with holes, and the two accomplished character actors, Lindo and Gugino, can't compensate for the fact that Li still hasn't gotten the hang of the English language. If the premise of The One is true and alternate realities do exist, I hope to one day travel to a universe where they never made this film.
It's more thrill ride than movie and Wong plays it that way: no sentiment, no complications and no pesky story to get in the way of an arsenal of flashy special effects.
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