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Raavanan Full Movie Hd 1080p Download
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DOWNLOAD: http://urllio.com/r5u9r
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A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.
Dev Prakash Subramaniam is assigned the task of apprehending a bandit, Veeraiya, and accordingly re-locates with his wife, Ragini. Shortly thereafter, while investigating another matter, he will be notified that his wife has been abducted by Veeraiya. He, in the company of several well-armed policemen, and guided by a forest guard, will relentlessly pursue this elusive bandit who is both revered and feared by the local residents; while Ragini will find out the real reason behind her abduction.
First things first. 'Raavanan' is not what everyone thought so. It isn't a contemporary adaptation of Ramayana. Instead, it's the Valmiki's epic meeting Shakespeare's Othello. The master filmmaker Mani Ratnam has apparently taken inspiration from these greatest works to narrate a gripping story in his own inimitable style.
'Raavanan', right from the day it went to floors, has been rising a huge hype and hoopla. And expectations soared a never before high before its release. Does the end product lived up to all? To this question, the answer is- With a huge star cast chipping in with their best, mesmerising shots, crisp editing and riveting music, 'Raavanan' ends up satisfying the appetite of the masses.
It has been a gripping narration from the very first frame. After 'Sethu' and 'Pithamagan', another side of Vikram's acting credentials is exposed. As Veera, he is at free touching almost every aspect of acting.
Aishwarya is pretty and comes out with her best. Prithviraj and Priyamani have taken the challenge of being part of a Mani Ratnam's film and delivered their best. John Vijay walks away doing a negative role.
Karthik as forest guard fits the role to T. His expression and body language are something interesting. Equally attracting is Prabhu. Munna as Vikram's younger sibling gets a meaty role to play, which he utilises well.
The shots especially in the huge jungle, water falls, hot chase and stunts have been canned at their best. The tone and texture is amazing. All credits go to Santosh Sivan. Rahman's music is the highlight and it gets more sheen with the way it has been shot. 'Veera Veera...' and 'Usure Pogudhey...' still chime in our hearts even as we walk out of theaters.
Running for little more than two hours, 'Raavanan' will go down in the history of Tamil cinema as one of the finest and best. Cheers Madras Talkies and Mani Ratnam for rendering a class movie that is racy and entertaining too.
Watch only in theaters...............
Usually a Mani Ratnam film gets two reviews. Either Brilliant or Boring. But Raavanan is unique in the sense that a viewer cannot tag this movie under any of the two Bs. This film has got it all - Big time pre-release Hype, Technically astounding visuals, sensational music, exceptional acting from the Lead characters, powerful visual metaphors and the fascinating intellect of the director, yet one feels at the end of it all something critical is missing. Raavanan stands up tall, but one expected it to fly high, which it never does.
Mani Ratnam's movies prosper in the Hype surrounding it before its release, but Raavanan needed less of these hypes. For once, it seems, the publicity has marred the grip that the screenplay could have otherwise had on the viewer. For, the story is just a modern adaptation of the Ramayana and almost all of us know what the epic holds in its stable.
STORYLINE : The face-off between Dev (Prithviraj) an upright police officer and Veeraiya aka Veera (Vikram) is the central post around which the movie revolves. Dev is the usual clichéd police officer, bright, upright, honest et al. Veera, called Raavanan by all, is many things rolled into one. Fearless, imaginative, angry, intelligent, good hearted, he is all these and more, but what he is not, is being new to tamil cinema. Veera is the tribal version of Nayagan, a la God father to his people. The Dev -Veera battle gains an explosive premise with the kidnapping of Ragini (Aishwarya Rai Bachan) by veera and his people to avenge the death of Vennila Veera's sister(Priyamani). What happens hence is the story we all know.
PERFORMANCES : For the record, Vikram has the role of his life and one must say he has performed with panache. That the role would have demanded extreme levels of skill and mettle is out of question. Aishwarya Rai is another actor that Mani Ratnam has used brilliantly. She shines in her part. Vulnerability, ferocity, grit, pain, she carries all these emotions admirably. The pair of veterans Prabhu and Karthik do their roles perfectly. The technical front of the movie keeps the viewer hooked. Cinematography deserves a special mention. The camera angles and the visuals are spell binding and the entire feel is poetic. Editing is top notch, yet the speed could have been bettered especially in the first half. A.R.Rahman has added real muscle to the movie. His belligerent tracks are already a rage. The re-recording is top notch. Where words fail, the Re-recording sizzles. Kudos ARR!
DOWNFALLS : Movies like Raavanan need Dialogues of the highest standard. Powerful, precise and razor sharp. But sadly, Suhasini Maniratnam's dialogues range from, Weak to downright silly. The power of dialogues cannot be questioned and one wonders how come Mani Ratnam over looked this aspect of the movie.
But the principle disappointing factor is the weak characterizations. Every character in the movie has a very frail flavor. The characterization is confusing. One feels Mani Ratnam is unsure of how he wants to project his characters. It doesn't help either when the director introduces sequences to act as metaphors of the Ramayana. Introducing Karthik as a tree jumping comic caper is Downright SILLY! In retrospect Karthik's entire role has been botched by the director's persistence to show him as Hanuman. Such irritating aspects of the film bring the appeal down drastically. Another huge problem with the flow of the movie is the reason for Veera targeting Dev. Revenge is totally baseless. Veera's sister's fate has nothing to do with dev, only the director has to explain why Dev's wife is kidnapped by Veera and once again the number 14 keeps cropping up senselessly.
One wonders if Mani Ratnam bit off more than he could chew. In concentrating on making the movie in three languages, it seems the director's concentration has slipped and the screenplay and the story as a whole have suffered
BOTTOMLINE : Ravanan scores high on the technical front. Direction, music and cinematography are un-matched. Yet, something somewhere pulls the movie down from reaching greater heights. The characters needed more definition, the scenes needed more pace and the dialogues needed to be more powerful, menacing and explosive.
The movie scorches the screen in parts. Certain sequences are Vintage Maniratnam. No one can do what he does, better. The whole movie carries his intellect and his brand identity yet, summing up Raavanan is tough, for, no verdict can justify the product. But one can safely say, the Whole is lesser than the sum of its parts.
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