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Tuesday 18 September 2018 photo 7/7
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Oldboy Tamil Dubbed Movie Free Download
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DOWNLOAD: http://urllio.com/r2ch7
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Obsessed with vengeance, a man sets out to find out why he was kidnapped and locked into solitary confinement for twenty years without reason.
An advertising executive is kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released, he embarks on an obsessive mission to discover who orchestrated his punishment, only to find he is still trapped in a web of conspiracy and torment.
I have not seen the Korean original of this film, so cannot comment on the extent to which director Spike Lee reworks the material. On its own terms OLDBOY has a fascinating premise, with a rather unattractive leading man Joe Doucett (Josh Brolin) being incarcerated for twenty years, and then suddenly being released into a dystopian world of contemporary New York, strongly reminiscent - in terms of ambiance - of Martin Scorsese's TAXI DRIVER (1976). Desperate to find his way in that world, he clings on to two sources of stability - a young medic Marie Sebastian (Elizabeth Olsen) and his childhood buddy Chucky (Michael Imperioli), who runs a local bar. However he discovers that he is being manipulated by an eccentric billionaire Adrian (Sharlto Copley), who not only imprisoned him in the first place, but sets him a challenge; if he succeeds, then Joe will be a free man, if he fails, he will die. Up to this point OLDBOY has made some trenchant points about the nature of human freedom in the contemporary world, as well as asking us to reflect on whether any distinctions exist between external reality and the realities we see on the television screen. Sadly the last third of the film falls apart, as director Spike Lee seems too concerned with wrapping up the various lines of the plot. The final confrontation between Adrian and Joe is strongly reminiscent of the climax of a TV whodunit, with lots of information being imparted by Adrian in a very short time, much of it implausible. Nonetheless OLDBOY does have its virtues - most notably its lurid cinematography (by Sean Bobbitt) and tightly paced structure.
"Oldboy" (R, 1:44) is a terrible name for this movie because it tells you nothing about the film, but director Spike Lee took the name from the 2003 Korean version, so we can let it slide. Besides, you now have this review to tell you all about it. Who could ask for anything more? Well, a winning Powerball ticket would be nice, but failing that, I have a very twisty and twisted movie to review for you.
Josh Brolin is Joe Doucette, an ad man and a seemingly irredeemable schmuck. His wife calls him a joke of a husband and father, actually a fairly kind assessment of his character. After blowing off his daughter's birthday for work and then going on a bender, he wakes up in a strange room made to look like a hotel room, but with no windows and a locked door with a small hatch that only opens when a plate of food is slid into the room. And so Joe stays in this room – for 20 years! All there is for him to do is work out, watch TV and try to figure out why he's there and who put him there. Given his personal history, there are many potential culprits on the list. He actually does make a list and checks it – more than twice. When he's released as suddenly and inexplicably as he was imprisoned, he sets out to find his daughter and get revenge on the person responsible for his kidnapping, even as that person, via cell phone, taunts and threatens him. Along the way, he gets help from an old friend (Michael Imperioli) and a do-gooder nurse (Elizabeth Olsen).
"Oldman" is fascinating in its execution, revealing its many secrets over the course of the movie. When the reveals pick up speed towards the end, there are jaw-dropping surprises that will make your head spin. I thought the violence was a little over the top and didn't play as well as Lee obviously thought it would, but this is a very clever and very shocking movie, which is mostly VERY well-done. "A-"
Spike Lee's remake of 2003's Oldboy is as brutally perplexing as the South Korean original, and needless for both its repetition and tweaks. Nothing is really lost in translation, or gained.
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